IMDb > Subarashiki nichiyobi (1947)

Subarashiki nichiyobi (1947) More at IMDbPro »

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Overview

User Rating:
7.2/10   496 votes
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Director:
Writers:
Akira Kurosawa (writer)
Keinosuke Uekusa (writer)
Contact:
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Release Date:
June 1982 (USA) more
Genre:
Plot:
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen... more | add synopsis
Awards:
2 wins more
User Comments:
A decent film, though it's completely unlike other Kurosawa films more (10 total)

Cast

  (Complete credited cast)
Isao Numasaki ... Yuzo
Chieko Nakakita ... Masako
Atsushi Watanabe ... Yamamoto
Zeko Nakamura ... Dessert Shop Owner
Ichiro Namiki ... Street Photographer
Toppa Utsumi ... Street Photographer
Ichirô Sugai ... Yamiya, the black-marketeer
Masao Shimizu ... Dance Hall Manager
Tokuji Kobayashi ... Overweight apartment receptionist
Shiro Mizutani ... Waif
Aguri Hidaka ... Dancer
Midori Ariyama ... Sono, Yamiya's mistress
Katao Numazaki ... Bakery Owner
Toshi Mori ... Apartment Superintendent
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Additional Details

Also Known As:
One Wonderful Sunday (International: English title)
Wonderful Sunday
Un merveilleux dimanche (Canada: French title) (France) [fr]
Ein wunderschöner Sonntag (Germany) [de]
Un domingo maravilloso (Spain) [es]
Una meravigliosa domenica (Italy) [it]
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Runtime:
108 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Filming Locations:
Company:

FAQ

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0 out of 1 people found the following comment useful.
A decent film, though it's completely unlike other Kurosawa films, 17 June 2009
6/10
Author: planktonrules from Bradenton, Florida

This is one of director Akira Kurosawa's earlier films and like most of my favorite films of his, this one is about people and is set in contemporary Japan. Many love his medieval epics, but for me, I almost always prefer the "people films" like IKARU, THE BAD SLEEP WELL and SCANDAL. However, despite this being a people film, it does not, unfortunately, rank up among the director's best. Now I am not saying it's a bad film--it just doesn't measure up among his better films. Why? Well, mostly because the plot is perhaps too simple. This story about two poor lovers really doesn't have a whole lot to it. They are very poor, their lives stink and they long to marry and be together more than just one day a week. Now the journey from start to finish is well made and reasonably engaging, but that really is about all there is to it. A very good director at the beginning of his career, two very good actors and a backdrop of a post-war country that is still mostly in rubble make for a good film--but one that just seems to need a bit more.

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