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Alec Coppel (screenplay) &
Samuel A. Taylor (screenplay) ...
(more)
21 July 1958 (Brazil) more
A Hitchcock thriller. You should see it from the beginning! more
A San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her. full summary | full synopsis
Nominated for 2 Oscars. Another 6 wins & 2 nominations more
Blu-Ray Review: Alfred Hitchcock Makes Striking HD Debut With ‘North by Northwest’
(From HollywoodChicago.com. 11 November 2009, 2:06 PM, PST)
Free Lecture, Screening to Highlight Hitchcock's The 39 Steps, 12/6
(From BroadwayWorld.com. 9 November 2009, 1:43 PM, PST)
Distinctive & Unforgettable Masterpiece more (496 total)
| James Stewart | ... | John 'Scottie' Ferguson | |
| Kim Novak | ... | Madeleine Elster / Judy Barton | |
| Barbara Bel Geddes | ... | Midge Wood | |
| Tom Helmore | ... | Gavin Elster | |
| Henry Jones | ... | Coroner | |
| Raymond Bailey | ... | Scottie's Doctor | |
| Ellen Corby | ... | Manager of McKittrick Hotel | |
| Konstantin Shayne | ... | Pop Leibel | |
| Lee Patrick | ... | Car Owner Mistaken for Madeleine | |
| rest of cast listed alphabetically: | |||
| David Ahdar | ... | Priest (uncredited) | |
| Isabel Analla | ... | Undetermined Role (uncredited) | |
| Jack Ano | ... | Undetermined Role (uncredited) | |
| Margaret Bacon | ... | Nun (uncredited) | |
| John Benson | ... | Salesman (uncredited) | |
| Margaret Brayton | ... | Ransohoff's Saleslady (uncredited) | |
| Paul Bryar | ... | Captain Hansen (uncredited) | |
| Steve Conte | ... | Burglar (uncredited) | |
| Jean Corbett | ... | Mrs. Elster (uncredited) | |
| Bruno Della Santina | ... | Waiter at Ernie's (uncredited) | |
| Roxann Delman | ... | Ransohoff's Model (uncredited) | |
| Molly Dodd | ... | Beautician (uncredited) | |
| Bess Flowers | ... | Diner at Ernie's (uncredited) | |
| Joanne Genthon | ... | Carlotta Valdes (uncredited) | |
| Don Giovanni | ... | Salesman (uncredited) | |
| Roland Gotti | ... | Bartender at Ernie's (uncredited) | |
| Victor Gotti | ... | Matire d' at Ernie's (uncredited) | |
| Fred Graham | ... | Policeman on Rooftop (uncredited) | |
| Buck Harrington | ... | Elster's Gateman (uncredited) | |
| Alfred Hitchcock | ... | Man Walking Past Elster's Office (uncredited) | |
| Art Howard | ... | Juror (uncredited) | |
| Catherine Howard | ... | Nun (uncredited) | |
| June Jocelyn | ... | Nurse (uncredited) | |
| David McElhatton | ... | Radio Announcer - European Version Only (voice) (uncredited) | |
| Miliza Milo | ... | Saleswoman (uncredited) | |
| Lyle Moraine | ... | Patron (uncredited) | |
| Forbes Murray | ... | Diner at Ernie's (uncredited) | |
| Julian Petruzzi | ... | San Francisco Flower Vendor (uncredited) | |
| Ezelle Poule | ... | Older Mistaken Identity (uncredited) | |
| Kathy Reed | ... | Patron (uncredited) | |
| William Remick | ... | Jury Foreman (uncredited) | |
| Jack Richardson | ... | Escort (uncredited) | |
| Jeffrey Sayre | ... | Diner at Ernie's (uncredited) | |
| Nina Shipman | ... | Woman in Museum Mistaken for Madeleine (uncredited) | |
| Dori Simmons | ... | Woman at Ernie's Mistaken for Madeleine (uncredited) | |
| Ed Stevlingson | ... | Inquest Attorney (uncredited) | |
| Sara Taft | ... | Nun (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Alec Coppel | (screenplay) & | |
| Samuel A. Taylor | (screenplay) (as Samuel Taylor) | |
| Pierre Boileau | (novel "D'Entre Les Morts") and | |
| Thomas Narcejac | (novel "D'Entre Les Morts") | |
| Maxwell Anderson | contributing writer (uncredited) | |
Produced by | |||
| Herbert Coleman | .... | associate producer | |
| James C. Katz | .... | restoration producer (1996 restoration) | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| George Tomasini | |||
Casting by | |||
| Bert McKay | (unit casting director) (uncredited) | ||
Art Direction by | |||
| Henry Bumstead | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Frank R. McKelvy | (as Frank McKelvy) | ||
Costume Design by | |||
| Edith Head | (costumes) | ||
Makeup Department | |||
| Nellie Manley | .... | hair style supervisor | |
| Wally Westmore | .... | makeup supervisor | |
| Florence Avery | .... | hairdresser (uncredited) | |
| Hazel Keats | .... | hairdresser (uncredited) | |
