| Photos (see all 2 | slideshow) |
| Eva Dahlbeck | ... | Susanne | |
| Harriet Andersson | ... | Doris | |
| Gunnar Björnstrand | ... | Otto Sönderby, Consul | |
| Ulf Palme | ... | Mr. Henrik Lobelius | |
| Inga Landgré | ... | Mrs. Lobelius | |
| Benkt-Åke Benktsson | ... | Mr. Magnus (as Bengt-Åke Benktsson) | |
| Sven Lindberg | ... | Palle Palt | |
| Kerstin Hedeby | ... | Marianne (as Kerstin Hedeby-Pawlo) | |
| rest of cast listed alphabetically: | |||
| Siv Ericks | ... | Katja (scenes deleted) | |
| Gösta Prüzelius | ... | Man on the train (scenes deleted) | |
| Sigvard Törnqvist | ... | Man on the train (scenes deleted) | |
| Nini Arpe | ... | Woman at bakery (uncredited) | |
| Folke Åström | ... | Sundström's assistant (uncredited) | |
| Per-Erik Åström | ... | Driver (uncredited) | |
| Asta Backman | ... | Waitress at second bakery (uncredited) | |
| Ingmar Bergman | ... | Man with poodle (uncredited) | |
| Margaretha Bergström | ... | Woman at bakery (uncredited) | |
| Renée Björling | ... | Mrs. Berger (uncredited) | |
| Axel Düberg | ... | Photographer in Modefoto's studio (uncredited) | |
| Jessie Flaws | ... | Make-up artist (uncredited) | |
| Git Gay | ... | Assistant in fashion store (uncredited) | |
| Ludde Gentzel | ... | Ferdinand Sundström, photographer (uncredited) | |
| Inga Gill | ... | Shop assistant at bakery (uncredited) | |
| Elsa Hofgren | ... | Woman at bakery (uncredited) | |
| Maud Hyttenberg | ... | Sundström's assistant (uncredited) | |
| Curt Kärrby | ... | Sundström's photographer (uncredited) | |
| Gunhild Kjellqvist | ... | Dark girl, assistant in fashion store (uncredited) | |
| Carl-Gustaf Lindstedt | ... | Hotel receptionist (uncredited) | |
| Millan Lyxell | ... | Woman at bakery (uncredited) | |
| Richard Mattsson | ... | Månsson, man at amusement park (uncredited) | |
| Marianne Nielsen | ... | Fanny, assistant in fashion store (uncredited) | |
| Inga Rosqvist | ... | Woman at bakery (uncredited) | |
| Bengt Schött | ... | Costume designer (uncredited) | |
| Tord Stål | ... | Mr. Barse, jeweller (uncredited) | |
| Greta Stave | ... | Woman at bakery (uncredited) | |
| Viola Sundberg | ... | Fashion model (uncredited) | |
| Ella Welander | ... | Woman at bakery (uncredited) | |
| Gerd Widestedt | ... | Woman at bakery (uncredited) | |
| Naima Wifstrand | ... | Mrs. Arén (uncredited) | |
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | writer | |
Produced by | |||
| Rune Waldekranz | .... | producer | |
Original Music by | |||
| Stuart Görling | (uncredited) | ||
Cinematography by | |||
| Hilding Bladh | |||
Film Editing by | |||
| Carl-Olov Skeppstedt | |||
Production Design by | |||
| Gittan Gustafsson | |||
Makeup Department | |||
| Sture Höglund | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Hans Abramson | .... | assistant director (uncredited) | |
Art Department | |||
| Sven Björling | .... | property master (uncredited) | |
Sound Department | |||
| Olle Jacobsson | .... | sound | |
| Gösta Björk | .... | sound assistant (uncredited) | |
Camera and Electrical Department | |||
| Keddy Jansson | .... | grip (uncredited) | |
| Gunnar Jónsson | .... | grip (uncredited) | |
| Bertil Wiktorsson | .... | assistant camera (uncredited) | |
Other crew | |||
| Lars-Owe Carlberg | .... | location manager | |
| Katinka Faragó | .... | script supervisor (uncredited) | |
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| Notes on a Scandal | Edvard Munch | Cry-Baby | L'uomo che guarda | The Bodyguard |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Sweden section | Add this title to MyMovies |
A very minor Bergman work, the film has traces of his style, especially in the first few scenes with quick edits and close-ups to draw attention to detail, as well as a well-filmed roller coaster ride. However, the screenplay does not match the quality of the directing, with basically two stories that do not gel all that well together. What the film is meant to be a study of is never clearly focused, with themes of desire as well as women's liberation both present. The middle section of the film dragged a little too, but still it is interesting to see such an early piece of work from Bergman. It is not much compared to what would later come in his career, but the film has enough interesting elements to certainly make it worth a look.