The Third Man (1949)

User Rating:

8.5/10   

Director:

Carol Reed

Writers:

Graham Greene (story)
Graham Greene (screenplay)

Release Date:

3 September 1949 (UK)

Genre:

Film-Noir | Mystery | Thriller

Tagline:

Carol Reed's Classic Thriller

Plot:

Arriving in Vienna, Holly Martins learns that his friend Harry Lime, who has invited him, recently died in a car accident.

Plot Keywords:

Black Market | Car Accident | Police | Post WWII | Stage Play

Awards:

Won Oscar. Another 2 wins & 4 nominations

Cast

Joseph Cotten	...	Holly Martins
Alida Valli	...	Anna Schmidt (as Valli)
Orson Welles	...	Harry Lime
Trevor Howard	...	Major Calloway
Bernard Lee	...	Sergeant Paine
Paul Hörbiger	...	Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch	...	'Baron' Kurtz
Siegfried Breuer	...	Popescu
Erich Ponto	...	Dr. Winkel
Wilfrid Hyde-White	...	Crabbin
Hedwig Bleibtreu	...	Anna's Old Landlady

Also Known As:

The 3rd Man (USA) (poster title)
El tercer hombre (Argentina) (Mexico) (Spain) [es]
Der dritte Mann (Austria) (West Germany) [de]
Le troisième homme (Belgium: French title) (France) [fr]
A harmadik ember (Hungary) [hu]
De derde man (Belgium: Flemish title) [un]
Den tredie mand (Denmark) [da]
Den tredje mannen (Sweden) [sv]
El tercer home (Spain: Catalan title) [ca]
Il terzo uomo (Italy) [it]
Kolmas mies (Finland) [fi]
O 3º Homem (Brazil) [pt]
O Terceiro Homem (Portugal) [pt]
Treci covek (Serbia) [sr]
Trzeci czlowiek (Poland) [pl]

Runtime:

104 min | USA:93 min

Country:

UK

Language:

English | German | Russian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Iceland:12 | Netherlands:6 (DVD rating) | South Korea:15 (2003) | Brazil:14 | Argentina:13 | Australia:PG | Finland:K-16 | Norway:11 | Spain:13 | Sweden:15 | UK:PG | USA:Approved (PCA #14125) | West Germany:12 | New Zealand:G

Filming Locations:

Isleworth, Middlesex, England, UK

Company:

London Film Productions

Trivia:

Graham Greene based the character of Harry Lime on British double agent Kim Philby, who was Greene's superior in the British Secret Intelligence Service.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): The line about the cuckoo clock being Switzerland's only contribution to culture is factually incorrect: the cuckoo clock comes from the Black Forest, across the border in S.W. Germany.

Quotes:

Anna Schmidt: A person doesn't change just because you find out more.

Movie Connections:

Featured in AFI's 100 Years... 100 Movies (1998) (TV)

Soundtrack:

The Third Man Theme

The real mccoy when you want to talk serious screen legends!

What IS it makes THE THIRD MAN the classic most everyone agrees it is? (And lets face it, voted no 35 in the top all-time films gives it MORE than just some passing credibility!) Is it Orson Welles' menace? The whiff of corruption in occupied post-war Vienna? the cuckoo-clock speech atop the big wheel? even Anton Karras' zither? Perhaps ALL these things? If however, you had to nominate just a single influence within the whole production that elevates it to greatness I suggest that would be Robert Krasker's cinematography.

The finished product innovatively, was years ahead of its birthright. Time and time again the viewer is bailed up by stunning camera angles and back-lighting. The eerie shadows around the deserted streets and of course the unforgettable first glimpse of Harry Lime (Welles) himself as he skulks like the rat he is, in the corner of the building, lit in close-up suddenly from the light in an adjacent apartment. Offhand I cannot think of a character's more dramatic entrance to a film.

Welles in fact has minimal screen time, though his dark presence and influence infiltrate proceedings like an insidious disease. Yet somehow his ultimate demise in the sewers brings into play an incredible sadness and compassion that has absolutely no right being there. It remains for me one of my top five film favorites. I have always given it a "10" personally but hey, to be voted an "8.6" universally is a pretty fair vindication of my words here.