| Benny Lane | .... | makeup artist: Miss Novak (uncredited) | |
| Harry Ray | .... | makeup artist (uncredited) | |
| Peggy Thomas | .... | hairdresser (uncredited) | |
| Lenore Weaver | .... | hairdresser (uncredited) | |
Production Management | |||
| Phillip Feiner | .... | executive in charge of production (1996 restoration) (as Phillip J. Feiner) | |
| Robert Heiser | .... | post-production manager: DTS (1996 restoration) | |
| Frank Caffey | .... | production manager (uncredited) | |
| Andrew J. Durkus | .... | unit production manager (uncredited) | |
| C.O. Erickson | .... | unit production manager (uncredited) | |
| Curtis Mick | .... | assistant unit production manager (uncredited) | |
| Don Robb | .... | unit production manager: San Francisco (uncredited) | |
Second Unit Director or Assistant Director | |||
| Daniel McCauley | .... | assistant director | |
| Ralph Axness | .... | second assistant director (uncredited) | |
| Cy Brooskin | .... | second assistant director (uncredited) | |
| Charles C. Coleman | .... | assistant director: San Francisco (uncredited) | |
| Herbert Coleman | .... | second unit director: San Francisco (uncredited) | |
| John P. Fulton | .... | second unit director: back projection (uncredited) | |
| Edward Haldeman | .... | second unit director (uncredited) | |
| Clem Jones | .... | assistant director: San Francisco (uncredited) | |
| Frank Kies | .... | assistant director: San Francisco (uncredited) | |
| Edward Morey Jr. | .... | assistant director: San Francisco (uncredited) | |
Art Department | |||
| James Cottrell | .... | assistant props (uncredited) | |
| Gene Lauritzen | .... | construction coordinator (uncredited) | |
| Dominic Mautino | .... | stand-by painter (uncredited) | |
| Martin Pendleton | .... | props (uncredited) | |
| Manlio Sarra | .... | portrait: Carlotta (uncredited) | |
| Fred Simpfenderfer | .... | nurseryman (uncredited) | |
| Lee Vasque | .... | props (uncredited) | |
Sound Department | |||
| Charlie Ajar Jr. | .... | recordist (1996 restoration) | |
| Michael C. Casper | .... | re-recording mixer (1996 restoration) (as Michael Casper) | |
| William Hooper | .... | sound editor (1996 restoration) (as Bill Hooper) | |
| William Jacobs | .... | sound editor (1996 restoration) | |
| Daniel J. Leahy | .... | re-recording mixer (1996 restoration) | |
| Richard LeGrand Jr. | .... | supervising sound editor (1996 restoration) (as Richard Legrand Jr.) | |
| Winston H. Leverett | .... | sound recordist (as Winston Leverett) | |
| Harold Lewis | .... | sound recordist | |
| Laura Macias | .... | foley artist (1996 restoration) | |
| Bob McNabb | .... | sound editor (1996 restoration) | |
| Sharon Michaels | .... | foley artist (1996 restoration) | |
| Albert Romero | .... | foley mixer (1996 restoration) | |
| Harry E. Snodgrass | .... | sound designer (1996 restoration) (as Harry Snodgrass) | |
| Walter Spencer | .... | sound editor (1996 restoration) | |
| Samuel Webb | .... | assistant sound editor (1996 restoration) | |
| George Dutton | .... | sound (uncredited) | |
| Michael Ferdie | .... | foley editor (1996 restoration) (uncredited) | |
| Nick Gerolimates | .... | sound cable man (uncredited) | |
| Hayden Hohstadt | .... | mike grip (uncredited) | |
| Jim Miller | .... | sound recordist (uncredited) | |
| Bud Parman | .... | sound boom man (uncredited) | |
| Bert Van Volkenberg | .... | sound battery man (uncredited) | |
| Bill Wistrom | .... | sound editor (uncredited) | |
Visual Effects by | |||
| Chris Bushman | .... | photo-chemical supervisor (1996 restoration) | |
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
| Mike Glickman | .... | optical cameraman (1996 restoration) | |
| W. Wallace Kelley | .... | process photography (as Wallace Kelley) | |
| Scott Dougherty | .... | digital restoration producer: Cinesite (1996 restoration) (uncredited) | |
| W. Wallace Kelley | .... | director of photography: back projection (uncredited) | |
| Paul K. Lerpae | .... | optical effects (uncredited) | |
| Jerry Pooler | .... | digital restoration supervisor (1996 restoration) (uncredited) | |
| Tiffany Smith | .... | digital restoration coordinator: Cinesite (1996 restoration) (uncredited) | |
| John Whitney Sr. | .... | motion control designer: title sequence (uncredited) | |
