7.7/10
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50 user 30 critic

Saturday Night and Sunday Morning (1960)

TV-PG | | Drama, Romance | 3 April 1961 (USA)
A rebellious, hard-living factory worker juggles relationships with two women, one of whom is married to another man but pregnant with his child.

Director:

Writers:

(screenplay), (adapted from his novel by)
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Won 3 BAFTA Film Awards. Another 7 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Hylda Baker ...
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Robboe
Edna Morris ...
Elsie Wagstaff ...
Mrs. Seaton (as Elsie Wagstaffe)
Frank Pettitt ...
Mr. Seaton
Avis Bunnage ...
...
Loudmouth (as Colin Blakeley)
Irene Richmond ...
Louise Dunn ...
...
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Storyline

Arthur, one of Britain's angry young men of the 1960s, is a hardworking factory worker who slaves all week at his mindless job for his modest wages. Come Saturday night, he's off to the pub for a loud and rowdy beer session. With him is Brenda, his girlfriend of the moment. Married to a fellow worker, she is nonetheless captivated by his rugged good looks and his devil-may-care attitude. Soon a new love interest Doreen enters and a week later, Brenda announces she's pregnant. She tells Arthur she needs money for an abortion, and Arthur promises to pay for it. By this time, his relationship with Doreen has ripened and Brenda, hearing of it, confronts him. He denies everything, but it's obvious that their affair is all but over. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Makes "Room at the Top" look like a vicarage tea-party. See more »

Genres:

Drama | Romance

Certificate:

TV-PG | See all certifications »
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Details

Country:

Language:

Release Date:

3 April 1961 (USA)  »

Also Known As:

Lauantai-illasta sunnuntaiaamuun  »

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Box Office

Budget:

£100,000 (estimated)
See more on IMDbPro »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The house used as the filming location for the Seafords' house was owned by Alan Sillitoe, the author of the novel on which the film is based. See more »

Quotes

[first lines]
Arthur Seaton: Nine hundred and fifty four, nine hundred and fifty bloody five. Another few more and that's the lot for a Friday.
See more »

Connections

Referenced in Film '72: Episode dated 26 November 2014 (2014) See more »

Soundtracks

Let's Slip Away
(uncredited)
Music by John Dankworth
Lyrics by David Dearlove
Played when Brenda and Arthur see each other at the carnival
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User Reviews

 
The movie that first gave me an impression of 'cinema verite'
16 February 2006 | by See all my reviews

In 1960, in a small Black Country town, I went to see this movie, with a male friend, at our local fleapit - it was a revelation. I found myself in a cinema that was a real setting for what appeared on the screen, for there Albert Finney was, not represented, was the working class bloke that sat in the picture house near to me.

Equally I knew that, on leaving, I would see his aunt (Hilda Baker) in the local chippy, and that Norman Rossington would be cycling to some nearby canal to fish. Indeed when Ben (my friend) and I left we went to our local for a quick pint and, I swear,we both had the uncanny feeling of being part of the film.

Time has passed and the working class East and West Midlands have change completely so it may not have such resonance for a new generation but if you want to know what a good slice of England looked and sounded like in the 1950s you should see it: it's better than any documentary. Indeed it is a great film.


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