Du rififi chez les hommes (1955)

User Rating:

8.1/10   

Director:

Jules Dassin

Writers:

Auguste Le Breton (novel)
Jules Dassin (adaptation)

Release Date:

5 June 1956 (USA)

Genre:

Crime | Drama | Film-Noir | Thriller

Tagline:

["Rififi"] ...means Trouble!

Plot:

Four men plan a technically perfect crime, but the human element intervenes...

Plot Keywords:

Safe | Jewelry | Italian | Burglary | Jewel

Awards:

4 wins & 1 nomination

Cast

Jean Servais	...	Tony le Stéphanois
Carl Möhner	...	Jo le Suedois
Robert Manuel	...	Mario Ferrati
Janine Darcey	...	Louise le Suedois
Pierre Grasset	...	Louis Grutter aka Louis le Tatoué
Robert Hossein	...	Remi Grutter
Marcel Lupovici	...	Pierre Grutter
Dominique Maurin	...	Tonio le Suedois
Magali Noël	...	Viviane
Marie Sabouret	...	Mado les Grands Bras
Claude Sylvain	...	Ida Ferrati
Jules Dassin	...	Cesar le Milanais (as Perlo Vita)
rest of cast listed alphabetically:
André Dalibert	...	Webb, le bijoutier (as Dalibert)

Also Known As:

Rififi (UK) (USA)
Rififi (Austria) (West Germany) [de]
Guld på gaden (Denmark) [da]
Rififi (Finland) [fi]
Rififi (Poland) [pl]
Rififi (Greece) [el]
Rififi (Sweden) [sv]
Rififi (Spain) [es]
Rififi (Italy) [it]
Terwijl Parijs slaapt (Belgium: Flemish title) [un]

Runtime:

122 min

Country:

France

Language:

French | Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

France:-16 (original rating) | West Germany:18 | Finland:(Banned) (1956) (uncut) | Finland:K-18 (1959) (cut) | Finland:K-18 (1978) (uncut) | Australia:M | Norway:16 | France:U (re-release) | Sweden:15 | UK:12

Filming Locations:

Grande Poste, Rue du Louvre, Paris 1, Paris, France

Company:

Pathé Consortium Cinéma

Trivia:

L'Age D'or, the club in the film, was named after Luis Buñuel's film of the same name. Production designer Alexandre Trauner worked on both films.

Goofs:

Revealing mistakes: When the "modest" Mario gets out of the bathtub, one can see briefly that he has boxing shorts on.

Quotes:

Mario Ferrati: [to Tony about Cesar] For a job with you he'll come. Cesar! There's not a safe that can resist Cesar and not a woman that Cesar can resist.

Movie Connections:

Referenced in "The Jackie Gleason Show: The Honeymooners: Rififi - Brooklyn Style (#1.22)" (1967)

Soundtrack:

La chanson 'Le Rififi'

Film Noir: Paris-Style

As far as I am concerned, this film noir had two totally different things going for it as opposed to the film noirs I am used to viewing: 1 - the setting is Paris, France; 2 - there is 28-minute scene with no dialog.

Both make this movie a bit unique, at least to English-speaking film noir fans. Actually, an American, Jules Dussain, shot the film, so it's not entirely a European film. Initially, I was disappointed in this after I had watched the first 40 minutes. It's an expensive DVD and I was bored. However, once that silent segment started - the actual heist (you already know what's it about), the film picked up considerably and just got better and better.

In fact, I thought the best part of the story was what happened after the heist. The best aspect of the entire film was the cinematography. This is what makes the disc worth owning. It's excellent film noir photography and a real travelogue for those of us who have never seen Paris...and this is Paris in the mid 1950s. There are lots of bleak-but-interesting rain-soaked Paris streets and buildings I found fascinating to view. In fact, there were many more of those great shots than of London in the much better known film, The Third Man.

The lead actor in here, Jean Servais, I think his name is, also is interesting to view. Someone described his face as a cross between Humphrey Bogart and Harry Dean Stanton, and that sums it up perfectly. A warning for those not expecting profanity or nudity in a classic film. This is France, not the United States, so there is a little bit of both in here. I appreciate the DVD offering the choice of subtitles or a dubbed version, too.