Psycho (1960)

Director:

Alfred Hitchcock

Writers:

Joseph Stefano (screenplay)
Robert Bloch (novel)

Release Date:

25 August 1960 (Brazil)

Genre:

Horror | Thriller

Tagline:

A new- and altogether different- screen excitement!!!

Plot:

A young woman steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.

Plot Keywords:

Motel | Shower | Alimony | California | Phoenix Arizona

Awards:

Nominated for 4 Oscars. Another 5 wins & 3 nominations

Cast

Anthony Perkins	...	Norman Bates
Vera Miles	...	Lila Crane
John Gavin	...	Sam Loomis
Martin Balsam	...	Milton Arbogast
John McIntire	...	Deputy Sheriff Al Chambers
Simon Oakland	...	Dr. Fred Richmond
Vaughn Taylor	...	George Lowery
Frank Albertson	...	Tom Cassidy
Lurene Tuttle	...	Mrs. Chambers
Patricia Hitchcock	...	Caroline (as Pat Hitchcock)
John Anderson	...	California Charlie
Mort Mills	...	Highway Patrol Officer
Janet Leigh	...	Marion Crane

Also Known As:

Wimpy (USA) (fake working title)
Psicosis (Argentina) (Spain) (Uruguay) [es]
Psychose (Belgium: French title) (Canada: French title) (France) [fr]
Psycho (Austria) (West Germany) [de]
оЯХУ (Soviet Union: Russian title) [ru]
Psico (Portugal) [pt]
Psicose (Brazil) [pt]
Psicosi (Spain: Catalan title) [ca]
Psycho (Czechoslovakia) [cs]
Psycho (Denmark) [da]
Psychoza (Poland) [pl]
Psyco (Italy) [it]
Psyho (Greece) [el]
Psyko (Finland) [fi]
Sapik (Turkey: Turkish title) [tr]

Runtime:

109 min | Germany:108 min (cut)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Chile:14 (re-rating) | Chile:18 (original rating) | Germany:12 (re-rating) (2006) | Portugal:M/12 | West Germany:16 (original rating) | Netherlands:12 | Iceland:16 | Finland:K-16 (cut) (1960) | Finland:K-16 (uncut) (1969) | Finland:K-16 (cut) (1965) | South Korea:15 | Brazil:14 | Czech Republic:U | New Zealand:R16 | USA:TV-PG (TV rating) | Argentina:13 (re-rating) | Argentina:16 (original rating) | Australia:M | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:PG (Manitoba/Ontario) | France:-12 (re-release) | France:-16 | Israel:16 | Norway:15 | Norway:16 (1960) | Peru:14 | Spain:13 | Sweden:15 | Switzerland:16 (re-release) | UK:15 (video rating) (1986) | UK:X (original rating) | USA:Approved (certificate #19564) (original rating) | USA:M (re-rating) (1968) | USA:R (re-rating) (1984)

Filming Locations:

4270 Lankershim Boulevard, North Hollywood, Los Angeles, California, USA

Company:

Shamley Productions

Trivia:

In the novel, the character of "Marion" was "Mary" Crane. The name was changed because the studio legal department found that two real people named Mary Crane lived in Phoenix, Arizona.

Goofs:

Plot holes: Lila and Sam are able to sneak into Cabin 1 just by opening the door, but neither of them has a key, and it is very likely that Norman would have locked it to avoid someone discovering evidence of Marion's murder.

Quotes:

[first lines]
Sam Loomis: You never did eat your lunch, did you?
Marion Crane: I better get back to the office. These extended lunch hours give my boss a sexist asset.
Sam Loomis: Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane: What do I do with my free afternoon? Walk you to the airport?

Movie Connections:

Referenced in The Happening (2008)

The More I See This, The Better It Gets

When I watched this for the first time in over 30 years, I was surprised how little action there was since I had remembered this as some intense horror movie. Of course, I was young and more impressionable so I guess I just remembered those few dramatic, sensational scenes such as Janet Leigh murdered in the shower and the quick other murder at the top of the stairs. Basically, that was about it, action-wise, BUT I have no complaints because the more I watch this film, the more I like it. It has become my favorite Alfred Hitchcock movie, along with Rear Window.

I mention the lack of action, and blood, too, because younger people who might be watching this for the first time are not going to see the kind of horror film they're accustomed to seeing. A generation back, movie makers tended to build up characters and suspense, so there was a lot more storytelling and less action than you see today. Also, this movie doesn't have the shock value today for audiences, either, not after years of Freddie Krueger-type blood-and-guts seen in the past 30 years.

But, what you WILL see in this movie is (1) superb acting; (2) a fascinating lead character; (3) excellent photography, and (4) a bizarre story.

"Norman Bates" is one of the most famous fictional names in film history, thanks to this film and the great work portraying him by Anthony Perkins. "Norman" is a nutcase, as it turns out and the more you know all about him, the more fun it is to study Perkins and his character "Norman" in subsequent viewings. He really has the guy down pat. However, it isn't just Perkins' film; the supporting is just fine with Leigh, whose figure is still awesome no matter how many times you see it; Martin Balsam as the private detective; Vera Miles and John Gavin. Everyone contributes.

What makes me really enjoy this movie is the cinematography. I bought this on VHS when it became available on widescreen. Later, of course, I got the DVD. Each time, I appreciate John Russell's camera-work and Hitchcock's direction more and more. I wonder if this isn't Hitchcock's best job of directing as his camera angles and lighting are outstanding. On the DVD, the blacks, whites and grays are just super and the famous house next to the Bates Motel never looked better. That house really looks eerie.

The sound effects in here don't hurt. When Balsam is attacked, the accompanying frightening music never fails to bring chills down my spine. The music literally "screams" at you.

I went 35 years between showings but now have watched this five times in the past four years. I love it and look forward to seeing it again. Many people here think this is Hitchcock's greatest film. Add me to that list.