From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Antisocial Prof. Hammil's Remote Control device, which enables the user to take over any motor vehicle within 50 miles (!), is stolen by The Wizard, black-hooded mastermind, and his gang. Batman and Robin (who drive about in a standard convertible) must prevent the Wizard from obtaining diamonds, needed as fuel for the device, and rescue magazine photographer Vicki Vale from periodic perils. Where is the Wizard's base, reached only by remote controlled submarine? Which of several suspicious characters hides beneath the Wizard's hood? Written by
Rod Crawford <email@example.com>
Batman drives a 1949 Mercury convertible throughout, but, in one instance, when the need arises, Robin shows up in a 1949 Mercury four-door sedan, which is apparently his own; meanwhile, the Wizard drives a 1949 Mercury two-door sedan; Winslow Harrison drives a 1949 four-door Lincoln sedan; and the cops use a number of 1949 Fords, all of them innovatingly styled products of the Ford Motor Company, who must have had the only new car dealership in Gotham City. The Wizard's henchmen make a lot of use out of a 1941 Lincoln 8 passenger sedan, while Vicki Vale must make the best of it with a 1939 Plymouth convertible. See more »
Chapter 9: The car (up-to-date) that Batman is driving plunges over the embankment but a square-bodied car crashes. See more »
Crime, striking our city night and day, is on the increase. Our undermanned police force is helpless to cope with the situation, but they have an ally - Batman - who with the faithful Robin, wages unending war against all criminals!
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There is not a better example of a typical 40's/50's cliffhanger matinée serial than this underbudgeted Batman entry. And, you're either going to embrace all it's flawed charms or not. There's no in between.
First,let me tell you where I'm coming from. I loved the Batman 60's TV program for all it's campiness, and I am still amazed at Burton's first Warner Bros. Batman blockbuster with Keaton/Nicholson which incredibly and masterfully convinced us to suspend disbelief and take the masked crusader seriously. The '49 Batman serial, while closer to the TV version, than the high budgeted movie spectacular, for me, is somewhere in between. The reason is, that I saw this serial for the first time as an 8 year old matinée movie goer in Florida during it's first release.
It was much different then, and I'm not convinced that in spite of the advancements in production values and special effects that it was any more fun or magical to be a movie kid today as it was in the 50's. We all see movies through our own set of filters and if your's are the Matrix and video games, you will probably not be a fan of Batman '49.
We were not blind or stupid, we saw the flaws and didn't care. We also saw the adventure and embraced it. For all it's lack of high production, this Batman and Robin was a whole lot of fun. And in running the VHS or DVD versions, I'm transported back to a simpler time, and, more importantly, am convinced that this example of matinée fare is typical of what my generation of baby boomers learned from the movies about right from wrong and good from evil.
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