| Jean Gabin | ... | André Chatelin | |
| Danièle Delorme | ... | Catherine | |
| Robert Arnoux | ... | Bouvier | |
| Liliane Bert | ... | Antoinette | |
| Gérard Blain | ... | Gérard Delacroix | |
| Lucienne Bogaert | ... | Gabrielle | |
| Aimé Clariond | ... | Monsieur Prévost (as Aimé Clariond Sociétaire de la Comédie Française) | |
| Gabrielle Fontan | ... | Madame Jules | |
| Germaine Kerjean | ... | Madame Chatelin mère (as Germaine Kerjean de la Comédie Française) | |
| Robert Manuel | ... | Mario Bonnacorsi (as Robert Manuel Sociétaire de la Comédie Française) | |
| Robert Pizani | ... | Le Président | |
| Jean-Paul Roussillon | ... | Amédée (as Jean-Paul Roussillon de la Comédie Française) | |
| Gaby Basset | ... | La femme de charge de la guinguette | |
| Paul Demange | ... | Le client au régime | |
| Olga Valéry | ... | La duchesse | |
| Betty Beckers | ... | Une fille | |
| Jane Morlet | ... | Madame Aristide, la caissière (as Jane-Morlet) | |
| Gérard Fallec | ... | Gaston | |
| Maxime Fabert | ... | Le patron de l'hôtel du Charolais | |
| Camille Guérini | ... | Gégène, le clochard | |
| Jacques Fayet | ... | Le copain de Gérard | |
| Colette Mareuil | ... | Madame Coutoully, la lesbienne | |
| Roger Saget | ... | Le président du club | |
| Catherine Fath | ... | Une dîneuse | |
| Alfred Goulin | ... | Armand | |
| Nadine Basile | ... | Une dîneuse | |
| André Philip | |||
| Liliane Ernout | ... | La serveuse de la guiguette | |
| Michel Seldow | ... | Gentel, le ministre des finances | |
| Valérie Vivin | |||
| Sophie St-Rapt | |||
| Monique Vita | |||
| rest of cast listed alphabetically: | |||
| Jacques Bertrand | ... | Félix, le livreur de la laiterie | |
| Robert Blome | ... | L'homme de passage aux Halles | |
| Raymond Bour | ... | Un curieux | |
| César | ... | Gérard's dog | |
| Henri Coutet | ... | L'homme qui annonce l'accident | |
| René Hell | ... | Le garde-champêtre | |
| René Lacourt | ... | Un pêcheur à la ligne | |
| Laura Lor | |||
| Albert Médina | ... | M. Passart, marchand aux Halles | |
| Eugène Stuber | ... | Un consommateur | |
| Georges Tat | |||
| Paul Barge | ... | Le garçon d'étage (uncredited) | |
| Max Dalban | ... | Un travailleur des Halles, ami d'André (uncredited) | |
| Jean-Louis Le Goff | ... | Ernest, le gendarme (uncredited) | |
Directed by | |||
| Julien Duvivier | |||
Writing credits | ||
| Julien Duvivier | story & | |
| Charles Dorat | story & | |
| Maurice Bessy | story & | |
| Julien Duvivier | adaptation and dialogue & | |
| Charles Dorat | adaptation and dialogue & | |
| Pierre-Aristide Bréal | adaptation and dialogue (as P.A. Bréal) | |
Produced by | |||
| René Bezard | .... | executive producer | |
| Raymond Borderie | .... | executive producer | |
| Pierre Cabaud | .... | executive producer | |
| Georges Agiman | .... | producer (uncredited) | |
Original Music by | |||
| Jean Wiener | |||
Cinematography by | |||
| Armand Thirard | |||
Film Editing by | |||
| Marthe Poncin | |||
Production Design by | |||
| Robert Gys | |||
Set Decoration by | |||
| Alfred Marpaux | (as Fred Marpeaux) | ||
| Yves Olivier | |||
Costume Design by | |||
| Jacques Cottin | |||
Makeup Department | |||
| Georges Bouban | .... | makeup supervisor | |
| Yvonne Gaspernia | .... | makeup artist (as Yvonne Gasperina) | |
Production Management | |||
| Charles Borderie | .... | production manager | |
| Robert Bossis | .... | production manager | |
| Georges Kougoucheff | .... | unit manager: exteriors | |
| Roger Morand | .... | production supervisor | |
| Tonio Suné | .... | unit manager (as Tonio Sune) | |
Second Unit Director or Assistant Director | |||
| Gerard Renateau | .... | assistant director (as Gérard Renateau) | |
| Michel Romanoff | .... | assistant director | |
Art Department | |||
