The Lady from Shanghai (1947)

User Rating:

7.8/10   

Writers:

Sherwood King (story)
Orson Welles (screenplay)
(more)

Release Date:

9 June 1948 (USA)

Genre:

Crime | Drama | Film-Noir | Mystery

Tagline:

One who keeps his nature keeps his original nature in the end.

Plot:

Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.

Plot Keywords:

Murder | Dock | Yacht | Seaman | Partner

Cast

Rita Hayworth	...	Elsa Bannister
Orson Welles	...	Michael O'Hara
Everett Sloane	...	Arthur Bannister
Glenn Anders	...	George Grisby
Ted de Corsia	...	Sidney Broome (as Ted De Corsia)
Erskine Sanford	...	Judge
Gus Schilling	...	'Goldie' Goldfish
Carl Frank	...	District Attorney Galloway
Louis Merrill	...	Jake
Evelyn Ellis	...	Bessie (Bannister maid)
Harry Shannon	...	Cab Driver
rest of cast listed alphabetically:
William Alland	...	Reporter (uncredited)
Jessie Arnold	...	Schoolteacher at Aquarium (uncredited)
Jack Baxley	...	Guard (uncredited)
Steve Benton	...	Policeman (uncredited)
Vernon Cansino	...	Man (uncredited)
Doris Chan	...	Chinese Girl (uncredited)
George Chirello	...	Man (uncredited)
Wong Chung	...	Li (uncredited)
Eddie Coke	...	Policeman (uncredited)
Peter Cusanelli	...	Bartender (uncredited)
Al Eben	...	Policeman (uncredited)
Edythe Elliott	...	Old Lady (uncredited)
Heenan Elliott	...	Guard (uncredited)
John Elliott	...	Court Clerk (uncredited)
Errol Flynn	...	Man in background outside of cantina (uncredited)
Joseph Granby	...	Police Lieutenant (uncredited)
Robert Gray	...	Reporter (uncredited)
Alvin Hammer	...	Reporter (uncredited)
Maynard Holmes	...	Truck Driver (uncredited)
Tiny Jones	...	Woman (uncredited)
Byron Kane	...	Reporter (uncredited)
Milton Kibbee	...	Policeman (uncredited)
Preston Lee	...	Chinese Man (uncredited)
Grace Lem	...	Chinese Woman (uncredited)
Billy Louie	...	Chinese Girl (uncredited)
Charles Meakin	...	Jury Foreman (uncredited)
Philip Morris	...	Port Steward / Peters (uncredited)
Sam Nelson	...	Captain of yacht Circe (uncredited)
Mary Newton	...	Reporter (uncredited)
Joe Palma	...	Cab Driver (uncredited)
Edward Peil Sr.	...	Guard (uncredited)
Gerald Pierce	...	Waiter (uncredited)
Joe Recht	...	Garage Attendant (uncredited)
Mabel Smaney	...	Woman (uncredited)
Harry Strang	...	Policeman (uncredited)
Norman Thomson	...	Policeman (uncredited)
Philip Van Zandt	...	Policeman / Thug (uncredited)
Dorothy Vaughan	...	Old Woman (uncredited)
Blackie Whiteford	...	Big Coke drinker with vest (uncredited)
Richard Wilson	...	Assistant District Attorney (uncredited)
Artarne Wong	...	Ticket Taker (uncredited)
Jean Wong	...	Ticket Seller (uncredited)

Directed by
Orson Welles		(uncredited)

Writing credits
Sherwood King		(story based on a novel)
Orson Welles		(screenplay)
William Castle		uncredited
Charles Lederer		uncredited
Fletcher Markle		uncredited

Produced by
William Castle	....	associate producer
Orson Welles	....	producer
Richard Wilson	....	associate producer
Harry Cohn	....	executive producer (uncredited)

Original Music by
Heinz Roemheld		(musical score by)

Cinematography by
Charles Lawton Jr.		(director of photography)
Rudolph Maté		(uncredited)
Joseph Walker		(uncredited)

Film Editing by
Viola Lawrence

Art Direction by
Sturges Carne
Stephen Goosson		(as Stephen Goossón)

Set Decoration by
Wilbur Menefee
Herman N. Schoenbrun		(as Herman Schoenbrun)

Costume Design by
Jean Louis		(gowns)

Makeup Department
Clay Campbell	....	makeup artist (uncredited)
Helen Hunt	....	hair stylist (uncredited)
Robert J. Schiffer	....	makeup artist (uncredited)

Second Unit Director or Assistant Director
Sam Nelson	....	assistant director
William Castle	....	second unit director (uncredited)

Sound Department
Lodge Cunningham	....	sound recordist

Special Effects by
Lawrence W. Butler	....	special effects (uncredited)

Stunts
John Daheim	....	stunts (uncredited)
Terry Wilson	....	stunts (uncredited)

Camera and Electrical Department
Edward Cronenweth	....	still photographer (uncredited)
Irving Klein	....	camera operator (uncredited)
Richard H. Kline	....	assistant camera (uncredited)
Don Murphy	....	grip (uncredited)
Ned Scott	....	still photographer (uncredited)

