Overview
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Release Date:
29 July 1957 (Sweden)
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Tagline:
Life Is In Their Hands -- Death Is On Their Minds!
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Plot:
A dissenting juror in a murder trial slowly manages to convince the others that the case is not as obviously clear as it seemed in court.
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Awards:
Nominated for 3 Oscars.
Another 13 wins
&
6 nominations
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User Comments:
No Dissonance
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Crew verified as complete
Additional Details
Also Known As:
Twelve Angry Men (USA) (alternative spelling)
Doce hombres en pugna (Argentina) (Venezuela) [es]дБЕММЮДЖЮРЭ ПЮГЦМЕБЮММШУ ЛСФВХМ (Soviet Union: Russian title) [ru]12 Homens e uma Sentença (Brazil) [pt]12 edsvurna män (Sweden) [sv]12 hombres en pugna (Mexico) [es]12 hombres sin piedad (Spain) [es]A tizenkét dühös ember (Hungary) [hu]Die 12 Geschworenen (Austria) [de]Die zwölf Geschworenen (West Germany) [de]Doce hombres sin piedad (Spain) [es]Douze hommes en colère (France) [fr]Doze Homens e Uma Sentença (Brazil) [pt]Doze Homens em Fúria (Portugal) [pt]Dvanaest gnevnih ljudi (Serbia) [sr]Dwunastu gniewnych ludzi (Poland) [pl]La parola ai giurati (Italy) [it]Oi 12 enorkoi (Greece) [el]Tolv vrede mænd (Denmark) [da]Valamiesten ratkaisu (Finland) [fi]
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Runtime:
96 min
Aspect Ratio:
1.66 : 1
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Fun Stuff
Trivia:
All but three minutes of the film was shot inside the bare and confining, sixteen by twenty-four foot "jury room".
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Goofs:
Crew or equipment visible: When Juror #8 is imitating the old man going to the door, as he is completing the first leg of his walk the shadow of the camera following him is clearly visible on the floor by his feet.
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Quotes:
[
first lines]
[
In a tedious manner, sounding bored and tired]
Judge:
To continue, you've listened to a long and complex case: murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts . You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case...
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FAQ
A NOTE REGARDING SPOILERS
How much sex, violence, and profanity are in this movie
How does it end?
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This film deserves to be on anyone's list of top films. My problem is that it is so perfect, so seamlessly polished, it is hard to appreciate the individual excellences.
The acting is top notch. I believe that monologue acting is quite a bit simpler than real reactive ensemble acting. Most of what we see today is monologues pretending to be conversations. But in this film, we have utter mastery of throwing emotions. Once the air becomes filled with human essence, it is hard to not get soaked ourselves as the camera moves through the thick atmosphere. Yes, there are slight differences in how each actor projects (Fonda internally, Balsam completely on his skin...) but the ensemble presents one vision to the audience.
The writing is snappy too. You can tell it was worked and worked and worried, going through several generations. It is easy to be mesmerized by this writing and acting, and miss the rare accomplishment of the camera-work. This camera is so fluid, you forget you are in one room. It moves from being a human observer, to being omniscient, to being a target. It is smart enough to seldom center on the element of most importance, so expands the field to all men.
This is very hard. Very hard, to make the camera human. So much easier to do what we see today -- acknowledge the machinery and jigger with it. Do we have a filmmaker today who could do this?
Ted's Evaluation -- 4 of 3: Every cineliterate person should experience this.