A Streetcar Named Desire (1951)

Director:

Elia Kazan

Writers:

Tennessee Williams (original play "A Streetcar Named Desire")
Oscar Saul (adaptation)
(more)

Release Date:

1 December 1951 (West Germany)

Genre:

Drama

Tagline:

...When she got there she met the brute Stan, and the side of New Orleans she hardly knew existed.

Plot:

Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.

Plot Keywords:

Neurotic | Louisiana | Streetcar | Pregnant Sister | Character Lies About Age

Awards:

Won 4 Oscars. Another 11 wins & 14 nominations

Cast

Vivien Leigh	...	Blanche DuBois
Marlon Brando	...	Stanley Kowalski
Kim Hunter	...	Stella Kowalski
Karl Malden	...	Harold 'Mitch' Mitchell
Rudy Bond	...	Steve
Nick Dennis	...	Pablo Gonzales
Peg Hillias	...	Eunice
Wright King	...	A Collector
Richard Garrick	...	A Doctor
Ann Dere	...	The Matron
Edna Thomas	...	The Mexican Woman
Mickey Kuhn	...	A Sailor
rest of cast listed alphabetically:
Mel Archer	...	Foreman (uncredited)
Dahn Ben Amotz	...	Bit part (uncredited)
Marietta Canty	...	Giggling woman wth Eunice (uncredited)
John George	...	(uncredited)
Chester Jones	...	Street vendor (uncredited)
Lyle Latell	...	Policeman (uncredited)
Maxie Thrower	...	Passerby (uncredited)
Charles Wagenheim	...	Passerby (uncredited)

Directed by
Elia Kazan

Writing credits
Tennessee Williams		(original play "A Streetcar Named Desire")
Oscar Saul		(adaptation)
Tennessee Williams		(screenplay)

Produced by
Charles K. Feldman	....	producer

Original Music by
Alex North

Cinematography by
Harry Stradling Sr.		(director of photography) (as Harry Stradling)

Film Editing by
David Weisbart

Art Direction by
Richard Day

Set Decoration by
George James Hopkins

Makeup Department
Gordon Bau	....	makeup artist
Ray Forman	....	hair stylist (uncredited)
Otis Malcolm	....	makeup artist (uncredited)
Pat O'Grady	....	body makeup artist (uncredited)
Hazel Rogers	....	hair stylist (uncredited)

Second Unit Director or Assistant Director
Don Alvarado	....	assistant director (uncredited)

Sound Department
C.A. Riggs	....	sound
Nathan Levinson	....	sound (uncredited)

Costume and Wardrobe Department
Lucinda Ballard	....	wardrobe
Lillian House	....	wardrobe (uncredited)
Robert O'Dell	....	wardrobe (uncredited)
Marguerite Royce	....	wardrobe (uncredited)

Music Department
Ray Heindorf	....	musical director
Maurice De Packh	....	orchestrator (uncredited)

Other crew
Irene Mayer Selznick	....	presenter: stage play

Production Companies

• Charles K. Feldman Group
• Warner Bros. Pictures (as Warner Bros. Pictures)

Distributors

• Warner Bros. Pictures (1951) (USA) (theatrical)
• Twentieth Century-Fox Film Corporation (1958) (USA) (theatrical)
• Columbia Broadcasting System (CBS) (1972) (USA) (TV) (network premiere)
• Warner Home Video (1995) (USA) (video) (laserdisc)
• Warner Home Video (1997) (USA) (DVD)
• Warner Home Vídeo (2000) (Brazil) (DVD)
• Warner Home Video (2006) (USA) (DVD) (special edition)
• CBS/Fox (video)
• Twentieth Century-Fox Film Corporation (cable tv)
• Warner Home Vídeo (Brazil) (VHS)

Also Known As:

Endstation Sehnsucht (Austria) (West Germany) [de]
Un tramway nommé désir (Canada: French title) (France) [fr]
Un tranvía llamado deseo (Argentina) (Spain) [es]
A vágy villamosa (Hungary) [hu]
Leoforeion o pothos (Greece) [el]
Linje lusta (Sweden) [sv]
Omstigning til Paradis (Denmark) [da]
Tramlijn Begeerte (Belgium: Flemish title) [un]
Tramvaj zvani zelja (Serbia) [sr]
Tramwaj zwany pozadaniem (Poland) [pl]
Um Bonde Chamado Desejo (Brazil) [pt]
Um Eléctrico Chamado Desejo (Portugal) [pt]
Uma Rua Chamada Pecado (Brazil) [pt]
Un tram che si chiama desiderio (Italy) [it]
Un tramvai numit dorinta (Romania) [ro]
Un tramvia anomenat desig (Spain: Catalan title) [ca]
Un tramway nommé Désir (Belgium: French title) [fr]
Viettelyksen vaunu (Finland) [fi]
Yokubô toiu na no densha (Japan) [ja]

