| Vittorio Gassman | ... | Peppe il pantera | |
| Renato Salvatori | ... | Mario Angeletti | |
| Memmo Carotenuto | ... | Cosimo | |
| Rossana Rory | ... | Norma | |
| Carla Gravina | ... | Nicoletta | |
| Claudia Cardinale | ... | Carmelina | |
| Carlo Pisacane | ... | Capannelle | |
| Tiberio Murgia | ... | Michele Ferribotte | |
| Gina Rovere | ... | Teresa - la moglie di Tiberio | |
| Gina Amendola | ... | Mario's 'Madre' | |
| Elvira Tonelli | ... | Assunta | |
| Elena Fabrizi | ... | Signora Ada (as Elisa Fabrizi) | |
| Pasquale Misiano | ... | Massimo | |
| Renato Terra | ... | Eladio | |
| Aldo Trifiletti | ... | Fernando - portinaio | |
| Nino Marchetti | ... | Luigi | |
| Mario De Simone | ... | Il ricettatore | |
| Marcello Mastroianni | ... | Tiberio | |
| Totò | ... | Dante Cruciani | |
| rest of cast listed alphabetically: | |||
| Edith Bruck | ... | Donna litigare sotto il lucernario (uncredited) | |
| Franco Carli | ... | (uncredited) | |
| Mario Feliciani | ... | Ispettore di polizia (uncredited) | |
| Ida Masetti | ... | Gabriella (uncredited) | |
| Mario Meniconi | ... | Paolo (uncredited) | |
| Mimmo Poli | ... | Prigioniero (uncredited) | |
| Lisa Romey | ... | Emilia (uncredited) | |
| Amerigo Santarelli | ... | (uncredited) | |
| Gustavo Serena | ... | (uncredited) | |
| Roberto Spiombi | ... | Piero (uncredited) | |
Directed by | |||
| Mario Monicelli | |||
Writing credits | ||
| Agenore Incrocci | (story) & | |
| Furio Scarpelli | (story) | |
| Agenore Incrocci | (screenplay) & | |
| Furio Scarpelli | (screenplay) & | |
| Suso Cecchi D'Amico | (screenplay) & | |
| Mario Monicelli | (screenplay) | |
| Italo Calvino | (short story "Furto in una pasticceria") uncredited | |
Produced by | |||
| Franco Cristaldi | .... | producer | |
Original Music by | |||
| Piero Umiliani | |||
Cinematography by | |||
| Gianni Di Venanzo | |||
Film Editing by | |||
| Adriana Novelli | |||
Production Design by | |||
| Piero Gherardi | |||
Set Decoration by | |||
| Vito Anzalone | |||
Costume Design by | |||
| Piero Gherardi | |||
Makeup Department | |||
| Romolo de Martino | .... | makeup artist (as Romolo De Martino) | |
Production Management | |||
| Gino Millozza | .... | production supervisor | |
| Nicolò Pomilia | .... | production manager (as Nicolo Pomilia) | |
Second Unit Director or Assistant Director | |||
| Mario Maffei | .... | assistant director | |
Art Department | |||
| Italo Tomassi | .... | manager of art department (uncredited) | |
Sound Department | |||
| Oscar Di Santo | .... | sound technician | |
| Luigi Puri | .... | sound technician | |
Camera and Electrical Department | |||
| Erico Menczer | .... | camera operator | |
Editorial Department | |||
| Marisa Letti | .... | assistant editor (as Maria Luisa Letti) | |
Music Department | |||
| Piero Umiliani | .... | conductor | |
Other crew | |||
| Renato Jaboni | .... | production secretary | |
| Silvana Mangini Colizzi | .... | script supervisor (as Silvana Mangini) | |
| Vincenzo Taito | .... | administrator | |
| Renato Cominetti | .... | voice dubbing: Tiberio Murgia (uncredited) | |
| Nico Pepe | .... | voice dubbing: Carlo Pisacane (uncredited) | |
| Monica Vitti | .... | voice dubbing: Rosanna Roy (uncredited) | |
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| Du rififi chez les hommes | Ocean's Eleven | Ladri di biciclette | Audace colpo dei soliti ignoti | Caccia alla volpe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
An ensemble movie with multiple minor stories built around the main theme of a big heist on Madonna Street. Half a dozen or so hapless crooks decide to apply "scientific methods" to their plan to sneak through coal chutes and over rooftops into a vacant apartment. They will then use a car jack to break through a wall into the office next door where a fortune is stashed away in a safe. That's about as far as medical discretion will allow me to go in revealing the plot.
There have been many carefully planned caper movies, before and after this one, like "The Asphalt Jungle." Some have even been turned into comedies, like Woody Allan's "Small Time Crooks." But this was one of the first I'm aware of that turned the caper movie into a ridiculous farce.
I think I'll give one example of the kind of gags you can expect, to illustrate the style. To get to the vacant apartment the thieves must tiptoe across a skylight in the middle of the night and climb through a window on the other side. They are slipping along the metal framework, cursing each other, when suddenly blinding lights go on in the room underneath them and they must throw themselves flat on the glass to avoid detection. A young couple enter the room below and begin a loud argument about whether she really loves him and whether he's been unfaithful to her. The accusations are shouted back and forth, while 10 feet above them the immobilized gang alternately doze and gesture impatiently at one another as their carefully plotted timetable is all shot to hell.
Well, alright, one more. One of the gang, a master photographer, Marcello Maistroianni, is assigned to make a movie of the opening of the safe, shooting from across the rooftops through an open window, so the combination will be registered on film. The gang watch the resulting film and moan while pairs of underpants on a clothesline drift across the office window and there are inserts of the photographer's baby crying. At the moment the combination is to be revealed the film stutters and slips off its sprockets.
I can't help it. Stop me before I describe more. Okay -- last one. Two men have an argument in which a knife is produced. They fling angry insults back and forth, and one of them departs, slamming the wooden door behind him. The remaining man sneers at the door and hurls the knife at it. The knife doesn't stick, it bounces off.
It's really impossible to recommend this too highly. What a lot of fun.