| Kirk Douglas | ... | Dempsey Rae | |
| Jeanne Crain | ... | Reed Bowman | |
| Claire Trevor | ... | Idonee | |
| William Campbell | ... | Jeff Jimson ('Texas') | |
| Richard Boone | ... | Steve Miles | |
| Jay C. Flippen | ... | Strap Davis | |
| Myrna Hansen | ... | Tess Cassidy | |
| Mara Corday | ... | Moccasin Mary | |
| Eddy Waller | ... | Tom Cassidy (as Eddy C. Waller) | |
| Sheb Wooley | ... | Latigo | |
| George Wallace | ... | Tom Carter | |
| Frank Chase | ... | Little Waco | |
| Paul Birch | ... | Mark Toliver | |
| Roy Barcroft | ... | Sheriff Olson | |
| William 'Bill' Phillips | ... | Cookie (as Wm. 'Bill' Phillips) | |
| rest of cast listed alphabetically: | |||
| Carl Andre | ... | Texas Gang Member (uncredited) | |
| Malcolm Atterbury | ... | Fancy Joe Toole (uncredited) | |
| William Challee | ... | Brick Gooder (uncredited) | |
| Jack Elam | ... | Knife Murderer (uncredited) | |
| Mark Hanna | ... | Concho Perez (uncredited) | |
| Jim Hayward | ... | Duckbill - Bartender (uncredited) | |
| Myron Healey | ... | Mogollon (uncredited) | |
| Jack Ingram | ... | Jessup (uncredited) | |
| Casey MacGregor | ... | Hammer - Blacksmith (uncredited) | |
| Frank Mills | ... | Tramp (uncredited) | |
| Ewing Mitchell | ... | Ben Johnson (uncredited) | |
| Milicent Patrick | ... | Boxcar Alice (uncredited) | |
| Lee Roberts | ... | Brakeman (uncredited) | |
Directed by | |||
| King Vidor | |||
Writing credits | ||
| Borden Chase | (screenplay) and | |
| D.D. Beauchamp | (screenplay) | |
| Dee Linford | (novel) | |
Produced by | |||
| Aaron Rosenberg | .... | producer | |
Original Music by | |||
| Hans J. Salter | (uncredited) | ||
| Herman Stein | (uncredited) | ||
Cinematography by | |||
| Russell Metty | (director of photography) | ||
Film Editing by | |||
| Virgil W. Vogel | (as Virgil Vogel) | ||
Art Direction by | |||
| Alexander Golitzen | |||
| Richard H. Riedel | |||
Set Decoration by | |||
| John P. Austin | (as John Austin) | ||
| Russell A. Gausman | |||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Frank Shaw | .... | assistant director | |
| George Lollier | .... | assistant director (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Joe Lapis | .... | sound | |
Stunts | |||
| Carl Andre | .... | stunts (uncredited) | |
| Fred Carson | .... | stunt double: Richard Boone (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Odell | .... | costumes | |
Music Department | |||
| Joseph Gershenson | .... | music supervisor | |
| Henry Mancini | .... | composer: stock music (uncredited) | |
Other crew | |||
| William Fritzsche | .... | technicolor color consultant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
This is probably my favorite Kirk Douglas western. Although it has plenty of action this is not just another action western. Rather it deals with the implacable transition of the west from open range available to all to individually-controlled patches of range that are fenced off with barbed wire. Dempsey Rae (Douglas' character) loves open range and keeps drifting north to avoid the barbed wire which destroys it. Finally, however, he realizes that the small ranchers must fence off the range to protect themselves from the massive herds of a greedy rancher and her ruthless foreman and helps string and protect the wire that he hates so thoroughly. I love this under-rated western.