West Side Story (1961)

User Rating:

7.8/10   

Directors:

Jerome Robbins
Robert Wise

Writers:

Ernest Lehman (screenplay)
Arthur Laurents (book)

Release Date:

23 December 1961 (Japan)

Genre:

Musical | Romance | Drama

Tagline:

"BEST PICTURE!" Winner of 10 Academy Awards! - 1961 (post-Oscar)

Plot:

Musical about two youngsters from rival NYC gangs who fall in love.

Plot Keywords:

Love | New York City | Street Gang | Tragedy | Puerto Rican

Awards:

Won 10 Oscars. Another 15 wins & 6 nominations

Cast

Natalie Wood	...	Maria
Richard Beymer	...	Tony
Russ Tamblyn	...	Riff
Rita Moreno	...	Anita
George Chakiris	...	Bernardo
Simon Oakland	...	Schrank
Ned Glass	...	Doc
William Bramley	...	Krupke
Tucker Smith	...	Ice
Tony Mordente	...	Action
David Winters	...	A-rab
Eliot Feld	...	Baby John
Bert Michaels	...	Snowboy
David Bean	...	Tiger
Robert Banas	...	Joyboy

Also Known As:

West Side Story (Austria) (West Germany) [de]
West Side Story (Canada: French title) (France) [fr]
Amor Sem Barreiras (Portugal) [pt]
Amor sin barreras (Argentina) [es]
Amor, Sublime Amor (Brazil) [pt]
Bati yakasinin hikayesi (Turkey: Turkish title) [tr]
Sippur Ha-Parvarim (Israel: Hebrew title) [iw]
West Side Story (Denmark) [da]
West Side Story (Finland) [fi]
West Side Story (Spain) [es]
West side monogatari (Japan) [ja]

Runtime:

152 min

Country:

USA

Language:

English | Spanish

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

4-Track Stereo (35 mm magnetic prints) | 70 mm 6-Track (Westrex Recording System) (70 mm prints) | Mono (35 mm optical prints)

Certification:

USA:Approved (certificate #19949) | West Germany:12 | Portugal:M/12 | Netherlands:MG6 | Brazil:Livre | Finland:K-12 | Sweden:11 (re-rating) (1970) | Sweden:15 (original rating) | Ireland:PG | Argentina:Atp | Australia:PG | Peru:PT | UK:A (original rating) | UK:PG (video rating) (1986)

Filming Locations:

10th Street, Manhattan, New York City, New York, USA

Company:

Mirisch Corporation, The

Trivia:

"West Side Story" played for almost two years on stage in New York, racking up a total of 732 performances.

Goofs:

Continuity: After the war council, Schrank says that he rebuked the Jets the same day. That means that all events before the war council were on that day too. The dance started at 10 PM, and that leaves very little time for America, the balcony scene and the war council.

Quotes:

[first lines]
[the Jets dance across the streets of New York, eventually coming to a playground where they toss around a basketball. The ball is intercepted by Bernardo, leader of the Sharks]
Riff: [snaps fingers at Bernardo] Come on.
[Bernardo drops the ball, Riff picks it up]
Riff: Beat it.

Movie Connections:

Referenced in Maré, Nossa História de Amor (2007)

Soundtrack:

Intermission

A 70-millimeter delight.

I remember when this film ran on NBC television about 25 years ago. After being beefed up with commercials, it had to be shown in 2 parts over two nights. I only saw it in the theater once when I was about 12, and had forgotten many visuals which were cut off on the television screen. So let me just say that the smartest thing MGM-UA could do is present a widescreen, 70mm DVD. It has a gorgeous restored picture (important for visual effects like the dissolve of Natalie Wood spinning around in the bridal shop which blurs and multiplies and finally erupts into multiple dancers who converge at the gym, or the first time Tony and Maria see each other against the blur of the dance competition on opposite sides of the screen) and pristine sound- probably the most gorgeous score ever composed by Leonard Bernstein. There are, of course, stage purists who scoff at the movie (and its many ghost singers), but I always thought the film's adaptation was superior to the stage show because it gave the story a more breathless, one-act pace. Some songs are reshuffled and re-staged from the original libretto, and the background score is given something of a theatrical makeover. And the dancing, of course, is peerless-- whether it's the "Cool" dance with the Jets in a low-ceiling garage, the "America" battle of the sexes with the Sharks, or even the delicate rooftop dance performed in Act 2 by Natalie Wood- bewitching in a white dress and re-living the moment she first fell in love herself. None of these wonders can prepare you for the mind-numbing, emotional, climax.

A tour-de-force film show, clocking in at 152 minutes.