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The 7th Voyage of Sinbad
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  • Revealing mistakes: When Sokurah reaches toward the camera to grab the princess, his hand can be seen closing on nothing as the scene cross-dissolves to Sinbad in the Roc's nest.

  • Continuity: When Sinbad knocks out the first mutinous sailor, the sailor's position changes.

  • Continuity: A second wooden keg appears next to the first mutinous soldier Sinbad knocks out.

  • Continuity: The exterior shot of Sinbad's ship is obviously of a completely different ship before they reach the island the first time and when they leave. The first time we see it coming up on the island, it has only one large triangular sail as was common with medieval Mediterranean vessels. Then when it leave the island it's a 16th century galleon with three square sails on three separate masts.

  • Continuity: A different man grabs the king cobra. Sokurah reaches into the basket to pick up the cobra during his magic act. A switch to closeup shows a man with different sleeves, and three-to-four closeup frames show a hairy-headed man. Sokurah the magician is completely bald. When Sokura throws the serpent into the jar, it is blue-colored, not brown. (This is not a problem in the correctly framed 1.85:1 theatrical aspect ratio, only the full frame version.)

  • Audio/visual unsynchronized: During the mutiny, Sinbad's third punch misses, but is heard to connect.

  • Revealing mistakes: In his close-up on the poop deck, Karim's big hoop earring can be clearly seen to be tied to his (unpierced) ear by a string emerging from his bandanna.

  • Revealing mistakes: As the crew arrives on the island, they see a wooden cage with a skeleton hanging inside. In reality, the bones would fall apart as the body dried out. In the scene, the wires holding the bones together are clearly seen.


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