| Photos (see all 1 | slideshow) |
| Eric Portman | ... | Paul Mangin | |
| Edana Romney | ... | Mifanwy Conway | |
| Barbara Mullen | ... | Veronica | |
| Hugh Sinclair | ... | Owen Rhys | |
| Bruce Belfrage | ... | Sir David Conway | |
| Alan Wheatley | ... | Edgar Orsen | |
| Joan Maude | ... | Caroline Hart | |
| Leslie Weston | ... | Mortimer | |
| Hugh Latimer | ... | Bing | |
| John Penrose | ... | Brandy | |
| Christopher Lee | ... | Charles | |
| Lois Maxwell | ... | Lois | |
| Mavis Villiers | ... | Babs | |
| Thora Hird | ... | Visitor in Tussauds | |
| rest of cast listed alphabetically: | |||
| Valentine Dyall | ... | Counsel for defence (uncredited) | |
| Susanne Gibbs | ... | Gwendoline (uncredited) | |
| Noel Howlett | ... | Psychiatrist (uncredited) | |
| Gordon McLeod | ... | Public prosecutor (uncredited) | |
Directed by | |||
| Terence Young | |||
Writing credits(in alphabetical order) | ||
| Rudolph Cartier | writer | |
| Christopher Massie | novel | |
| Edana Romney | writer | |
Produced by | |||
| Rudolph Cartier | .... | producer | |
Original Music by | |||
| Georges Auric | |||
Cinematography by | |||
| André Thomas | |||
Film Editing by | |||
| Douglas Myers | |||
Art Direction by | |||
| Terence Verity | |||
Costume Design by | |||
| Maggy Rouff | (dresses) | ||
Makeup Department | |||
| Gerry Fairbanks | .... | makeup supervisor (as Gerald Fairbank) | |
| Mancini | .... | hair styles supervisor | |
Production Management | |||
| Sam Lee | .... | production manager | |
Sound Department | |||
| J.S. Davie | .... | sound recordist | |
Special Effects by | |||
| Nicolas Wilcké | .... | special effects (as Wilcke) | |
Costume and Wardrobe Department | |||
| Owen Hyde-Clark | .... | dress designer | |
Other crew | |||
| Ann Besserman | .... | continuity | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Precious Bane | The Devil's Agent | A Mighty Heart | Simba | Pride & Prejudice |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
This is expert, expert film making, rich in atmosphere and mood, and easily as good as the best gothics and psychological 'horror' films of the forties such as Wuthering Heights, Rebecca, Jane Eyre, Seventh Veil, or the Val Lewton works. I don't think there was a single scene that did not hold my attention. I could not begin to enumerate all the little touches and flourishes of lighting, camera angle, dialog, story ideas, etc. but I particularly enjoyed the seamless interweaving of references to Lewis Carroll's Alice (when Edana Romney follows the white cat (white rabbit surrogate) through the labyrhinthine corridors of the mansion, or to Othello/Romeo and Juliet at the Venetian ball, or again to Cocteau's Beauty and the Beast. Some compare this film to to Cocteau (it's on the video box), with its ornate and detailed set, as well as its theme, but Corridor of Mirrors for all its fine acting, atmosphere, and mastery of technique is not genius. It is not poetically simple. But if you liked any of the films mentioned above, you will definitely enjoy watching dark, mysterious leading lady Edana Romney (who also co wrote the screenplay) search for the inner resources to free herself from the spell of an incredibly intense and psychologically compelling, but morbid, life.