Stunts | |||
| Polly Burson | .... | stunts (uncredited) | |
| Jean Corbett | .... | stunt double: Kim Novak (uncredited) | |
| Ted Mapes | .... | stunts (uncredited) | |
| Fred Perce | .... | stunt double: James Stewart (uncredited) | |
Casting Department | |||
| Olive Long | .... | secretary: casting director (uncredited) | |
Costume and Wardrobe Department | |||
| Leonard Harris | .... | wardrobe: men (uncredited) | |
| Roselle Novello | .... | wardrobe: women (uncredited) | |
| Dario Piazza | .... | wardrobe: men (uncredited) | |
Editorial Department | |||
| Sharon McGeeney | .... | negative cutting: Superior Film Service Inc. (1996 restoration) | |
| William Pine | .... | color timer: Deluxe Laboratories (1996 restoration) (as Bill Pine) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
| Leon Birnbaum | .... | music editor (uncredited) | |
| Bernard Herrmann | .... | orchestrator (uncredited) | |
Other crew | |||
| Saul Bass | .... | title designer | |
| Walter Browski | .... | theater sales manager: DTS (1996 restoration) | |
| John Ferren | .... | special sequence | |
| Robert A. Harris | .... | restorer (1996 restoration) | |
| Joanne Lawson | .... | restoration assistant (1996 restoration) | |
| Richard Mueller | .... | technicolor color consultant | |
| Marlene Noble | .... | restoration & research assistant (1996 restoration) | |
| Ken D. Smith | .... | production executive (1996 restoration) | |
| Mike B. Smith | .... | theater services engineer: DTS (1996 restoration) | |
| Diane Cummings | .... | photo double (uncredited) | |
| Diane Cummings | .... | stand-in (uncredited) | |
| Kathleen Fagan | .... | script supervisor: second unit (uncredited) | |
| Dr. A. Vincent Gerty | .... | technical advisor (uncredited) | |
| Bill Gray | .... | production auditor (uncredited) | |
| Frank Kies | .... | auditor: San Francisco (uncredited) | |
| Luddie Laine | .... | dialogue coach (uncredited) | |
| Al Peterson | .... | craft service (uncredited) | |
| Peggy Robertson | .... | script supervisor (uncredited) | |
| Art Sarno | .... | publicist (uncredited) | |
| Anita Speer | .... | script supervisor: second unit (uncredited) | |
| Herb Steinberg | .... | unit publicist (uncredited) | |
| Dolores Stockton | .... | secretary: Mr. Coleman (uncredited) | |
| Constance Willis | .... | script supervisor: San Francisco (uncredited) | |
Thanks | |||
| Barbara Bel Geddes | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) | |
| Henry Bumstead | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration: 1996 restoration | |
| Herbert Coleman | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration: 1996 restoration | |
| C.O. Erickson | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration: 1996 restoration (as C.O. 'Doc' Erickson) | |
| Michael Hickey | .... | special thanks (1996 restoration) | |
| Patricia Hitchcock | .... | special thanks (1996 restoration) (as Patricia Hitchcock O'Connell) | |
| Michael Hyatt | .... | special thanks: 1996 restoration | |
| Henry Jones | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) | |
| Kim Novak | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) | |
| Robert J. O'Neil | .... | special thanks (1996 restoration) | |
| Tom Pollock | .... | special thanks (1996 restoration) | |
| Peggy Robertson | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) | |
| Martin Scorsese | .... | special thanks (1996 restoration) | |
| Dan Slusser | .... | special thanks (1996 restoration) | |
| Leonard South | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration: 1996 restoration | |
| Herb Steinberg | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration: 1996 restoration | |
| James Stewart | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) | |
| Samuel A. Taylor | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) (as Samuel) | |
| Suzanne Taylor | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) | |
| June Van Dyke | .... | we would like to thank those members of the original production of Vertigo who were helpful in this restoration (1996 restoration) | |
| Lew Wasserman | .... | special thanks (1996 restoration) | |
'Vertigo' (USA) (poster title)
Alfred Hitchcock's Vertigo (USA) (complete title)
Darkling I Listen (USA) (working title)