| René Albouze | .... | property master (as Albouze) | |
| Marcel Protat | .... | property master (as Protat) | |
Sound Department | |||
| Antoine Archimbaud | .... | sound recordist | |
| Jacques Gérardot | .... | assistant sound recordist | |
Camera and Electrical Department | |||
| Roger Corbeau | .... | still photographer | |
| Jean Dicop | .... | assistant camera | |
| Robert Florent | .... | assistant camera | |
| Louis Née | .... | camera operator | |
Other crew | |||
| Pierre Duvivier | .... | production assistant | |
| Denise Morlot | .... | script supervisor | |
| Yvonne Rocques | .... | production secretary | |
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| Pickpocket | Classe tous risques | Il conformista | À bout de souffle | Les yeux sans visage |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
When you post as many comments on this site as I do the Law of Averages dictates that you receive a certain amount of feedback in the form of PMs and I guess I've had my share both pro and con. A little over a year ago I posted a comment on a French film made during the war and largely forgotten certainly outside France. Shortly after it appeared a received a PM from a French guy who was very pleased that someone had mentioned this film. Since that time we corresponded spasmodically then out of the blue he wrote and asked if I would like him to tape any French films from French TV and if so which. Naturally I jumped at the chance and asked for anything directed by Henri Decoin, Julian Duvivier, Claude Autant-Lara and anything written by Jean Aurenche, Pierre Bost, Charles Spaak, Henri Jeanson and Jacques Prevert and the upshot is I have just received several great French movies including this late masterpiece by Julian Duvivier. I won't reveal the guy's name lest he is inundated with those both anxious and willing to trespass on his kindness but I am delighted to use this forum to record what positives can come from IMDb which has, alas, many things wrong with it. Now for the movie. There are those who may find it referential - Gabin's mother runs a dance hall on the banks of the Marne and a decade earlier Gabin himself as one of Duvivier's Belle Equipe built a similar establishment in a similar location; In Rene Clair's Le Silence est d'Or a young girl prevailed on an older man to take her in and here Daniel Delorme prevails on the older Gabin in much the same way - but not to its detriment. Gabin runs a restaurant in Les Halles, the wonderful market in Paris which has gone the way of London's Covent Garden but which was very much alive in 1956 when this film was made, he's a genial sort, always ready to see the good in people rather than the worst so when Delorme, the daughter of his estranged wife, turns up claiming orphan status he is happy to take her in despite the fact that he has an adoptive son already. Of course the mother is not really dead and Delorme is not half so naive or angelic as she lets on; we get our first glimpse of her darker/colder side when she coolly rejects an old lover and watches dispassionately as he throws himself under a camion, barely registering the impact before hurrying to a rendezvous with her very much alive and drink and drug-raddled mother where they fine tune plans to seduce Gabin and divvy up his money. The black and white photography complements the story perfectly and reminds us at times of that other classic Les Diaboliques and there are some lovely touches like Gabin's mother's mastery of a whip which she uses with equal dexterity for despatching chickens and chastising Delorme. In short this is one of the finest films that ever got right up Truffaut's nose and if only he'd tried to make something one tenth as good instead of slagging off these films we'd all have been a lot happier. Not to be missed.