| Toshirô Mifune | ... | Det. Murakami | |
| Takashi Shimura | ... | Det. Sato | |
| Keiko Awaji | ... | Harumi Namaki, showgirl | |
| Eiko Miyoshi | ... | Harumi's mother | |
| Noriko Sengoku | ... | Girl | |
| Noriko Honma | ... | Wooden Tub Shop woman | |
| Reikichi Kawamura | |||
| Eijirô Tôno | |||
| Yasushi Nagata | (as Kiyoshi Nagata) | ||
| Katsuhei Matsumoto | |||
| Isao Kimura | ... | Yusa | |
| Minoru Chiaki | ... | Girlie Show director | |
| Teruko Kishi | |||
| Ichirô Sugai | ... | Yayoi Hotel owner | |
| Gen Shimizu | ... | Police Inspector Nakajima | |
| Hiroshi Yanagiya | ... | Police Officer | |
| Hajime Izu | ... | Criminal Identification Officer | |
| Masao Shimizu | ... | Nakamura | |
| Kokuten Kôdô | ... | Old Landlord | |
| Yûnosuke Itô | ... | Bluebird Theatre manager | |
| Akira Ubukata | ... | Police Doctor | |
| Fujio Nagahama | ... | Sakura Hotel manager | |
| Isao Ikukaka | ... | Sei-san, bellhop | |
| Shiro Mizutani | ... | Punkster | |
| Eizo Tanaka | ... | Old Doctor | |
| Kazuko Ihonbashi | ... | Sato's wife | |
| Haruko Tôgô | ... | Azuma Hotel madame | |
| Haruko Toyama | ... | Kintaro geisha | |
| Mie Asô | ... | Pinball Parlor woman | |
| Rikie Sanjo | ... | Manager's wife | |
| Chôko Iida | ... | Kogetsu Hotel manager | |
| rest of cast listed alphabetically: | |||
| Ishirô Honda | ... | Fleeing Villain | |
| Haruo Nakajima | ... | Man in Bar Fight (scenes deleted) | |
| Hajime Taniguchi | ... | Man in Bar Fight (scenes deleted) | |
| Reisaburô Yamamoto | ... | Hondo | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Ryûzô Kikushima | writer | |
| Akira Kurosawa | writer | |
Produced by | |||
| Akira Kurosawa | .... | associate producer | |
| Sôjirô Motoki | .... | producer | |
| Senkichi Taniguchi | .... | associate producer | |
| Kajirô Yamamoto | .... | associate producer | |
Original Music by | |||
| Fumio Hayasaka | |||
Cinematography by | |||
| Asakazu Nakai | |||
Film Editing by | |||
| Toshio Gotô | |||
| Yoshi Sugihara | |||
Production Design by | |||
| Takashi Matsuyama | |||
Production Management | |||
| Seinosuke Hirai | .... | in charge of production | |
Second Unit Director or Assistant Director | |||
| Ishirô Honda | .... | chief assistant director | |
| Zenshu Koizumi | .... | assistant director | |
Art Department | |||
| Yoshirô Muraki | .... | assistant art director | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Fumio Yanoguchi | .... | sound | |
Camera and Electrical Department | |||
| Choshiro Ishii | .... | lighting technician | |
| Issei Tanaka | .... | still photographer | |
| Kazuo Yamada | .... | assistant camera | |
Editorial Department | |||
| Toshio Gotô | .... | negative cutter | |
Other crew | |||
| Yoji Ken | .... | choreographer | |
| Hachiko Toi | .... | script supervisor | |
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| Rivelazioni di un maniaco sessuale al capo della squadra mobile | The Crimson Kimono | Freeway | The Fugitive | The Black Widow |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Japan section |
Captivating American-esque noir, one of Kurosawa's first great films. What seems like a weak premise for a thriller at the start actually ends up providing a great central situation for this movie which drives it forward much better than, say, Donzoko. Music, also is great.
Toshiro Mifune, looking young and handsome, is quite marvellous as the central character, a detective whose gun is stolen on a bus. What starts out as a detective nervous about finding his gun and fixing a silly mistake, develops into a frantic and desparate man who feels somehow responsible for whatever crimes are committed with his gun. The suspense and detective-story plot are well developed in Stray Dog, but what really makes the story captivating is the revelation of the central character's feeling of guilt throughout, and his learning about crime, criminals, and that what is important is to make good come of your mistakes.