Music Department
Morris Stoloff	....	musical director (as M.W. Stoloff)
Anita Ellis	....	singing voice: Rita Hayworth (uncredited)
Herschel Burke Gilbert	....	orchestrator (uncredited)

Other crew
Dorothy B. Cormack	....	script supervisor (uncredited)
Errol Flynn	....	technical advisor: yacht scenes (uncredited)
Virginia Van Upp	....	story continuity (uncredited)

Production Companies

• Columbia Pictures Corporation (presents)
• Mercury Productions (uncredited)

Distributors

• Columbia Film (1948) (Sweden) (theatrical)
• Columbia Pictures (1948) (USA) (theatrical)
• Filmes Castello Lopes (1949) (Portugal) (theatrical)
• Columbia TriStar Home Video (1994) (USA) (VHS)
• Columbia TriStar Home Video (1998) (Netherlands) (VHS)
• Columbia TriStar Home Video (2000) (USA) (DVD) (special edition)
• Columbia TriStar Home Entertainment (2001) (Netherlands) (DVD)
• Columbia TriStar Home Video (2003) (UK) (DVD)
• Columbia Films (1947) (France) (theatrical) (35 and 16 mm)
• Columbia TriStar (????) (Brazil) (DVD)
• LK-TEL Vídeo (19??) (Brazil) (VHS)
• RCA/Columbia Pictures Home Video (19??) (USA) (VHS)
• RCA/Columbia Pictures Home Video (19??) (USA) (video) (laserdisc)
• Sony Pictures Home Entertainment (2003) (Italy) (DVD)
• Union Film Wien (1950) (Austria) (theatrical)

Also Known As:

Black Irish (USA) (working title)
Take This Woman (USA) (working title)
The Girl from Shanghai (USA) (working title)
Die Lady von Shanghai (Austria) (West Germany) [de]
La dama de Shanghai (Argentina) (Spain) [es]
La dame de Shanghai (Belgium: French title) (France) [fr]
A Dama de Shangai (Brazil) (alternative spelling) [pt]
A Dama de Shanghai (Brazil) [pt]
A Dama de Xangai (Portugal) [pt]
Dama z Szanghaju (Poland) [pl]
De dame uit Shanghai (Belgium: Flemish title) [un]
I kyria ap' ti Sangai (Greece) [el]
Kvinden fra Shanghai (Denmark) [da]
La dama de Xangai (Spain: Catalan title) [ca]
La signora di Shanghai (Italy) [it]
Lady från Shanghai (Sweden) [sv]
Nainen Shanghaista (Finland) [fi]

Runtime:

87 min | Germany:79 min | UK:92 min (original release)

Country:

USA

Language:

English | Cantonese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

UK:A (original rating) (1948) | Argentina:13 | Australia:PG | Chile:14 | Finland:K-16 | Germany:12 | Sweden:15 | UK:PG | USA:Approved (certificate #12111)

Filming Locations:

Acapulco Bay, Acapulco, Guerrero, Mexico

Company:

Columbia Pictures Corporation

Trivia:

Orson Welles was very displeased with the score put together by the studio-appointed composer. In a test screening, he put a temp stock score on which was supposed to be a model for the composer. The composer completely disregarded Welles' precisely laid-out blueprint. In particular, the final mirror scene was supposed to be unscored, to create the sense of terror.

Goofs:

Continuity: Narrator mentions they arrive back in San Francisco on early-October, but in the document (prepared by Grisby) that Wells signs verifying his killing of Grisby, it is dated August 9th, supposedly the next day.

Quotes:

Michael O'Hara: New York is not as big a city as it pretends to be.

Movie Connections:

Remade as The Lady from Shanghai (2010)

Soundtrack:

Amado Mio

This Is One Wild-And-Crazy Film Noir!

Of all the film noirs of the 1940s and 1950s, this has to rank as one of the strangest, and most fun to watch. I say that because of the four main actors: Orson Welles, Rita Hayworth, Everett Sloane and Glenn Anders.

The first two names are familiar to everyone but it was the last two that made this movie so entertaining to me, especially Anders. His character, "George Grisby," is one of the strangest people I've ever seen on film. His voice, and some of the things he said, have to be heard to be believed. Slaone isn't far behind in the "strange" category. Hayworth is not as glamorous with short, blonde hair but still is Hayworth, which means a lot to ogle if you are a guy. Welles' is as fascinating as always. One tip: if you have the DVD, turn on the English subtitles. His character in this movie is an Irishman and you need the subtitles to understand everything he says.

Welles also directed the film which means you have great camera angles and wonderful facial closeups. You also have a unique ending, visually, with a shootout in a house of mirrors. Great stuff! As bizarre as this film is, I still thought the buffoon-like carnival atmosphere at the trial near the end was too much and took away from the seriousness of the scene. Other than that, no complaints.

This is great entertainment, which is the name of the game.