Former seaman Clinton Jones now works at a lowly job. His daughter Ruth wants to become an actress. Clinton gets fired and Ruth rejects the advances of Fred Whitmarsh. Her father gives her ... See full summary »
Documentary exploring the making of the film, High Noon. Details how it developed, from initial idea to script, casting -- especially in casting the lead role, which so many major Hollywood... See full summary »
The story of a family of Quakers in Indiana in 1862. Their religous sect is strongly opposed to violence and war. It's not easy for them to meet the rules of their religion in everyday life but when Southern troops pass the area they are in real trouble. Should they fight, despite their peaceful attitide? Written by
Olaf Mertens <email@example.com>
Jess is a big man and he walks the Indiana earth in a big way... a man of few words and many strengths... a man born with the gift of laughter and the knack for love, a power for good, a man who doesn't hold with killing. But now Jess faces a big decision -- to keep faith with what he lives by -- or to fight for what he loves... Only so great a theme could make so great a motion picture! See more »
Fearing location shooting in Indiana would be too expensive, Allied Artists rented director Rowland V. Lee's ranch in the San Fernando Valley, which the design team turned into a duplicate of the Indiana countryside of the 1860s. They also planted cornfields and sycamore trees in place of the Southern California vegetation. Interiors were shot in the old Republic Studios in North Hollywood. See more »
When Jess Birdwell sends the children upstairs after mother Eliza retires to the barn, he says, "up stairs to bed, all of thee!" In Quaker dialect, the pronoun thee is used as the objective case of thou, and is used only when addressing an individual. He should have said, "up stairs to bed, all of you!". See more »
A beautiful and sensitive film of a Quaker family whose peaceful existence is disrupted by the Civil War. Beautifully photographed with superb performances by Cooper and McGuire. Anthony Perkins gives an exceptional performance as the son who wrestles with the notion of fighting over his pacifistic views. William Wyler's direction is brilliant. A real gem!
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