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IMDb > Törst (1949)

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Overview

User Rating:
6.7/10   528 votes
MOVIEmeter: ?
Up 17% in popularity this week. See why on IMDbPro.
Director:
Writers:
Contact:
View company contact information for Thirst on IMDbPro.
Release Date:
11 July 1961 (USA) more
Genre:
Tagline:
A great new Swedish hit by the maker of "Monika" and "Illicit Interlude" more
Plot:
A needy couple in a bad marriage travel back to Stockholm after a trip to Italy. Meanwhile, a widow resists seductions from two different persons - her psychiatrist and a lesbian friend. full summary | add synopsis
Plot Keywords:
User Comments:
My brief review of the film more (9 total)

Cast

  (Complete credited cast)
Eva Henning ... Rut
Birger Malmsten ... Bertil
Birgit Tengroth ... Viola
Hasse Ekman ... Dr. Rosengren
Mimi Nelson ... Valborg (as Mimmi Nelson)
Bengt Eklund ... Raoul
Gaby Stenberg ... Astrid
Naima Wifstrand ... Miss Henriksson
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Additional Details

Also Known As:
Thirst (USA)
Three Strange Loves
La soif (Belgium: French title) (France) [fr]
Dorst naar liefde (Belgium: Flemish title) [un]
Durst (West Germany) [de]
Jano (Finland) [fi]
La fontaine d'Aréthuse (France) [fr]
La sed (Argentina) [es]
Pathos kai idoni (Greece) [el]
Pragnienie (Poland) [pl]
Sede de Paixões (Brazil) [pt]
Sete (Italy) [it]
Tørst (Denmark) [da]
Tres amores extraños (Spain) [es]
more
Runtime:
83 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (AGA Baltic)
Filming Locations:

FAQ

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8 out of 13 people found the following comment useful.
My brief review of the film, 7 October 2005
Author: sol- from Perth, Australia

My least favourite of the twelve Ingmar Bergman films that I have watched so far, this is nevertheless an okay film in itself. I could not bring myself to care for any of the characters, and the plot is rather awkward, to say the least. Interestingly, this Bergman film has the unusual quality of not been written by the Swedish great himself, so Bergman cannot receive much blame for the storyline, which consists of different events with different characters in different time periods, all put together in an unclear fashion. The story is hard to decipher, but what I could work out, I did not find very exciting at that. Even so, this is satisfactory viewing, as the camera follows around the characters very well and Bergman shows some skill for setting up shots, even if not as greatly as in some of his later efforts. And, if not much else, the music choices are fitting. I am not sure whether I would recommend this to other Bergman fans, but I would definitely advise non-fans to proceed with caution.

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