Runtime:

122 min | USA:125 min (re-release)

Country:

USA

Language:

English | Spanish

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

USA:GP (1970 re-release) | USA:Approved (certificate #14871) (original rating) | Australia:PG (TV rating) | France:Unrated | South Korea:12 | UK:12A (re-rating) | New Zealand:PG | Argentina:13 | Australia:M | Finland:K-16 | Norway:16 | Portugal:M/12 | Sweden:15 | UK:15 (video rating) (1986) | UK:X (original rating) | USA:PG (1993 director's cut) | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Canada:PG (Manitoba)

Filming Locations:

Los Angeles, California, USA

Company:

Charles K. Feldman Group

Trivia:

John Garfield turned down the role of Stanley Kowalski because he didn't want to be overshadowed by the female lead.

Goofs:

Continuity: When Stan comes back from taking Stella to the hospital, he is looking for a bottle opener. He finds it on the mantlepiece shakes up a bottle of beer and opens it. The beer foams up and spills on his trousers. But if you watch at the moment when he swings himself up to sit on the table - before he opens the bottle - you can see that the front of his trousers are already wet. Apparently they re-shot it without him changing into dry trousers.

Quotes:

[first lines]
A Sailor: Can I help you, ma'am?
Blanche DuBois: Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.

Movie Connections:

Referenced in "The Venture Bros.: The Incredible Mr. Brisby (#1.4)" (2004)

If great performances is what you desire, hop on this streetcar.

Based on the Pulitzer Prize winning play by Tennessee Williams, 'A Streetcar Named desire' is set in post World War II New Orleans and centers around a young married couple attempting to keep their bond despite a noted class distinction. Stanley Kowalski, played by Marlon Brando in perhaps one of the greatest performances ever to project off the big screen, is a young Polish American living in a cozy apartment with his quasi-newlywed bride. Stella, a magnolia fresh off a Southern plantation, portrayed with equal panache by Kim Hunter. Things seem to be going along pretty well until Stella's older sister shows up on the doorstep. Blanche Dubois, ( Vivian Leigh ) is a figure as obnoxious as she is tragic, and almost from the very start she is despised by her Polish brother-in-law. Kowalski suddenly discovers that his middle class roots, which hadn't seemed like a much of a point of contention with his new wife, are the subject of snide insinuations and clandestine conversations rolling off the tongue of his sister-in-law. Who, it turns out, is not without considerable baggage herself. That's when the once toasty love nest ( Complete with the memory of twinkling Christmas lights ) turns into a war zone. Things are further complicated when Stanley's Army/factory buddy, brilliantly portrayed by Karl Malden, suddenly takes a shine to Miss Dubois, The incredible thing about 'Streetcar' is not just the quality of the acting, but the way the actors approach the complex and beautiful dialog. Brando combines dynamic sexual magnetism with passionate anger, possessive love and cynicism. Vivian Leigh's tragic character perhaps mirroring the insanity she suffered through in her own life, is portrayed with raving vanity one minute and fleeting youth the next. As she often hears and sees flashbacks which the audience does not. William's dialogue manages to do the impossible, that is to blend in poetic imagery with normal conversation, while not sounding sickly sentimental or downright ridiculous. This is as much a credit to the actors themselves, especially Leigh, who really had to do the bulk of the tough solo

scenes in which Blanche begins to lose her mind for good. But Brando is simply too hard to beat. Stanley Kowalski is fully rounded in every sense when this great American actor delivers his lines. Perhaps the only injustice is that Brando did not receive the Oscar for this film, while his costars Hunter, Leigh and Malden all did. Numerous attempts have been made to remake this film, both on the stage and for television. But no one has been able to execute the premise like this wonderful quartet. A fantastic and moving American classic. 10 out of a possible 10 T.H.