Alice in Wonderland (1951)

User Rating:

7.4/10   

Directors:

Clyde Geronimi
Wilfred Jackson

Writers:

Lewis Carroll (novels)
Winston Hibler (story) ...

Release Date:

28 July 1951 (USA)

Genre:

Animation | Adventure | Family | Fantasy | Musical

Tagline:

A world of wonders in One Great Picture

Plot:

Alice stumbles into the world of Wonderland. Will she get home? Not if the Queen of Hearts has her way.

Plot Keywords:

Sun | Alternate Dimension | Miniaturization | Mispronounciation | Surrealism

Awards:

Nominated for Oscar. Another 1 nomination

Cast

Kathryn Beaumont	...	Alice (voice)
Ed Wynn	...	Mad Hatter (voice)
Richard Haydn	...	Caterpillar (voice)
Sterling Holloway	...	Cheshire Cat (voice)
Jerry Colonna	...	March Hare (voice)
Verna Felton	...	Queen of Hearts (voice)
J. Pat O'Malley	...	Tweedledee / Tweedledum / The Walrus / The Carpenter (voice) (as Pat O'Malley)
Bill Thompson	...	White Rabbit / Dodo (voice)
Heather Angel	...	Alice's sister (voice)
Joseph Kearns	...	Doorknob (voice)
Larry Grey	...	Bill (voice)
Queenie Leonard	...	Bird in the Tree (voice)
Dink Trout	...	King of Hearts (voice)
Doris Lloyd	...	The Rose (voice)
James MacDonald	...	Dormouse (voice)

Also Known As:

Alicia en el país de las maravillas (USA: Spanish title)
Alicia en el país de las maravillas (Argentina) (Peru) (Spain) [es]
Alice au pays des merveilles (Belgium: French title) (France) [fr]
Alice i Underlandet (Sweden) [sv]
Alice im Wunderland (West Germany) [de]
Alice in Wonderland (Belgium: Flemish title) [un]
Alice nel paese delle meraviglie (Italy) [it]
Alice no País das Maravilhas (Brazil) [pt]
Alicja w Krainie Czarów (Poland) [pl]
Aliki sti hora ton thavmaton, I (Greece) [el]
Fushigi no Kuni no Arisu (Japan) [ja]
Lísa í Undralandi (Iceland) [is]
Liisa ihmemaassa (Finland) [fi]

Runtime:

75 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Denmark:A (DVD rating) | Portugal:M/6 | South Korea:All | Argentina:Atp | Australia:G | Canada:G | Chile:TE | Finland:S | Iceland:L | Peru:PT | Sweden:Btl | UK:U | USA:G (1973) | Brazil:Livre | Germany:BPjM Restricted

Company:

Walt Disney Productions

Trivia:

Color screen tests of Mary Pickford as Alice were made for a proposed live-action/animation version of the story.

Goofs:

Continuity: When Alice is crawling out of the White Rabbit's house after being shrunk, the door is shut. When she runs to the step, the door is open.

Quotes:

White Rabbit: Why, Mary Ann! What are you doing out here?
Alice: Mary Ann?
White Rabbit: Don't just do something, stand there... Uh... no no! Go go! Go get my gloves! I'm late!
Alice: But late for what? That's just what I...
White Rabbit: My gloves!
[Blows trumpet]
White Rabbit: At once, do you hear!
Alice: Goodness. I suppose I'll be taking orders from Dinah next.

Movie Connections:

Featured in The 100 Greatest Cartoons (2005) (TV)

Soundtrack:

Beyond the Laughing Cloud

Timeless magic of warped genius.

Most films age over time. In 20 years will Titanic still be as amazing as it was in 1998? Will Jurassic Park still have people gawping open mouthed at the cinema screen? I think not. Its a rarity, but sometimes, just sometimes, there comes a movie that is timeless, magical and eternal, one such film is Alice in Wonderland.

It seems to me, when watching most Disney films, that Walt Disney had an evil masterplan to mess with the minds of children, young and old. Dumbo is a film about an outsider, Pinocchio is a film about a freak child who cannot stop lying. Walt only made these films family viewing through constantly having a moral ending. Dumbo can fly and Pinocchio is rewarded for risking his life to save another, however, these moral endings do not disguise the fact that, at times, Disney films were quite peculiar.

Alice in Wonderland on the surface is a dreamlike fantasy about a child nodding off and visiting a wonderful wonderland where flowers sing, caterpillars smoke and rabbits talk. However, similarly to Blue Velvet, this film is not about the surface values, its is about the dark, seedy undertones that exist beneath the aesthetic surface.

Below its surface lies a wealth of wholly unlikeable and unhelpful creatures. Aside from the King (Hooray) of Hearts, each character only serves to hinder Alice in her attempts to come to terms with her warped dream. The Cheshire Cat is responsible for putting Alice in court, the White Rabbit wants to have Alice destroyed when he finds her at his home, the flowers shun Alice when they incorrectly perceive her to be a common garden weed, the Mad Hatter and the March Hare also shun Alice for no reason whatsoever, this list is as long as the tunnel that leads Alice into her Wonderland.

To look back at the film nowadays, one could surmount that the ending is nothing more than a cop-out (these thoughts were true for Lynch's Boxing Helena). She dreamt it all along is nothing more than saying, here, we'll give you licence to create a magical world, no boundaries because it all exists inside a young girls mind.

I'll admit this review might seem overly critical of the film, but it is for these warped reasons and the context of what the film represents or least what it should represent that I absolutely adore it. Walt Disney might have had a masterplan to screw with the minds of his children, but I say, good luck to him. A subtle undertone to the magical shell of the movie shows that the yolk is in fact sour. I daren't but will compare this movie to Adrian Lyne's Jacob's Ladder, another film about a false surface level and the warped undertones of life and death.

Sleep is only a state of mind, it's what happens in this state of mind that really matters. Or at least, what mattered to Walt.

Classic.