Advise & Consent (1962)

User Rating:

7.8/10   

Director:

Otto Preminger

Writers:

Allen Drury (novel)
Wendell Mayes (screenplay)

Release Date:

6 June 1962 (USA)

Genre:

Drama

Tagline:

Are the men and women of Washington really like this?

Plot:

Senate investigation into the President's newly nominated Secretary of State, gives light to a secret from the past, which may not only ruin the candidate, but the President's character as well.

Plot Keywords:

Senate | Blackmail | Ampersand In Title | Homosexuality | Pulitzer Prize Source

Awards:

Nominated for BAFTA Film Award. Another 1 win & 1 nomination

Cast

Henry Fonda	...	Robert A. Leffingwell
Charles Laughton	...	Senator Seabright 'Seab' Cooley
Don Murray	...	Senator Brigham Anderson
Walter Pidgeon	...	Senate Majority Leader Bob Munson
Peter Lawford	...	Senator Lafe Smith
Gene Tierney	...	Dolly Harrison
Franchot Tone	...	The President
Lew Ayres	...	Vice President Harley Hudson
Burgess Meredith	...	Herbert Gelman
Eddie Hodges	...	Johnny Leffingwell
Paul Ford	...	Senator Stanley Danta
George Grizzard	...	Senator Fred Van Ackerman
Inga Swenson	...	Ellen Anderson
Frank Sinatra	...	Himself - on Recording at Gay Bar (voice) (archive sound)
Edward Andrews	...	Senator Orrin Knox

Also Known As:

Sturm über Washington (Austria) (West Germany) [de]
Tempestade Sobre Washington (Brazil) (Portugal) [pt]
Burza nad Waszyngtonem (Poland) [pl]
Myrskyä Washingtonissa (Finland) [fi]
Storm över Washington (Sweden) [sv]
Storm Over Washington (Denmark) [da]
Tempête à Washington (France) [fr]
Tempesta su Washington (Italy) [it]
Tempestad sobre Washington (Spain) [es]
Thyella stin Washington (Greece) [el]
Wasingtonda firtina (Turkey: Turkish title) [tr]

Runtime:

139 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

UK:PG (TV rating) | UK:U (original rating) | West Germany:12 (f) | Finland:K-16 | Sweden:15 | UK:12 | Australia:M | USA:Approved (PCA #20078)

Filming Locations:

Caucus Room, United States Capitol - 545 Seventh Street SE, Washington, District of Columbia, USA

Company:

Otto Preminger Films

Trivia:

The film is based on the Pulitzer Prize-winning novel by Allen Drury, who was a congressional correspondent for The New York Times during the 1950s, while he was writing the book. Nearly every character is based on a real person (Lafe Smith is based on John F. Kennedy; Orrin Knox is based on Robert A. Taft, Fred Van Ackerman is based on Joseph McCarthy and the president is modeled on Franklin Delano Roosevelt). Even the blackmailing pf Brig Anderson, and how it's resolved, is based on a real incident. And the Leffingwell nomination is based on the House Un-American Activities Committee investigation of Alger Hiss.

Goofs:

Audio/visual unsynchronized: During the roll call vote on Leffingwell's nomination, as the Majority Leader walks up to the Vice President to tell him the vote will be tied, senators can be heard responding yes or no to the nomination. Although he is not seen in the shot, the name of Senator Strickland (played by actor Will Geer) is called and a voice answers "No". But that voice is clearly not that of Geer, whose voice is heard responding immediately after when the name of Senator Sundberg is called. At that time, a voice which is unmistakably Geer's replies "Nope".

Quotes:

Robert Leffingwell: Son, this is a Washington, D.C. kind of lie. It's when the other person knows you're lying and also knows you know he knows.

Movie Connections:

Featured in Preminger: Anatomy of a Filmmaker (1991)

Soundtrack:

The Song from Advise and Consent

Even more relevant today than in 1962

Although I had seen it when it first came out (I was 18) and again about about 6 months ago (Winter, 2004), this screening (May, 2005) was even more insightful.

It really has aged very well, and is, obviously, at least as relevant today as it was in 1962 --"realistic" in its depiction of the congressional situation in its own day, positively prescient in its relation to our own.

Fonda is good, but curiously second fiddle to the other, more subtle characters.

It's Walter Pigeon's best flick (by far), well cast as the Senate Majority Leader and he carries the role off with an almost Shakespearean aplomb.

Almost Charles Laughton's best (only because that's a very hard call), with his hopelessly crumpled white suit and hat, shufflin' gait, positively Irvinesque homespun witticisms and wonderful, drawling, contemptuous "Mis-ter Rob-ert A. Leff-in-well".

Might be Franchot Tone's best, as well, as the ailing, frail, chain-smoking president, a little bit too close to Life (filmed 6 years before he died of lung cancer).

Gene Tierney is very good as the D.C. socialite hostess "Dolly Harrison" --a character clearly based on Averill Harriman's wife Pamela or, as a type, a later Katherine Graham.

Definitely Peter Lawford's best film --which, admittedly, is not saying much, but he's very well cast as a rather dissolute, philandering Kennedyesque senator who is, nonetheless, not without his Qualities.

Lew Ayres' Casper Milquetoast "Vice President Harley M. Hudson" is an excellently wrought character, from his "bucket of warm spit" role as the impotent President of the Senate to the wonderful twist he gives it at the end, which expounds quite beautifully the subtleties and definitiveness of the Reality of Power.

The scenes of D.C. are positively nostalgic --imagine anyone being able to catch a cab to the capital and then walk right up the steps and go inside ; or an aged night-watchman making his rounds as *the* Security for the inside of the Senate building.

As are the various aspects of the underground "Gay Scene" in NYC with the wonderfully cast Larry Tucker, Jerry Fielding's fine music and "the voice of Frank Sinatra" (as credited). (Some might object to the "clichés" in these scenes, but, to me, those clichés are part and parcel of the ambiance of the period of the film and the culture it portrays and should be seen as such --rather like appreciating the overt racism in "Birth of a Nation" for what it is. I am glad that Preminger didn't "sanitize" his presentation of this matter, especially given the crucial nature of it to the plot of the film.)

But the contrast between the civility --albeit occasionally a rather raw one-- of the senate of circa 1960 and that of the present day is not nostalgic quite so much as it is just heart-rending ("The World We Have Lost"), and the roots of our present grotesque, take-no-prisoners congressional savagery are fully exposed in the intertwined plot lines of McCarthyesque ideological rigidity and homosexual blackmail.

All in all, a "Roman à Clef" to the political world of 1960's Washington, vividly relevant to our own time.