| Photos (See all 18 | slideshow) |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Pierre La Mure | (novel "Moulin Rouge") | |
| Anthony Veiller | (screenplay) & | |
| John Huston | (screenplay) | |
Produced by | |||
| Jack Clayton | .... | associate producer | |
| John Huston | .... | producer (uncredited) | |
| John Woolf | .... | producer (uncredited) | |
Original Music by | |||
| Georges Auric | |||
Cinematography by | |||
| Oswald Morris | |||
Film Editing by | |||
| Ralph Kemplen | |||
Production Design by | |||
| Marcel Vertès | (uncredited) | ||
Art Direction by | |||
| Paul Sheriff | |||
Set Decoration by | |||
| Marcel Vertès | (decor) (as Vertes) | ||
Costume Design by | |||
| Julia Squire | (uncredited) | ||
Makeup Department | |||
| Eileen Bates | .... | hair stylist | |
| Connie Reeve | .... | makeup artist (as Constance Reeve) | |
Production Management | |||
| Leigh Aman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Adrian Pryce-Jones | .... | assistant director | |
| Alec Gibb | .... | second assistant director (uncredited) | |
| Jack N. Green | .... | third assistant director (uncredited) | |
Art Department | |||
| Maurice Fowler | .... | draughtsman (uncredited) | |
| Jack Stevens | .... | set dresser (uncredited) | |
| Elven Webb | .... | assistant art director (uncredited) | |
Sound Department | |||
| George Fisher | .... | additional dubbing editor | |
| E. Law | .... | sound recordist | |
| A.E. Rudolph | .... | sound recordist | |
| Eric Wood | .... | dubbing editor | |
| Bob Jones | .... | dubbing crew (uncredited) | |
| Red Law | .... | dubbing crew (uncredited) | |
| Kevin McClory | .... | boom operator (uncredited) | |
| George Stephenson | .... | sound maintenance (uncredited) | |
Visual Effects by | |||
| Judy Jordan | .... | matte painter (uncredited) | |
| Wally Veevers | .... | matte effects (uncredited) | |
Camera and Electrical Department | |||
| Freddie Francis | .... | camera operator | |
| Cyril J. Knowles | .... | camera operator: second unit (as Cyril Knowles) | |
| Eric Gray | .... | still photographer (uncredited) | |
| Arthur Lemming | .... | assistant camera (uncredited) | |
| Dudley Lovell | .... | camera operator: second unit (uncredited) | |
| Alex Thomson | .... | assistant camera (uncredited) | |
| Norman Warwick | .... | camera operator: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Schiaparelli | .... | costume designer: Miss Gabor | |
| Julia Squire | .... | costume supervisor | |
| Marcel Vertès | .... | costumes (as Vertes) | |
Editorial Department | |||
| Eliot Elisofon | .... | special color consultant | |
| Stan Hawkes | .... | assistant editor (uncredited) | |
| Roy Hyde | .... | assistant editor (uncredited) | |
| Terry Poulton | .... | second assistant editor (uncredited) | |
Music Department | |||
| Lambert Williamson | .... | musical director | |
| Muriel Smith | .... | singing voice: Zsa Zsa Gabor, "It's April Again" (uncredited) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Joan Bridge | .... | technicolor color consultant | |
| William Chappell | .... | dance director | |
| Ian Craig | .... | Technicolor technician | |
| Elsie Foulstone | .... | dialogue coach | |
| Robert Hessens | .... | special montage sequence | |
| Splinters Deason | .... | continuity: second unit (uncredited) | |
| Anne Douglas | .... | publicist (uncredited) | |
| Julie Gibson | .... | unit publicist (uncredited) | |
| Kevin McClory | .... | assistant: Mr. Huston (uncredited) | |
| Marcel Ophüls | .... | assistant: Mr. Huston (uncredited) | |
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| An American in Paris | Isadora | Cousin Bette | Bride of the Wind | Les enfants du siècle |
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With the appearance of the 2001 movie entitled "Moulin Rouge" (see review) I went back to the Jose Ferrer version to add a review of it. Note that both films are entirely different in style and purpose; to equate them is to compare apples to pineapples.
This version, so well directed by John Huston, is not a wild frenetic musical but a very touching and moving character study of the great artist Henri Toulose-Lautrec, whose legs were badly mishappen and shortened by an accident early in his life leaving him basically a midget. His frustration at his appearance, and unattractiveness to women, forever scarred his short life that was curtailed by drink and other excess. Jose Ferrer was superb as this tortured yet brilliant soul; Ferrer also played expertly Henri's powerful father descended from French nobility.
"Moulin Rouge" began with a long scene in the club itself filled with dancing, exciting music, beautiful women, good friends,and lots of drink. The sets and costumes and were colorful and beautiful. After about half an hour we follow Henri home - and we see him, alone, so short and vulnerable, walking all alone through the dark streets of Paris. The contrast was most effective. Such was the REALITY of Henri's life. The remainder of the film focused on his unsatisfactory relationship with a prostitute he befriends, along with flashbacks to his privileged wealthy childhood.
Perhaps the most emotional scene was at the end. With Henri dying in his bed his father there tells him that he is the first living artist to be honored by having his work displayed at the Louvre. As he appealed for forgiveness for his previously harsh treatment, saying "I didn't understand", all Henri's old friends from the Moulin Rouge, as spirits (or hallucinations), visited him.
Like with the fine movie about Van Gogh, "Lust for Life", this even better movie is not necessarily always true to historical fact, but it is a cinematic classic.
HIGHLY RECOMMENDED!