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Rebel Without a Cause (1955)

PG-13 | | Drama | 29 October 1955 (USA)
A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

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(screen play), (adaptation) | 1 more credit »
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3,104 ( 149)

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Nominated for 3 Oscars. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
...
...
...
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Judy's Mother
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Goon
...
Steffi Sidney ...
Mil
Marietta Canty ...
Crawford Family Maid
Virginia Brissac ...
Mrs. Stark - Jim's Grandmother
Beverly Long ...
Helen
...
Dr. Minton
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Storyline

Jim Stark is the new kid in town. He has been in trouble elsewhere; that's why his family has had to move before. Here he hopes to find the love he doesn't get from his middle-class family. Though he finds some of this in his relation with Judy, and a form of it in both Plato's adulation and Ray's real concern for him, Jim must still prove himself to his peers in switchblade knife fights and "chickie" games in which cars race toward a seaside cliff. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

Warner Bros'. challenging drama of today's juvenile violence! See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and thematic elements | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 October 1955 (USA)  »

Also Known As:

Rebelde sin causa  »

Box Office

Budget:

$1,500,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(optical prints)| (RCA Sound Recording) (magnetic prints)| (DVD version)

Color:

(WarnerColor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

After the "chickie run", Jim is shown laying on his living room couch watching his mother coming down the stairs. His head is tilted back, and the camera switches to show the scene from Jim's perspective, with his mother initially seen upside down, then slowly turning to right side up as Jim turns his head. But in the last moment of this shot, Jim's head is shown -- an impossibility since the shot is supposed to show what Jim is seeing. See more »

Quotes

[first lines]
First police officer: Get up, get up. Mixed up in that beating on 12th street, huh?
Second police officer: No. Plain drunkenness.
See more »

Connections

Featured in History Repeats Itself: Class of 1984 (2015) See more »

Soundtracks

Five O'Clock Whistle
(1936) (uncredited)
Music by Gene Irwin and Josef Myrow
Played on the car radio after the dedication
See more »

Frequently Asked Questions

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User Reviews

 
Not perfect, but still extraordinary
17 July 2000 | by (Saint Paul, MN) – See all my reviews

I was quite impressed with _Rebel Without a Cause_. I expected it to be quite standard, having only gathered its reputation because of the tragedy surrounding James Deans' death. Fortunately, it stood up on its own quite well. Its superficial situations are somewhat dated, which was inevitable, but its themes remain potent after many decades.

The major theme is the burgeoning relationship between adults and their teenage children. All three of the main characters are at different stages in this process. Jim (James Dean) is surprisingly at the earliest stage of this. His mother is pretty distanced and unresponsive already, but he still seems to communicate well with his father (Jim Backus, who is amazing. His character's relationship with his wife also provides an interesting view into 1950s gender politics; in one scene, Backus is wearing a cooking apron, which is very obviously meant for a woman). Judy (Natalie Wood, whom I didn't even recognize here) is almost completely rejected by her father, who feels that her affection is out of place in her teenage years. Worst of all is Plato, both of whose parents have left him alone in the world. He tries desperately to make Jim and Judy his parents (although from this vantage point in time, Plato seems resoundingly sexually attracted to Jim, and he sees Judy as a threat to their relationship. Although the writer/director has denied that forever, no human being can watch it nowadays without that thought constantly crossing their mind).

The reason that I say this film is flawed lies in the actions of Plato near the end of the film. I felt his escalating insanity was kind of a cop-out. Instead of actually delving into Plato's true character and motives by having intelligent and realistic dialogue and actions, he is just made to go batty, wherein he spouts off his thoughts as if he were some eight year old or man-child. Plato may have been sycophantic throughout the film, but he was anything but a moron. His actions provide an easy way for the director/writer to answer all questions about his character, and then to facilitate an ending which is tragic, but more than a little contrived.

Despite what I feel is a cop-out ending, _Rebel Without a Cause remains a thoroughly powerful film. I liked it, and I'll never forget it. 9/10


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