| Photos (see all 9 | slideshow) | Videos |
| Jean-Claude Brialy | ... | Émile Récamier (as Brialy) | |
| Anna Karina | ... | Angela (as Karina) | |
| Jean-Paul Belmondo | ... | Alfred Lubitsch (as Belmondo) | |
| rest of cast listed alphabetically: | |||
| Henri Attal | ... | Faux aveugle #2 (uncredited) | |
| Karyn Balm | ... | (uncredited) | |
| Dorothée Blank | ... | Prostitute 3 (uncredited) | |
| Catherine Demongeot | ... | Zazie (uncredited) | |
| Marie Dubois | ... | Angela's friend (uncredited) | |
| Ernest Menzer | ... | Bar Owner (uncredited) | |
| Jeanne Moreau | ... | Woman in Bar (uncredited) | |
| Nicole Paquin | ... | Suzanne (uncredited) | |
| Gisèle Sandré | ... | Prostitute 2 (uncredited) | |
| Marion Sarraut | ... | Prostitute 1 (uncredited) | |
| Dominique Zardi | ... | Faux aveugle #1 (uncredited) | |
Directed by | |||
| Jean-Luc Godard | |||
Writing credits(in alphabetical order) | ||
| Jean-Luc Godard | screenplay | |
Produced by | |||
| Georges de Beauregard | .... | producer | |
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| Raoul Coutard | |||
Film Editing by | |||
| Agnès Guillemot | |||
| Lila Herman | |||
Production Design by | |||
| Bernard Evein | |||
Costume Design by | |||
| Jacqueline Moreau | (uncredited) | ||
Production Management | |||
| Philippe Dussart | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Francis Cognany | .... | assistant director | |
Sound Department | |||
| Guy Villette | .... | sound | |
Other crew | |||
| Suzanne Schiffman | .... | script girl | |
|
|
|
|
|
| The Pillow Book | Pierrot le fou | La science des rêves | Gone with the Wind | Tacones lejanos |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
| Add this title to MyMovies |
This movie is often advertised as a musical. It's not. It's Jean-Luc Godard's world, filled with vibrant blues and reds, bogaurd cigarettes, and cinema fantasies, shown through the eyes of Anna Karina. Karina plays a stripper, but unlike the other girls, she dances and sings as if she were in a musical choreographed by Bob Fosse. Raoul Cotard's cinerama camera follows her through Paris as we expiriance her flirtation's with her lover's best friend (played by Jean Paul Belamondo who also costars with Karina in 'Pierette le Fou' and starred in Godard's first film, A bout de scoffule) and argues with her lover about whether they should have a child and how awful the opposite sex is. They love eachother deeply, but can't stand eachother. In my experiance this IS love...or the closest thing humans can get to love. Godard keeps us completley out of the film by constantly reminding us that THIS IS A FILM. Anna Karina winks at the camera, breaks into song, the actors are staged unrealistically. This is what makes Jean-Luc Godard great. No matter how hard he tried to obtain realism in his first film, it was still a film and this is one of Godard's subliminal messages to the audience. Fun, charming, cinematic, and beautiful--a woman is a woman is a fine piece of cinema.