After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <firstname.lastname@example.org>
Upon reading Karl Tunberg's original script, William Wyler had written in the margins "awful . . . horrible". Consequently, he brought in Gore Vidal--who was under contract to MGM at the time and hated it--to rewrite the screenplay. Vidal also thought that Tunberg's script was dreadful and initially didn't even want to take on the project. He changed his mind when Wyler promised to get him out of the remaining two years of his contract. Wyler then brought in playwright Maxwell Anderson to do a draft. Playwright Christopher Fry was then engaged by Wyler to polish a screenplay that, by that time, was largely Anderson's work, built on the skeleton of Tunberg's earlier drafts. Neither Fry nor Vidal (whose contribution was almost negligible) received screen credit for their work on the film, which infuriated Wyler so much that he leaked the story to the press. See more »
The shadow of the camera can be seen on Christ's back as Ben Hur is leaving Nazareth to go to the galleys (widescreen version). See more »
There's this wild man in the desert named John who drowns people in water.
See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
I own over 2,000 movies on DVD or VHS. I have gone to many many more movies that have not been worthy of my collection, thus my exposure to film has been extensive. I mention this because through every film I have seen; I still come back to a film from 1959 as the greatest achievement in cinematic history. I have seen great films like: Return of the King, Saving Private Ryan, Braveheart and many more. While the modern films are wonderful and have a fantastic richness to them, they still are a "small" notch below Ben-Hur. Today's films use a lot of computer effects for their battles scenes, their backgrounds, and even computer images for the stunts of their actors. Yet, Ben-Hur did it all without computers. I am still fascinated by the chariot race. Never, in film history, has anything matched the depth and excitement of the chariot race. Remember folks, this is 1959, nothing is computer generated. Some may say the naval battle scenes look a bit cheesy, but again it was 1959 and the scenes still work today. What can you say about the acting? Every single actor is wonderful. Heston is in top form as Ben-Hur. Steven Boyd is incredible playing the merciless Messala. Jack Hawkins, Haya Harareet, Martha Scott--all fantastic in their roles. Each performing the role of a life time. The actors are fantastic, but William Wyler brings more out of each actor than any director ever could in this day and age. Wyler had no computer animation to rely on, he had no high tech special effects crew, he had no computer program to fill in extras. Wyler had to find thousands of extras for many scenes and maintain control. Did you ever see Steven Boyd better? Probably not. Did you ever see any of the actors (except Heston, who is an acting marvel) better in any other role? Wyler just pulled the greatest performance out of each actor. The story: fantastic from beginning to end. While the film is over 3 hours long, you do not feel that it is that long. Every scene is lovingly crafted: the reunion between Messala and Judah, the trek to the gallows, the rowing scene, the naval battle, the chariot race, the Messala death scene, the reunion with Judah and his family, etc. After seeing thousands and thousands of movies, I always come back to Ben-Hur. This is the mark of fantastic movie making. Today's film makers could learn a lot by watching this film and "learning" about acting, directing, and screen writing.
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