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5 out of 5 people found the following comment useful :-
Good Swashbuckling Fun!, 15 January 2005
7/10
Author: hokeybutt from Milwaukee, Wisconsin

CARTOUCHE (3+ outta 5 stars) Rousing comedy-action-drama about a rascally rogue in 18th Century France who is a sort of a cross between Zorro and Robin Hood... except that he's not necessarily helping the less fortunate so much as helping himself. No matter, as played by Jean-Paul Belmondo he is a charming hero... even when committing the unpardonable sin of wooing another woman while he has the steadfast love of the most beautiful woman in all of Europe (Claudia Cardinale). For those who love a good swashbuckler, this movie won't leave you disappointed. I found this movie tremendously entertaining, even in spite of the atrocious American dubbing. I will probably wind up giving this movie an even better rating when I finally get a chance to see it in its original language. Tired of his talent for thievery being exploited, Cartouche brazenly challenges the authority of the leader of the city's criminal population. Biting off a bit more than he can chew at the time, he takes a position in the French military. He and his new comrades not only manage to make off with a fortune in gold, but Cartouche wins over the ridiculously beautiful gypsy-thief Venus (Cardinale). Cartouche proves himself to not be without flaws... which gives the rousing finale an extra bit of resonance. Classic adventure movie-making... you don't see many movies like this anymore!

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4 out of 4 people found the following comment useful :-
DeBroca and Belmondo bring their unique Gallic flair to the grand style swashbuckler., 16 May 2003
Author: TheVid from Colorado Springs

This lush and lively swashbuckler is notable for it's slapstick humor and blatantly romantic finale. The silliness works thanks to director DeBroca's whimsically light touch and Belmondo's atypical athletic charm. It's an elegant and sumptuous looking production and a surprisingly romantic adventure. The ravishing Ms. Cardinale alone is worth the price of admission. Delightful in spirit, charming in delivery, with appropriately gorgeous music by Georges Delerue. The superb widescreen DVD from Anchor Bay is the best way to appreciate this movie.

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5 out of 8 people found the following comment useful :-
Splendid cloak and dagger movie!, 30 September 1999
8/10
Author: radlov from Luxembourg

Those who like the genre should not miss the (rare) occasion to see this movie. It is a splendid cloak and dagger story, full of adventures, fights and love. Of course, somewhat incredible at times. Unforgettable is the scene in which the bandit Cartouche (Jean-Paul Belmondo) with the corpse of Venus (Claudia Cardinale) in his arms demands jewels in ransom from French nobles, in order to have a treasure to be buried with his beloved Venus, who has been killed in a fight.

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1 out of 1 people found the following comment useful :-
Philippe de Broca's "On Guard" Is Much Better, 22 April 2008
6/10
Author: Hal-900 from WA, USA

"Cartouche" has lots of great action set pieces, a wonderful sense of humor and endearing characters but the script is a letdown. The narrative is simply dull. My main complaint is that the film doesn't have one of those memorable villains you love to hate. If it is true that a film is good as its main baddie then this movie is a disappointment. The technical aspects of the film are much better than the narrative. Georges Delerue's zesty music score and the gorgeous color cinematography by Christian Matras are worth the rental fee. Also, Jean-Paul Belmondo is effective as the ornery hero. Claudia Cardinale is spectacularly beautiful as Belmondo's love interest. Oddest moment comes when a prisoner is being subjected to waterboarding (!). But I think director Philippe de Broca did learn a lot from this experience. In 1997, he directed "On Guard" (or "Le Bossu"), one of my all time favorite swashbucklers.

