6.9/10
772
25 user 11 critic

711 Ocean Drive (1950)

Approved | | Crime, Drama, Film-Noir | 1 July 1950 (USA)
An electronics expert creates a huge bookie broadcast system for his crime boss, and takes over operations when his boss is murdered. His greed leads him on a deadly destructive path.

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Cast

Complete credited cast:
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...
...
Carl Stephans
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Vince Walters (as Barry Kelly)
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Trudy Maxwell
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Larry Mason (as Donald Porter)
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Lt. Pete Wright
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Gizzi
Sammy White ...
Chippie Evans
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Storyline

A telephone repairman in Los Angeles uses his knowledge of electronics to help a bookie set up a betting operation. When the bookie is murdered, the greedy technician takes over his business. He ruthlessly climbs his way to the top of the local crime syndicate, but then gangsters from a big East Coast mob show up wanting a piece of his action. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

FILMED UNDER ARMED POLICE PROTECTION... in the face of threats of violence and reprisal! See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

1 July 1950 (USA)  »

Also Known As:

Blood Money  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Boulder Dam" is actually Hoover Dam. Congress authorized the Boulder Canyon Dam Project in 1931 and, it being traditional to name big federal dam projects after the sitting President, named it Hoover Dam. Franklin D. Roosevelt defeated Herbert Hoover in 1932 but could not officially change the name set by Congress. Harold Ickes (FDR's Interior Secretary), however, issued a memo directing that his employees "...will refer to the dam as 'Boulder Dam' in this pamphlet as well as in correspondence and other references...." In 1947, after Roosevelt and Ickes had died, Congress passed a resolution to "restore" the name of Hoover Dam. Until that time, however, all official, tourist and other promotional materials called it "Boulder Dam." The public's recognition with the old name was still apparent in the movie (released in 1950) through the script and the highway signage seen en route. See more »

Goofs

The tape recorders Mal uses to manipulate the Vegas sports book only have one reel. But this isn't a goof because he is recording announcements from the race track on one tape deck (with only a feed reel) and playing the tape back to the bookie network after a 2-minute delay on the second tape deck (with only a take-up reel. If you look closely at the shot, at some point you can see a big pile of loose tape from in between the reels sitting on the table in the background -- which is probably about 2 minutes worth of tape. That's how he gets the delay. See more »

Quotes

Mal Granger: I just wish I could lay my hands on Don Ameche for awhile, I'd teach him to invent the telephone.
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Crazy Credits

The film ends with the following written statement: "The cooperation of the United States Department of the Interior Bureau of Reclamation is gratefully acknowledged." See more »

Connections

References The Story of Alexander Graham Bell (1939) See more »

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User Reviews

 
Ma Bell Should'a Paid Him More
8 July 2007 | by (Claremont,USA) – See all my reviews

After seeing this movie, you may not look at a telephone repairman the same way again. Actually the result seems closer to the Cagney films of the thirties than to the noirs of the forties. For phone lineman Eddie O'Brien, it's a success story, as opportunity, know-how, and drive propel him to the top of the bookie racket. Fortunately the always energetic O'Brien makes the transition from working stiff to bookie king-pin both dynamic and believable. Then too, we meet some interesting people along the way, including smoothie Otto Kruger doing his best imitation of a smiling cobra, even as young marrieds Joanne Dru and Don Porter practice their 1950's version of open marriage. And in a usual thankless part, moon-faced Barry Kelley who bull-dozes everyone within reach through eyes so pinched, they're barely more than razor slits. Still, it's unheralded bit actors like him that really make movies like this work.

Director Joe Newman keeps things moving nicely, even the colorless scenes featuring the forces of law and order don't bog down the pacing. There're also some good location shots in and around LA, with an exhausting climax up and down the the stairwells of Boulder Dam as the giant turbines hum in the background. (I wonder how they get ordinary people who probably just happened to be at the dam that day, to be so natural with a movie camera and crew staring them in the face. Somehow they do.) My favorite part is setting up the "past-posting" scheme, showing how every technical innovation presents a criminal mastermind with a twisted opportunity. All in all, 7-11 may not be a jack-pot dice roll, but it is a decent thriller, entertaining if not exactly memorable.


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