"Playhouse 90" (1956)TV series 1956-1961

Directors:

Tony Barr
Karl Genus

Writers:

Robert Alan Aurthur (writer) (2 episodes)
Gwen Bagni (writer)

Seasons:

1 | 2 | 3 | 4

Release Date:

4 October 1956 (USA)

Genre:

Crime | Drama | Mystery | Romance

Plot Keywords:

Husband Wife Relationship | Family Relationships | Male Female Relationship | Anthology | Number In Title

Awards:

Won Golden Globe. Another 12 wins & 29 nominations

Cast

Richard Joy

...

Himself, Announcer / ... (38 episodes, 1956-1957)

Runtime:

90 min

Country:

USA

Language:

English

Color:

Black and White | Color (broadcast of "The Nutcracker")

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Filming Locations:

Arizona, USA

Company:

CBS

Trivia:

The color broadcast of "The Nutcracker" was Playhouse 90's only color telecast ever, and CBS's only live color broadcast of 1958.

Movie Connections:

Featured in CBS at 75 (2003) (TV)

Soundtrack:

Song for a Summer Night

A master genre that does not even exist today.

"Playhouse 90" came as the grand finale of that elusive TV genre which precedes even my 44 years on this earth: the dramatic anthology. Prior to this one, anthology programs had existed on the infant medium for almost a decade. The networks had KRAFT TELEVISION THEATRE, FORD THEATRE, GOODYEAR PLAYHOUSE, and STUDIO ONE as early as 1948. They all had the same common goal: presentation of self-contained, live, dramatic stories, their quality rivaled only by the best of the Broadway stage. (It was no coincidence that many of these dramas were produced in New York.) While all previous series were only 30 and 60 minute episodes, P90 introduced something new: its show was done in the "Television City" studio in Hollywood, and it was a lavish, unheard of, *90* minutes. In those days a live play could exist on a sound-stage without a studio audience with intimate, claustrophobic, camera set-ups, and present over a span of 90 minutes, "The Plot To Kill Stalin;" "Bomber's Moon;" "Bitter Heritage;" "Requiem For A Heavyweight;" "No Time At All," "The Comedian," "The Helen Morgan Story," "Judgment At Nuremberg," and "The Miracle Worker" straight through, without second takes, and on a week-by-week basis!! Stories were adaptations by Hemingway and Faulkner, as well as originals by Reginald Rose, J.P. Miller, and Rod Serling- all with stellar actors and directors. Eventually some productions were filmed in kinescope or on location as TV-movies, but the productions I'd kill to see are the ones which initiated the first ever videotape. Because videotape was not up and running until late 1957, the P90 archive of plays is uneven. Most of the museum archive is still on kinescope (which you can see at one of the two MT&R television museums on the coast of your choice), but the good news is that many plays from the last two years of the series were captured on glorious black-and-white videotape- the medium which comes closest to simulating the original live broadcast. A CBS special in 2002 dusted off some of these tapes and aired- probably only for the second time ever- clips of 1958's "The Old Man" and "Days of Wine And Roses," 1959's "Judgment at Nuremberg," and the final P90 from 1960, "In The Prescence of Mine Enemies." I suspect, sadly, that these show quality tapes are probably tied up in copyright laws and cannot be shown publicly. The series was a short, brilliant blaze of Emmy-winning glory, and came to a crashing halt in 1961- one year before I was born. I miss it.