A C-47 transport plane, named the Corsair, makes a forced landing in the frozen wastes of Labrador, and the plane's pilot, Captain Dooley, must keep his men alive in deadly conditions while waiting for rescue.
Struggling to retain custody of his daughter following his divorce, football coach Steve Williams finds himself embroiled in a recruiting scandal at the tiny Catholic college he is trying ... See full summary »
One disaster after another happens on this trans-Pacific flight. You have the pilot who loses his nerve! The washed-up co-pilot. The milquetoast flight engineer. The young hot shot second officer. And a cabin full of passengers with every range of problems and personalities there could possibly be. Here you have the Duke in a role he didn't want, and a movie with the title song that became Duke's theme. What else could any John Wayne fan want? It's all here, and then some. Written by
The lyrics to the noted title song are only heard at the very end, are sung by a large choral group, and are different from the familiar lyrics heard in the popular song released of the time. See more »
In the flashback story her husband tells, Clara Joseph falls down some stairs and kicks a waiter's tray in the process. However, when they cut from the closeup of her feet, she is obviously sitting on the bottom step. She then leans back, takes aim, and kicks the tray. She then lies back like it was all one continuous motion. See more »
Soundtrack music is important. Try thinking of 'Star Wars' without John Williams' symphonic score, and you'll see what I'm saying. Dimitri Tiomkin knew exactly how to write for this picture, and how to move the audience, for without his classic and at times choral-accentuated theme and the rousing orchestral cues throughout, this would have been merely a good film rather than the near-great film that it is. Had it been made this year, for example, using a contemporary film composer, I believe TH&TM wouldn't carry it off.
There doesn't seem to be a replacement for Tiomkin on the horizon, and we couldn't afford to lose him.
The best lines belong to Jan Sterling (that cosmetics scene is still gripping), Robert Newton, and lovely Claire Trevor, and there's a great low-keyed, anticlimactic finale.
A Nine from me.
48 of 60 people found this review helpful.
Was this review helpful to you?