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Pillow Talk (1959)

Approved | | Comedy, Romance | 7 October 1959 (USA)
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ON DISC
A man and a woman who share a party line cannot stand each other, but he has fun romancing her with his voice disguised.

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Writers:

(screenplay), (screenplay) | 2 more credits »
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Won 1 Oscar. Another 5 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Alma
...
Tony Walters
...
Marie
...
Harry
...
Pierot
...
Mrs. Walters
Mary McCarty ...
Nurse Resnick
...
Dr. Maxwell
...
Mr. Conrad
...
Eileen
...
Yvette
Arlen Stuart ...
Tilda
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Storyline

In New York, the interior decorator Jan Morrow and the wolf composer Brad Allen share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brads since she needs the telephone for her business and can not use it. Coincidently Jan's wealthy client Jonathan Forbes that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Apart...they rocked the house! Together...they'll raise the roof! See more »

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

7 October 1959 (USA)  »

Also Known As:

Problemas de alcoba  »

Box Office

Gross:

$18,750,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Eastman Color)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Ross Hunter wrote that after he made this film, no theatre managers wanted to book it. Popular movie themes at the time were war films, westerns, or spectacles. Hunter was told by the big movie chains that sophisticated comedies like "Pillow Talk" went out with William Powell. They also believed Doris Day and Rock Hudson were things of the past and had been overtaken by newer stars. Hunter persuaded Sol Schwartz, who owned the Palace Theatre in New York, to book the film for a two-week run, and it was a smash hit. The public had been starved for romantic comedy, and theatre owners who had previously turned down Ross Hunter now had to deal with him on HIS terms. See more »

Goofs

Jonathan drives Jan back to New York in a black car with a hard-top, but when they arrive at the diner it is black with a white vinyl roof. See more »

Quotes

Brad Allen: I've had hangovers before, but this time, even my hair hurts.
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Crazy Credits

As Doris Day sings 'Pillow Talk' over the closing credits, the film finishes with 'the end' on two horizontal pillows' followed by 'not quite' 'not quite' 'not quite' 'not quite' stacked vertically on four pillows. See more »

Connections

Featured in What a Difference a Day Made: Doris Day Superstar (2009) See more »

Soundtracks

Inspiration
by Joe Lubin and I.J. Roth
Performed by Rock Hudson (uncredited)
See more »

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User Reviews

 
The wildest behind in New York City!
22 May 2001 | by (las vegas, nv) – See all my reviews

A party-line turns an interior decorator and a songwriting ladies' man into enemies--that is, until he gets a look at her. When Doris Day is forced into a nightclub by a junior-suitor, she makes the best of it and does a shimmy on the dance-floor in a tight white dress--you can't blame Rock Hudson (at a nearby table) nor the cameraman for zooming in on her derrière, which wiggles seductively and comically. This businesswoman is really a closeted gal-about-town, and Day gives one of her freshest, funniest performances here. I also liked the tinkly background score and the handful of songs (the title cut, "Roly Poly" and "Possess Me"), but apparently Doris didn't. In her autobiography, she scathingly dismisses all the music from her '60s bedroom comedies as "mediocre", blaming her skinflint husband for bypassing top-rank composers like Henry Mancini for "a bunch of no-names". Why Doris!!

***1/2 from ****


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