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IMDb > Subarashiki nichiyobi (1947)

Subarashiki nichiyobi (1947) More at IMDbPro »

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Overview

User Rating:
7.2/10   446 votes
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Director:
Akira Kurosawa
Writers:
Akira Kurosawa (writer)
Keinosuke Uegusa (writer)
Contact:
View company contact information for One Wonderful Sunday on IMDbPro.
Release Date:
June 1982 (USA) more
Genre:
Drama | Romance
Plot:
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen... more | add synopsis
Awards:
2 wins more
User Comments:
unusual capra-esquire film more

Cast

  (in credits order) (complete, awaiting verification)
Isao Numasaki ... Yuzo
Chieko Nakakita ... Masako
Atsushi Watanabe ... Yamamoto
Zeko Nakamura ... Dessert Shop Owner
Ichiro Namiki ... Street Photographer
Toppa Utsumi ... Street Photographer
Ichirô Sugai ... Yamiya, the black-marketeer
Masao Shimizu ... Dance Hall Manager
Tokuji Kobayashi ... Overweight apartment receptionist
Shiro Mizutani ... Waif
Aguri Hidaka ... Dancer
Midori Ariyama ... Sono, Yamiya's mistress
Katao Numazaki ... Bakery Owner
Toshi Mori ... Apartment Superintendent
rest of cast listed alphabetically:
Sachio Sakai ... Shady Ticket Man (uncredited)
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Directed by
Akira Kurosawa 
 
Writing credits
(in alphabetical order)
Akira Kurosawa  writer
Keinosuke Uegusa  writer

Produced by
Sojiro Motoki .... producer
 
Original Music by
Tadashi Hattori 
 
Cinematography by
Asakazu Nakai 
 
Production Design by
Kazuo Kubo 
 
Second Unit Director or Assistant Director
Tsuneo Kobayashi .... chief assistant director
Zenji Koizumi .... assistant director
 
Sound Department
Ichirô Minawa .... sound effects editor
Shigeharu Yasue .... sound
 
Camera and Electrical Department
Kuichiro Kishida .... lighting technician
Takao Saitô .... assistant camera
Yoji Takagi .... still photographer
 
Editorial Department
Zenji Koizumi .... negative cutter
 
Other crew
Reiko Kawamura .... script supervisor
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
One Wonderful Sunday (International: English title)
Wonderful Sunday
Un merveilleux dimanche (Canada: French title) (France) [fr]
Ein wunderschöner Sonntag (Germany) [de]
Un domingo maravilloso (Spain) [es]
Una meravigliosa domenica (Italy) [it]
more
Runtime:
108 min
Country:
Japan
Language:
Japanese
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Filming Locations:
Toho Studios, Tokyo, Japan
Company:
Toho Company more

FAQ

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9 out of 10 people found the following comment useful:-
unusual capra-esquire film, 21 June 2005
8/10
Author: sryder-1 from United States

This film provides an interesting counterpoint to other Kurosawa films. Its portrayal of post-war Japan recalls Stray Dog, but the poverty and sleaziness in this case are used as the background for a romance between two very attractive young people, who have a Sunday date, but only 35 yen to spend. Yet there is not the gloom of Lower Depths. Both have jobs and we see his minimally decent rental room. The title seems throughout the film to be rather ironic, since most of the situations they encounter, such as being cheated at a snack bar, are far from wonderful. However, Kurosawa puts a positive spin at the conclusion. I agree with another reviewer that the device of having the girl speak to the audience, seeking our sympathy for young couples without money, who wish to marry, is a very awkward device that distracts from our interest in the relationship. However, I disagree with another reviewer who describes the ending as corny: we've all heard of Capra-corny. This film does not come up to Capra's level, but it is reminiscent of his human interest. It seemed to me that the closing device of the girl's making a date for the next Sunday works very well. Every film needs closure, and this one does not deal in high drama at any point, so a highly dramatic climax would not be appropriate. The viewer who wants that should go to Ran or Kagemusha. In my view, the early Kurosawa films showed him how to develop human relationships: a gift that later would be present in the samurai films, and would make them much more than action epics.

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