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| Joseph Cotten | ... | Holly Martins | |
| Alida Valli | ... | Anna Schmidt (as Valli) | |
| Orson Welles | ... | Harry Lime | |
| Trevor Howard | ... | Major Calloway | |
| Bernard Lee | ... | Sergeant Paine | |
| Paul Hörbiger | ... | Karl - Harry's Porter (as Paul Hoerbiger) | |
| Ernst Deutsch | ... | 'Baron' Kurtz | |
| Siegfried Breuer | ... | Popescu | |
| Erich Ponto | ... | Dr. Winkel | |
| Wilfrid Hyde-White | ... | Crabbin | |
| Hedwig Bleibtreu | ... | Anna's Old Landlady | |
| rest of cast listed alphabetically: | |||
| Nelly Arno | ... | Kurtz's mother (uncredited) | |
| Jack Arrow | ... | International Patrol A (uncredited) | |
| Harold Ayer | ... | Soldier (uncredited) | |
| Harry Belcher | ... | Man chasing Holly (uncredited) | |
| Leo Bieber | ... | Barman (Casanova) (uncredited) | |
| Paul Birch | ... | Military Policeman (uncredited) | |
| Martin Boddey | ... | Russian Military Policeman (uncredited) | |
| Madge Brindley | ... | Guest at Casanova Bar (uncredited) | |
| Ray Browne | ... | International Patrol B (uncredited) | |
| Robert Brown | ... | British Military Policeman in Sewer Chase (uncredited) | |
| Paul Carpenter | ... | International Patrol D (uncredited) | |
| Alexis Chesnakov | ... | Colonel Brodsky - Russian liaison officer (uncredited) | |
| Guy De Monceau | ... | International Patrol C (uncredited) | |
| Reed De Rouen | ... | American Military Policeman at Railroad Station (uncredited) | |
| Jack Faint | ... | Guest at Casanova Bar (uncredited) | |
| Peter Fontaine | ... | Minor Role (uncredited) | |
| Thomas Gallagher | ... | Taxi driver (uncredited) | |
| Michael Godfrey | ... | International Patrol C (uncredited) | |
| Vernon Greeves | ... | International Patrol D (uncredited) | |
| Herbert Halbik | ... | Little Hansl (boy with ball) (uncredited) | |
| Paul Hardtmuth | ... | Hartman - Hall Porter at Hotel Sacher (uncredited) | |
| Walter Hertner | ... | Barman at Sacher's (uncredited) | |
| Charles Irwin | ... | Colonel O'Sullivan (uncredited) | |
| Lily Kann | ... | Nurse (uncredited) | |
| Geoffrey Keen | ... | British Military Policeman (uncredited) | |
| Brookes Kyle | ... | International Patrol B (uncredited) | |
| Martin Miller | ... | Headwaiter (uncredited) | |
| Hannah Norbert | ... | Actress at Josefstadt Theater (uncredited) | |
| Eric Pohlmann | ... | Waiter at Smolka's (uncredited) | |
| Carol Reed | ... | Opening narrator (UK version) (voice) (uncredited) | |
| Annie Rosar | ... | Porter's wife (uncredited) | |
| Frederick Schreicker | ... | Hansel's father (uncredited) | |
| Hugo Schuster | ... | Waiter (uncredited) | |
| Karel Stepanek | ... | Actor at Josefstadt Theater (uncredited) | |
| Lee Strasberg | ... | MP (uncredited) | |
| Gordon Tanner | ... | International Patrol C (uncredited) | |
| Ernst Ulman | ... | Visitor at Literature Club (uncredited) | |
| Helga Wahlrow | ... | Josefstadt Theatre Actress (uncredited) | |
| Jenny Werner | ... | Hilde - Winkel's maid (uncredited) | |
Directed by | |||
| Carol Reed | |||
Writing credits | ||
| Graham Greene | (story) and | |
| Alexander Korda | (story) uncredited | |
| Graham Greene | (screenplay) | |
| Carol Reed | uncredited and | |
| Orson Welles | uncredited | |
Produced by | |||
| Hugh Perceval | .... | associate producer | |
| Carol Reed | .... | producer | |
| Alexander Korda | .... | producer (uncredited) | |
| David O. Selznick | .... | producer (uncredited) | |
Original Music by | |||
| Anton Karas | |||
Cinematography by | |||
| Robert Krasker | (photographed by) | ||
Film Editing by | |||
| Oswald Hafenrichter | |||
Set Decoration by | |||
| Dario Simoni | (uncredited) | ||
Makeup Department | |||
| George Frost | .... | makeup artist | |
| Joe Shear | .... | hairdresser (as J. Shear) | |
| Peter Evans | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| T.S. Lyndon-Haynes | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Guy Hamilton | .... | assistant director | |
| Jack Causey | .... | second assistant director (uncredited) | |
| Jack N. Green | .... | third assistant director (uncredited) | |
| George Pollock | .... | second unit director (uncredited) | |
| Gino Wimmer | .... | assistant director: Austria (uncredited) | |
