The star of an upcoming Broadway production, Janet Hallson, walks out during rehersals. The producers of the show, Ted Sturgis, Leo Belney and Bob Dowdy begin to search a replacement. After... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Walter and Vivian live in the country and have a difficult time keeping servants. Walter hires an private detective who has been fired for arresting the District Attorney. They only way ... See full summary »
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ... See full summary »
An Italian-American barber, Joe Thomasello, buys a sweepstakes ticket but doesn't tell his wife, Nora, as she takes a dim view of gambling in any form. The ticket turns out to be the prize ... See full summary »
In the fever-stricken areas of Cuba a brave band of scientists, doctors and U. S. Marines fight a losing battle against the deadly plague of 'Yello Jack,' until the great heroic risk taken by an Irish sergeant brings victory.
George B. Seitz
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
Carl Bellairs and Lindsey Lane, his daughter, meet many years after he deserted her and her mother. They don't much like each other, but wind up working in the same nightclub. Bellairs ... See full summary »
Ernest B. Schoedsack
The brother of a notorious outlaw is put in a charge of a stagecoach line way station in dangerous Apache territory. A stagecoach arrives at the station with a valuable box of cargo, and ... See full summary »
To save his job, newsman Jeff Sherman offers to help his boss get out of a swingeing alimony settlement. But his devious plan to compromise Cornelia Porter, the judge on the case, while she... See full summary »
An guy and a girl who are working in a carnival's dunk tank. When inebriated Texan comes to the booth he and the guy starts drinking. Eventually the Texan invites him to a function. When they get there he's mistaken for the Texan and she for the man's sister. Eventually he lost a wager and doesn't know how he's going to pay it. And the girl finds herself attracted to the Texan's foreman. Written by
At the time "Texas Carnival" was filmed, Red Norvo's trio included an African-American musician, bassist Charles Mingus, and when they recorded their number for this film (backing Ann Miller on "It's Dynamite") Mingus played on the soundtrack. But when the number was filmed MGM executives insisted that a white bassist substitute for Mingus on screen. See more »
During the chuck wagon race the Texas flag on the announcers stand is upside down. See more »
This brash and often noisy Technicolor trifle is definitely not for those expecting to enjoy a series of Esther's more elaborate water ballets. She spends a minimal amount of time in the water in this one and there's only one trademark production number, a dream sequence in which she floats sinuously about in Howard Keel's darkened hotel room, trailing yards of diaphanous white veiling, that comes close to what her fans might have lined up at the box-office hoping to enjoy.
Esther, however, looks wondrously healthy and pretty throughout, the very picture of an All-American Girl, acting with her usual pert insouciance. Howard gets to unleash his rich bass-baritone in two or three forgettable songs, though he certainly looks convincing as a lanky ranch foreman. Red Skelton contributes his usual shtick, at some tedious length here and there, and even manages to amuse today's audiences with a skillfully executed pratfall or two. Ann Miller, ever the most energetic in the cast, seems to come out on top in this pastiche, tossing off a couple of her patented leg-tossing, tippy-tapping dance amazements, choreographed by the reliable Hermes Pan.
M-G-M touted this as 'Another Big MGM Musical' but it appears to have been rather thriftily produced, with some minimal location work that looks notably cobbled together, especially in a concluding and very extended chuck wagon race, which involves some dangerously risky stunt work, by the way.
Keenan Wynn lends some very sour support, as a Texas millionaire, overly fond of his bourbon. Skelton also is supposed to imbibe a prodigious amount in one drawn-out sequence, and we're meant to find it riotously funny, something that may have been acceptable back in the early 1950s but which fails to amuse as easily today, with our greater awareness of the very deleterious effects of excessive alcohol intake.
It's also amusing to note how very much inflation has devalued the American dollar in the more than half-century since this film was released. A multi-room hotel suite large enough to fill one of M-G-M's average soundstages is quoted as costing what would be the usual price in today's dollars for a single, modest hotel room in a smaller U.S. city. A doctor makes a house call, to tend a briefly ailing Ms. Williams (She's fainted from hunger, poor thing!), for a fee that wouldn't cover the charge for administering an aspirin anywhere in a U. S. health facility today. A beautiful Lincoln Cosmopolitan convertible is smashed into a tree (mercifully, off-camera) and the quoted estimated tariff for its repairs (supposedly including a ruined dashboard) is so laughably minuscule that the total wouldn't cover a six months' insurance premium assessed for an ultra-safe contemporary driver with no traffic citations on his/her record over many prior years of accident-free mileage. What price progress?!?
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