Fear and Trembling (USA) (working title)
From Among the Dead (USA) (working title)
Illicit Darkening (USA) (working title)
Sueurs froides (Belgium: French title) (Canada: French title) (France) [fr]
Vértigo (Argentina) (Spain) (Uruguay) [es]
мЮБЮФДЕМХЕ (Soviet Union: Russian title) [ru]
A Mulher Que Viveu Duas Vezes (Portugal) [pt]
Aus dem Reich der Toten (Austria) [de]
De entre los muertos (Spain) [es]
De vrouw die tweemaal leefde (Netherlands) [nl]
Desmotis tou iliggou (Greece) [el]
En kvinde skygges (Denmark) [da]
La donna che visse due volte (Italy) [it]
Punainen kyynel (Finland) [fi]
Röd tår (Finland: Swedish title) [sv]
Studie i brott (Sweden) [sv]
Szédülés (Hungary) [hu]
Um Corpo Que Cai (Brazil) [pt]
Vertigo - Aus dem Reich der Toten (West Germany) [de]
Vertigo - punainen kyynel (Finland) [fi]
Zawrót glowy (Poland) [pl]
Zij die tweemal leefde (Belgium: Flemish title) [un]
more
128 min | USA:129 min (1996 restored version)
Color (Technicolor)
1.50 : 1 more
DTS 70 mm (1996 re-release) (70 mm prints) | DTS (1996 re-release) (35 mm prints) | Dolby Digital (1996 re-release) (35 mm prints) | Mono (Westrex Recording System)
USA:Approved (PCA #18867) | USA:PG (re-rating) (1983) (certificate no. 27072) | Canada:14 (Nova Scotia) (re-rating) (1997) | Canada:G (Nova Scotia) (original rating) (1983) | Spain:T | Canada:PG (Manitoba/Ontario) | Brazil:14 | Netherlands:12 | Iceland:12 (1984) | Argentina:13 | Australia:PG | Finland:K-12/9 (1995) | Finland:K-12/9 (1997) | Finland:K-16 (1958) | France:U | Norway:11 (re-rating) (1997) | Norway:16 (original rating) | Portugal:M/12 | Sweden:15 | UK:A (original rating) | UK:PG (video rating) (1988) | West Germany:12 | Canada:13+ (Quebec)
Alfred Hitchcock had originally wanted to use his now-famous Vertigo zoom in Rebecca (1940), but due to lack of technology at that time he couldn't do it. The technique was inspired by a time when Hitchcock had fainted during a party. more
Continuity: As Scotty parks alongside Madeline in front of his apartment, his car (actually the camera truck) cuts across several parking spaces. When the angle changes and Scotty is shown stepping from his car, it is parked within one parking space. more
[first lines]
Officer on rooftop:
Give me your hand. Give me your hand.
more
Featured in The Pervert's Guide to Cinema (2006) more
Sardis #4 more
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One of the many things that made Hitchcock such a great director is that he did not just stick to the same formula time after time; all of his best movies have their own unique feel and characteristics. "Vertigo" is particularly distinctive, both as a complex story filled with suspense, and as a fascinating study in psychological tension. While it lacks the humor of some of Hitchcock's other masterpieces, and sometimes moves rather slowly, it is unforgettable, and a great achievement by the director and his cast.
If you have never seen it, you will enjoy it more if you do not know too much about the plot, although the actual story is somewhat secondary to the ways that the characters are tested and their weaknesses exposed by the various events. Hitchcock uses a complicated story, interesting characters, lavish visual detail, and deliberate pacing, plus a fine musical score by the incomparable Bernard Hermann, to produce a mysterious, almost unearthly, atmosphere. The tension rarely lets up, and the viewer is caught up completely in it, at times almost to the point of discomfort. It's the kind of film that repays careful attention, as almost every moment is filled with significant detail.
There are also some great acting performances. Jimmy Stewart is outstanding in a role far different from his usual screen persona. He enables the viewer to sympathize completely with him, even as we cringe at many of his character's actions and decisions. Kim Novak is completely convincing in a difficult dual role, and the movie would not have been as compelling without her fine performance. The rest of the cast all have much smaller roles, but are all quite good too, especially Barbara Bel Geddes as Scottie's (Stewart's) old friend, who provides important insight into Scottie's character.
"Vertigo" is a classic by any standard. It's a must-see that remains just as impressive with each viewing.