A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
Philip Green is a highly respected writer who is recruited by a national magazine to write a series of articles on anti-Semitism in America. He's not too keen on the series, mostly because he's not sure how to tackle the subject. Then it dawns on him: if he was to pretend to all and sundry that he was Jewish, he could then experience the degree of racism and prejudice that exists and write his story from that perspective. It takes little time for him to experience bigotry. His anger at the way he is treated also affects his relationship with Kathy Lacy, his publisher's niece and the person who suggested the series in the first place. Written by
The timeliness of the film is revealed by a telling exchange that took place between screenwriter Moss Hart and a stagehand, as reported in "The Saturday Review", December 6, 1947, pg. 71: "You know," a stagehand is reported to have said to Mr. Hart, "I've loved working on this picture of yours. Usually I play gin-rummy with the boys when scenes are being shot. But not this time. This time I couldn't leave the set. The picture has such a wonderful moral I didn't want to miss it". "Really?" beamed Mr. Hart, pleased not only as a scenarist but as a reformer. "That's fine. What's the moral as you see it?". "Well, I tell you," replied the stagehand. "Henceforth I'm always going to be good to Jewish people because you never can tell when they will turn out to be Gentiles." See more »
When Phil is taking Tommy to meet his (Phil's) mother at Saks Fifth Avenue, they stop in front of the statue of Atlas outside Rockefeller Center. In the shot of the two of them talking, with Fifth Avenue in the background, Saks is directly behind them, diagonally across the street on the right, with St. Patrick's Cathedral on the left. But when Phil looks at his watch and tells Tommy they'd better leave to meet grandma, the two hurry off back north along Fifth Avenue - in the completely opposite direction of the plainly visible Saks. See more »
In answer to your question, do you follow the Hebrew religion yourself, or do you just want to make sure?
I've asked a simple question, and I'd like a simple answer.
Well, we have a very high-class clientele, and, well...
Then you do restrict your guests to Gentiles?
Well, I would hardly say that, and in any event, there seems to have been some mistake because we don't have a single free room in the entire hotel.
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This movie was very well done, and in my opinion should be shown to young people at school. That way it can help to prevent prejudices and bigotry from taking root in future generations. As John Garfield's character in the movie showed: discrimination and racial intolerance can be eliminated if we fight it. Garfield's willingness to take a supporting role in this movie because of the power of its message should compel the skeptics to watch this movie.
The sterling cast meshed together perfectly. Gregory Pecks gentility was exactly what the lead role in this movie had to have. Dorothy Mcguire was also excellent at conveying her emotions in such a demanding role. Its too bad that Garfield and Mcguire are not as well known as other Golden age stars.
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