| Photos (See all 10 | slideshow) |
| Broderick Crawford | ... | Augusto | |
| Giulietta Masina | ... | Iris | |
| Richard Basehart | ... | Picasso | |
| Franco Fabrizi | ... | Roberto | |
| Sue Ellen Blake | ... | Anna | |
| Irene Cefaro | ... | Marisa | |
| Alberto De Amicis | ... | Rinaldo | |
| Lorella De Luca | ... | Patrizia | |
| Giacomo Gabrielli | ... | Il Baron Vargas | |
| Riccardo Garrone | ... | Riccardo | |
| Paul Grenter | |||
| Emilio Manfredi | |||
| Lucetta Muratori | |||
| Mario Passante | |||
| Sara Simoni | |||
| Xenia Valderi | ... | Luciana | |
| Mara Werlen | ... | Maggie | |
| Maria Zanoli | ... | Stella Florina | |
| Ettore Bevilacqua | ... | Swindled Man | |
| rest of cast listed alphabetically: | |||
| Ada Colangeli | ... | Bit part (uncredited) | |
| Yami Kamadeva | ... | (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits(in alphabetical order) | ||
| Federico Fellini | ||
| Ennio Flaiano | ||
| Tullio Pinelli | ||
Produced by | |||
| Mario Derecchi | .... | producer (uncredited) | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Otello Martelli | |||
Film Editing by | |||
| Mario Serandrei | |||
| Giuseppe Vari | |||
Production Design by | |||
| Dario Cecchi | |||
Set Decoration by | |||
| Massimiliano Capriccioli | |||
Costume Design by | |||
| Dario Cecchi | |||
Makeup Department | |||
| Rocchetti | .... | hair stylist (as Fiamma Rocchetti) | |
| Eligio Trani | .... | makeup artist | |
Production Management | |||
| Giuseppe Colizzi | .... | production manager | |
| Antonio Negri | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dominique Delouche | .... | assistant director | |
| Paolo Nuzzi | .... | assistant director | |
| Moraldo Rossi | .... | assistant director | |
| Narciso Vicario | .... | assistant director | |
Sound Department | |||
| Giovanni Rossi | .... | sound editor | |
Camera and Electrical Department | |||
| Roberto Gerardi | .... | camera operator | |
| G.B. Poletto | .... | still photographer | |
| Arturo Zavattini | .... | assistant camera | |
Editorial Department | |||
| Nada Delle Piane | .... | assistant editor | |
Music Department | |||
| Franco Ferrara | .... | conductor | |
Other crew | |||
| Manolo Bolognini | .... | production secretary | |
| Ezio Rodi | .... | production staff | |
| Brunello Rondi | .... | advisor | |
| Manolo Bolognini | .... | script supervisor (uncredited) | |
| Renato Cominetti | .... | voice dubbing (uncredited) | |
| Arnoldo Foà | .... | voice dubbing: Broderick Crawford (uncredited) | |
| Nino Manfredi | .... | voice dubbing: Alberto De Amicis (uncredited) | |
| Enrico Maria Salerno | .... | voice dubbing: Richard Basehart (uncredited) | |
| Recent Posts (updated daily) | User |
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| Few words... | junio |
| Did the English speaking Americans learn Italian? | stalzz64 |
| 20 minutes edited out | etienneroses |
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| I vitelloni | Nuovomondo | 8½ | Giulietta degli spiriti | Les invasions barbares |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section |
Il Bidone is the story of an old and tired con man, who one day, when it's too late, finds himself transformed after he's gone through a redemption of sorts. One of Fellini's least seen films, and unfortunately for viewers in the US, a cut version has been the only one available since its initial release. Even still, it's an amazing film. As I remember it was Truffault who said of Il Bidone, 'I could watch Broderick Crawford die for hours!' And he was very right. Crawford tended to be such a hack in the vast majority of his work for films and TV, but Fellini got an extraordinary performance out of him. Makes you wonder if he was capable of things like this all the time - if so - what a sad loss for us. He was a really bad alcoholic and Fellini kept having to change the script, but later in life said it turned out better that way. If you cry while watching La Strada and Le Notti di Cabiria, Il Bidone will make you cry much more. A forgotten and neglected classic. Proof again of Fellini's astonishing love and compassion for all humanity.