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The Seventh Seal (1957)

Det sjunde inseglet (original title)
Not Rated | | Drama, Fantasy | 13 October 1958 (USA)
A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague.

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(play), (screenplay)
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Cast

Complete credited cast:
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Maud Hansson ...
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Karin, Block's Wife
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Bertil Anderberg ...
Raval
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The Monk
Åke Fridell ...
Gunnar Olsson ...
Erik Strandmark ...
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Storyline

A Knight and his squire are home from the crusades. Black Death is sweeping their country. As they approach home, Death appears to the knight and tells him it is his time. The knight challenges Death to a chess game for his life. The Knight and Death play as the cultural turmoil envelopes the people around them as they try, in different ways, to deal with the upheaval the plague has caused. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

A film of visual scope, of imaginative concept, of powerful content, written and directed by Ingmar Bergman, twice honored by the Interational Jury at the Cannes Film Festival 1956,1957

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

13 October 1958 (USA)  »

Also Known As:

The Seventh Seal  »

Box Office

Budget:

$150,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The church which Jöns and Antonius Block arrives at 15 minutes into the film is actually a model hung in the dead tree in the foreground. See more »

Goofs

Just before the arrival of the Christian entourage, Jof and Mia were performing their presentation at the village. At that moment, both of them were supposed to slowly stop playing their instruments - Jof, who was playing the stringed instrument; and Mia, playing the tambour. The sound of the stringed instrument can be heard as Jof is not stroking the strings anymore. See more »

Quotes

Antonius Block: I shall remember this moment: the silence, the twilight, the bowl of strawberries, the bowl of milk. Your faces in the evening light. Mikael asleep, Jof with his lyre. I shall try to remember our talk. I shall carry this memory carefully in my hands as if it were a bowl brimful of fresh milk. It will be a sign to me, and a great sufficiency.
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Connections

Spoofed in De Düva: The Dove (1968) See more »

Soundtracks

Dies Irae
(uncredited)
Written by Tommaso da Celano
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Quintessential Bergman Picture
25 July 2002 | by (United States) – See all my reviews

One thing that can be certain after watching the Seventh Seal, outside of being thankful for living in this century, is that Bergman knows his film-making- and imagery. He uses subliminal and not so subliminal techniques to convey a dying, frightened world, where making a living is almost impossible and the debate of god's control over life is discussed like un-rhyming yet fascinating poetry.

The result is beautiful cinema, capturing the always foreboding fear and allure of the almighty and for the waiting death, appropriately staged in post-crusades, mid dark age Europe. Max Von Sydow gives an excellent showing as the opponent of Death (in a clever and meticulous chess game), yet the character of Death, played by Bengt Ekerot with chilling conviction, steals the show, if only for the alluring quality of the character.

Even if the story veers it veers in good and interesting territory, focusing on people who convey Bergman's point and or style. I can't reveal what the bottom line point is (many newcomers to Bergman's work won't either, especially if you're not in the mood for soul searching), but one thing is for certain, an allegory on life and death is shown perfectly in the second to last shot of the reaper and his minions following in a dance across the field. This is one of the most pure of cinema's masterpieces and certainly Bergman's best cine. A++


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