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1 out of 2 people found the following comment useful :-
CARTOUCHE (Philippe De Broca, 1962) ***1/2, 24 December 2008
8/10
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

I had previously watched this eons ago one Sunday night on Italian TV – a film that has easily come to be universally considered as France's finest offering to the swashbuckling genre and, with this in mind, it more than holds its own alongside Hollywood's best similar offerings. What gives this added texture, then, is the authentic feel for 18th century France (stunningly rendered in widescreen color cinematography by the distinguished Christian Matras, who was particularly adept at this sort of thing), a quality that is undoubtedly further enhanced by a typically wonderful Georges Delerue score; incidentally, listening to it once more, I realized that the lovely romantic theme here was very much a dry run for his celebrated, haunting work on Jean-Luc Godard's CONTEMPT (1963) – which has for some time firmly insinuated itself among my all-time favorite movie scores!

Of course, the film finds star Jean-Paul Belmondo at the peak of his powers as the amiable titular rogue; however, his supporting cast – headed by luscious Claudia Cardinale, an atypically villainous Marcel Dalio, as well as Jess Hahn and Jean Rochefort as the hero's rowdy copains – is no less impressive. With respect to the action sequences, the swordfights aren't as plentiful as I had expected, though certainly vigorously handled all the same. As a matter of fact, another element that distinguishes it from contemporary outings in the prolific genre (even where French cinema is concerned), is that there is a good deal more emphasis here on brawling and (especially) romance – with Cartouche (actually a nickname) largely neglecting devoted commoner Cardinale for the amorous attentions of an unattainable aristocratic lady until it's too late. Unusually, therefore, this comes with a downbeat ending in which the heroine sacrifices herself to save her lover from an assailant's arrow – which is then followed by a beautiful and moving funeral rite.

For the record, this was the first (and best) of director De Broca and star Belmondo's many collaborations which, box-office-wise, peaked with their next one, THAT MAN FROM RIO (1964), which I also own; incidentally, I have its follow-up UP TO HIS EARS (1965) as well albeit in French without the benefit of English subtitles! I would also love to catch up with the others – LE MAGNIFIQUE (1973) and L'INCORRIGIBLE (1975) – which look to be quite fun from the theatrical trailers I caught some time ago in a French Belmondo Box Set. Furthermore, De Broca would try (and relatively succeed) in recapturing the spirit of CARTOUCHE many years later with a much-filmed swashbuckling property LE BOSSU (1997). By the way, the low-budget Italian production of 1954 which also goes by the name of CARTOUCHE and stars Richard Basehart apparently has nothing else in common with this one (being, for one thing, a much-inferior product). One final thing: although the film under review is also available as a Special Edition DVD in France, I opted for the cheaper, barebones R1 disc from Anchor Bay given the prohibitively expensive shipping charges and the typical unavailability of English subtitles on the included audio commentary!

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0 out of 2 people found the following comment useful :-
A lotta fun, 9 September 2006
7/10
Author: planktonrules from Bradenton, Florida

While this certainly isn't one of the deeper or meaningful costume dramas I have seen, I must admit it's a lot of fun--even though the character played by Jean-Paul Belmondo is crazy when it comes to his relationship with the lady played by Claudia Cardinale. It's in many ways a re-telling of the Robin Hood story in 18th century France--with a much more flawed main character. Like Mr. Hood, Cartouche steals from the rich and gives to the poor, but unlike Robin (who was quite happy with Maid Marion, thank you very much), once Cartouche got the girl of any man's dreams, it just wasn't good enough. Claudia Cardinale played a ravishing young thief who was desperately in love with him and ultimately would do anything for Cartouche--and the idiot keeps looking at other women! Ultimately he understands the stupidity of this, but by then it's just too late.

The story excels when it comes to exciting fights and costumes. However, at times, it lets the viewer down because the mood of the film seems to shift too much--almost like there were several versions of the film and they morphed them together. On one hand, it's a romance and in that department it does an excellent job. On the other, it's an exciting adventure yarn and once again it succeeds in this department. But, at some points in the movie (particularly when Cartouche is in the army), it also tries to be a pretty broad comedy. I actually think the film might have been better if the entire thing had been comedy or they removed the comedy altogether. It just seemed disjoint and odd the way it changed styles. However, regardless of this, the film is still worth seeing and is a lot of fun.

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