Art Department | |||
| Joseph Bato | .... | set designer | |
| Ferdinand Bellan | .... | assistant art director | |
| John Hawkesworth | .... | set designer | |
| Vincent Korda | .... | set designer | |
| James Sawyer | .... | assistant art director | |
Sound Department | |||
| John Cox | .... | sound supervisor | |
| Jack Drake | .... | sound editor | |
| Red Law | .... | sound recordist | |
| Bert Ross | .... | sound recordist | |
| Jack Davies | .... | boom operator (uncredited) | |
| John Glen | .... | assistant sound editor (uncredited) | |
Visual Effects by | |||
| W. Percy Day | .... | matte painter (uncredited) | |
Camera and Electrical Department | |||
| Denys N. Coop | .... | camera operator (as Denys Coop) | |
| Stanley Pavey | .... | additional photographer (as Stan Pavey) | |
| Edward Scaife | .... | camera operator (as E. Scaife) | |
| John Wilcox | .... | additional photographer | |
| Monty Berman | .... | camera operator: "b" camera (uncredited) | |
| J. Bicknell | .... | camera loader (uncredited) | |
| Alan McCabe | .... | clapper loader (uncredited) | |
| Geoff Meldrum | .... | focus puller (uncredited) | |
| John von Kotze | .... | focus puller: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Ivy Baker | .... | wardrober | |
| Gene Hornsby | .... | assistant wardrobe: women (uncredited) | |
| George Murrey | .... | wardrobe master (uncredited) | |
| Dickie Richardson | .... | assistant wardrobe: men (uncredited) | |
Editorial Department | |||
| Peter Taylor | .... | assembly cutter | |
| Derek Armstrong | .... | assistant editor (uncredited) | |
| Ken Behrens | .... | assistant editor (uncredited) | |
| David Eady | .... | assistant editor (uncredited) | |
Music Department | |||
| Irving Fields | .... | composer: song "Managua, Nicaragua" | |
| Albert Gamse | .... | composer: song "Managua, Nicaragua" | |
| Anton Karas | .... | musician: zither | |
| Fritz Löhner-Beda | .... | lyrics | |
| Henry Love | .... | composer: song "Das Alte Lied" | |
Other crew | |||
| Alexander Korda | .... | presenter | |
| Peggy McClafferty | .... | continuity | |
| Elizabeth Montagu | .... | advisor: Austria | |
| David O. Selznick | .... | presenter | |
| Angela Allen | .... | script supervisor: second unit (uncredited) | |
| Teresa Deans | .... | production secretary (uncredited) | |
| Robert Dunbar | .... | production assistant: second unit (uncredited) | |
| Enid Jones | .... | unit publicist (uncredited) | |
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This is a rare film that is flawless in every respect. It combines great acting and memorable characters with a fascinating story, taking place in an interesting setting and adding a creative musical score. "The Third Man" is remembered for many things - for Orson Welles' wonderful performance in his appearances as Harry Lime, for its wonderfully appropriate musical score, and for its nicely conceived plot surprises. Adding to these is Joseph Cotten's fine portrayal of Holly Martins, which holds the rest of it together - it is his character who initiates most of the action, and also through whom we view everything and everyone else.
The story starts, after a nicely done prologue, with Martins arriving in Vienna, and finding out that his friend Harry is not only dead but is accused of running a particularly destructive black market racket. Martins sets out at once to prove his friend's innocence, getting into an immediate scuffle with the police, and it seems at first to set up a conventional plot about clearing the name of a friend - but the actual story that follows is much deeper and much better. It is just right that Martins is an innocent who writes cheap novels for a living, and he gets a pretty memorable lesson in fiction vs. reality. There are some great scenes (the Ferris-wheel confrontation being as good a scene as there is in classic cinema) leading up to a memorable climactic sequence, and a good supporting cast, with Alida Valli as Anna being very good in complementing Lime and Martins. The setting in crumbling post-war Vienna and the distinctive zither score go very nicely with the story.
This is a fine, flawless classic, and while obviously belonging to an earlier era, it deserves a look from anyone who appreciates good movies.