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All About Eve (1950)

Approved | | Drama | 27 October 1950 (USA)
An ingenue insinuates herself into the company of an established but aging stage actress and her circle of theater friends.

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(written for the screen by)
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Top Rated Movies #113 | Won 6 Oscars. Another 17 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Eve
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Aged Actor
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Girl
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Leading Man
Leland Harris ...
Doorman
Barbara White ...
Autograph Seeker
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Storyline

Eve (Anne Baxter) is waiting backstage to meet her idol, aging Broadway star Margo Channing (Bette Davis). It seems innocent enough as Eve explains that she has seen Margo in EVERY performance of her current play. Only playwright/critic DeWitt (George Sanders) sees through Eve's evil plan, which is to take her parts and her fiancé, Bill Simpson (Gary Merrill). When the fiancé shows no interest, she tries for playwright Lloyd Richards (Hugh Marlowe), but DeWitt stops her. After she accepts her award, she decides to skip the after-party and goes to her room, where a young woman named Phoebe has sneaked into her room and fallen asleep. This is where the "Circle of Life" now comes to fruition as Eve will get played like she played Margo.

Plot Summary | Plot Synopsis

Taglines:

It's all about women---and their men!

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

27 October 1950 (USA)  »

Also Known As:

Best Performance  »

Box Office

Budget:

$1,400,000 (estimated)

Opening Weekend:

$10,177 (USA) (8 October 2000)

Gross:

$10,177 (USA) (8 October 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Co-star Celeste Holm spoke about her experience with Bette Davis on the first day of shooting: "I walked onto the set . . . on the first day and said, 'Good morning,' and do you know her reply? She said, 'Oh shit, good manners.' I never spoke to her again - ever." See more »

Goofs

When Addison slaps Eve in the hotel room, her head snaps toward him rather than away, indicating a "stage" slap. See more »

Quotes

Lloyd Richards: The atmosphere is very MacBeth-ish... what has, or is about to, happen?
See more »

Crazy Credits

Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »

Connections

Referenced in The Rugrats: All Growed Up (2001) See more »

Soundtracks

Manhattan
(1925) (uncredited)
Music by Richard Rodgers
Played on the piano at the party when Margo and Max are in the kitchen
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Incredible
29 August 2000 | by (Toronto) – See all my reviews

I had read comments about the quality of the writing in this film but I really had no idea to what extent this would elevate the experience. The fact is, it leaves me with no other choice than to give it a perfect 10. Unless you see this film, I don't think you'll have the necessary frame of reference with which to to base any expectations on. It's an incredibly engrossing, moving and often comedic experience, but time and time again what knocks you over is the absolute finesse with which this script was crafted. The fact that the acting and direction are flawless and surprisingly natural-seeming (most old movies usually seem stiff or people seem to "act" too much) only enhances it that much more. With this film, you can really imagine the *people* the actors are portraying.

"All About Eve" shows some similarity to one of my other favourite 50s films "A Face in the Crowd". Both are studies of fame and celebrity. Eve shows how a person will corrupt themselves in order to attain it, whereas A Face's premise is that fame corrupts those who find themselves in the spotlight. Both have themes that are perhaps even more resonant in our celebrity-obsessed culture now than when they were made. Interestingly, Eve predates A Face by several years.

And possibly most interesting of all is the honest and often raw way in which women are portrayed, the strength of their character and the power they wield. The male contingent is practically relegated to the back seat. One might be hard pressed to find a movie quite so "liberated" today. So what more can I say? If you love movies and you haven't yet seen it, you've suffered long enough; don't wait another day.


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