| Photos (See all 10 | slideshow) |
| Frank Silvera | ... | Vincent Rapallo | |
| Jamie Smith | ... | Davey Gordon | |
| Irene Kane | ... | Gloria Price | |
| Jerry Jarrett | ... | Albert the manager | |
| Mike Dana | ... | Gangster | |
| Felice Orlandi | ... | Gangster | |
| Shaun O'Brien | ... | Landlord | |
| Barbara Brand | ... | Taxi Dance Lady | |
| David Vaughan | ... | Conventioneer #1 | |
| Alec Rubin | ... | Conventioneer #2 | |
| Ralph Roberts | ... | Bouncer #1 | |
| Phil Stevenson | ... | Bouncer #2 | |
| Arthur Feldman | ... | Policeman #1 | |
| Bill Funaro | ... | Taxi Driver | |
| Skippy Adelman | ... | Mannequin factory owner | |
| Ruth Sobotka | ... | Ballerina / Iris | |
| rest of cast listed alphabetically: | |||
| Jack Curtis | ... | TV announcer (voice) (uncredited) | |
| Peggy Lobbin | ... | Gloria Price (voice) (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (story) | |
| Howard Sackler | (screenplay) uncredited | |
Produced by | |||
| Morris Bousel | .... | producer | |
| Stanley Kubrick | .... | producer | |
Original Music by | |||
| Gerald Fried | |||
Cinematography by | |||
| Stanley Kubrick | |||
Film Editing by | |||
| Stanley Kubrick | |||
Production Management | |||
| Ira Marvin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ernest Nukanen | .... | assistant director | |
Sound Department | |||
| Walter Ruckersberg | .... | sound recordist | |
| Clifford van Praag | .... | sound recordist | |
Camera and Electrical Department | |||
| Max Glenn | .... | camera operator | |
| Dave Golden | .... | chief electrician | |
| Jesse Paley | .... | camera operator | |
| Alexander Singer | .... | still photographer | |
Editorial Department | |||
| Anthony Bezich | .... | assistant editor | |
| Pat Jaffe | .... | assistant editor | |
Music Department | |||
| Gerald Fried | .... | conductor | |
Other crew | |||
| David Vaughan | .... | ballet choreographer | |
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| The Weight of Water | Spider-Man 3 | Original Sin | A Perfect Fit | The Prestige |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
At an age when most wannabe filmmakers are still 'in training' Stanley Kubrick was producing full length feature masterpieces.
I'm still shocked at how many fans of Kubrick's later work do not appreciate Killer's Kiss. While the basic plot of the movie is nothing special and decidely more 'Hollywood' than Kubrick's later works there are more signs of his trademark style in this film than I feel there were in The Killing or Paths of Glory.
Kubrick's own cinematography in particular blew me away. The use of depth, light and shadow and of his trademark moving camera show us more skill and thought than directors with dozens of films and much better scripts under their belt. And Kubrick's trademark use of his camera to observe silently, capturing the true spirit of his characters when they are alone (no music, no dialogue) is seen over and over in the apartment. If Kubrick's direction could turn a story like this into such a masterful cinematic experience I shudder at what he would of done with this film had he made 10 or 20 years later.
If you love the unique cinematic idiosynchracies of Kubrick's later work then you MUST SEE KILLER'S KISS!