Suddenly, Last Summer (1959)

User Rating:

7.6/10   

Director:

Joseph L. Mankiewicz

Writers:

Tennessee Williams (play)
Gore Vidal (screenplay) ...

Release Date:

22 December 1959 (USA)

Genre:

Drama | Horror | Thriller

Tagline:

TENNESSEE WILLIAMS shocks you again as he transports you to a STRANGE, NEW BOLD WORLD!

Plot:

The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.

Plot Keywords:

Memory | Widow | Poet | New Orleans | Operation

Awards:

Nominated for 3 Oscars. Another 2 wins & 3 nominations

US TV Schedule:

Mon. Nov. 16

12:00 PM

TCM

Cast

Elizabeth Taylor	...	Catherine Holly
Katharine Hepburn	...	Mrs. Violet Venable
Montgomery Clift	...	Dr. Cukrowicz
Albert Dekker	...	Dr. Lawrence J. Hockstader
Mercedes McCambridge	...	Mrs. Grace Holly
Gary Raymond	...	George Holly
Mavis Villiers	...	Miss Foxhill
Patricia Marmont	...	Nurse Benson
Joan Young	...	Sister Felicity
Maria Britneva	...	Lucy
Sheila Robbins	...	Dr. Hockstader's Secretary
David Cameron	...	Young Blonde Interne

Also Known As:

Plötzlich im letzten Sommer (Austria) (West Germany) [de]
Äkkiä viime kesänä (Finland) [fi]
Bruscamente no Verão Passado (Portugal) [pt]
De repente el verano (Venezuela) [es]
De repente en el verano (Argentina) [es]
De repente, el último verano (Spain) [es]
Improvvisamente l'estate scorsa (Italy) [it]
Plötsligt i somras (Sweden) [sv]
Pludselig sidste sommer (Denmark) [da]
Soudain l'été dernier (France) [fr]

Runtime:

114 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

UK:X (original rating) | Netherlands:6 | Finland:K-16 | Spain:18 | Sweden:15 | UK:15 | USA:Unrated | West Germany:12 | Argentina:16 | Australia:M

Filming Locations:

London, England, UK

Company:

Horizon Pictures (II)

Trivia:

In the French post-synchronized version of the film, the actors are dubbed by: Claude Winter (Elizabeth Taylor), Claire Guibert (Katharine Hepburn), Bernard Noël (Montgomery Clift), Serge Nadaud (Albert Dekker), Claude Daltys (Mercedes McCambridge), Jean-Pierre Duclos (Gary Raymond), Lita Recio (Mavis Villiers), Hélène Tossy (Joan Young) and Michel Gudin (David Cameron).

Goofs:

Anachronisms: Although set in 1937, costumes, hairstyles and makeup worn by Elizabeth Taylor were all contemporary in 1959.

Quotes:

Mrs. Venable: Oh, Sebastian, what a lovely summer it's been. Just the two of us. Sebastian and Violet. Violet and Sebastian. Just the way it's always going to be. Oh, we are lucky, my darling, to have one another and need no one else ever.

Movie Connections:

Featured in The 76th Annual Academy Awards (2004) (TV)

(POSSIBLE SPOILER)...Gothic decadence gives Taylor and Hepburn striking roles...

While the symbolism here is about as heavy as a sledgehammer, it's offered in such artfully poetic style that only writers of the caliber of Tennessee Williams and Gore Vidal could give us. What they have done is provide KATHARINE HEPBURN with a role that fits her like a glove and where her mannered acting sits comfortably on a role she was born to play. She is totally mesmerizing as Mrs. Venable, a woman who has lavished all her hopes and dreams on her only son only to have them all swept away on a brutal summer day, "suddenly, last summer", under the hot Mediteranean sun. She gets to spout the most poetic dialog in the film, with ELIZABETH TAYLOR not far behind, especially during their frequent monologues.

This leaves MONTGOMERY CLIFT, as a surgeon who is asked to perform a lobotomy on Miss Taylor, hovering in the background and looking like a frightened sparrow most of the time, although it is he who uncovers the truth about last summer. Mr. Clift must have been at a difficult phase of his own personal life because he performs in a stiff, robot-like manner that makes him seem dubious as a skilled surgeon with steady hands.

All of this is highly melodramatic as only Tennessee Williams can muster, while at the same time affording us the luxury of watching two commanding performances from Hepburn and Taylor that were justifiably nominated for Oscars.

The tale seems burdened by too much heavy-handed poetry but somehow it holds the attention because of the forceful acting by a fine cast. Mercedes McCambridge is a standout as Taylor's mother in the sort of fluttery, birdbrain role one might suspect would be offered to Billie Burke if this had been filmed in the 1940s.

By the end of the film, Miss Hepburn is so far removed from reality that she thinks Dr. Sugar (Montgomery Clift) is her son Sebastian and seems more like a candidate for lobotomy than the plucky Miss Taylor. Taylor never quite has the air of vulnerability that the role demands, but she gives a colorful, if strident, performance as the poor victimized girl who was used as bait by her playboy cousin.