| Photos (see all 10 | slideshow) |
| Corinne Marchand | ... | Florence, 'Cléo Victoire' | |
| Antoine Bourseiller | ... | Antoine | |
| Dominique Davray | ... | Angèle | |
| Dorothée Blank | ... | Dorothée | |
| Michel Legrand | ... | Bob, the Pianist | |
| José Luis de Villalonga | ... | The Lover | |
| Loye Payen | ... | Irma, la cartomancienne | |
| Renée Duchateau | |||
| Lucienne Marchand | ... | La conductrice du taxi | |
| Serge Korber | ... | Plumitif (the lyricist) | |
| Robert Postec | ... | Le docteur Valineau | |
| rest of cast listed alphabetically: | |||
| Jean-Claude Brialy | ... | L'infirmier (uncredited) | |
| Raymond Cauchetier | ... | Raoul, le projectionniste (uncredited) | |
| Jean Champion | ... | Le patron du café (uncredited) | |
| Eddie Constantine | ... | L'arroseur (uncredited) | |
| Georges de Beauregard | ... | Le conducteur du corbillard et de l'ambulance (uncredited) | |
| Danièle Delorme | ... | La vendeuse de fleurs (uncredited) | |
| Fernande Engler | ... | La fille au café (uncredited) | |
| Sami Frey | ... | Le croque-mort (uncredited) | |
| Jean-Luc Godard | ... | L'homme aux lunettes noires / Actor in silent film (uncredited) | |
| Anna Karina | ... | Anna, la jeune fille blonde / Actress in silent film (uncredited) | |
| Yves Robert | ... | Le vendeur de mouchoirs (uncredited) | |
| Alan Scott | ... | Le marin (uncredited) | |
| Jean-Pierre Taste | ... | Le garçon de café (uncredited) | |
Directed by | |||
| Agnès Varda | |||
Writing credits(in alphabetical order) | ||
| Agnès Varda | writer | |
Produced by | |||
| Georges de Beauregard | .... | producer | |
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| Paul Bonis | |||
| Alain Levent | |||
| Jean Rabier | |||
Film Editing by | |||
| Pascale Laverrière | |||
| Janine Verneau | (as Jeanne Verneau) | ||
Production Design by | |||
| Jean-François Adam | |||
| Bernard Evein | |||
| Edith Tertza | |||
Art Direction by | |||
| Bernard Evein | |||
Costume Design by | |||
| Alyette Samazeuilh | |||
Makeup Department | |||
| Aïda Carange | .... | makeup artist | |
Production Management | |||
| Jean-François Adam | .... | production manager | |
| Bruna Drigo | .... | production manager | |
| Claude Laporte | .... | production manager trainee | |
| Edith Tertza | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marin Karmitz | .... | assistant director | |
| Bernard Toublanc-Michel | .... | assistant director | |
Sound Department | |||
| Julien Coutelier | .... | sound | |
| Jean Labussière | .... | sound | |
| Jacques Maumont | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Liliane de Kermadec | .... | still photographer | |
Other crew | |||
| Aurore Chabrol | .... | script girl (as Aurore Paquiss) | |
| Rose Sokol | .... | subtitler: English | |
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| Big Fish | Edvard Munch | Gabrielle | Le temps qui reste | If.... |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
This film is a perfect example of why I love French film. In a word, realism. In many words, the desire to capture life's most important, daring, fanciful, yet haphazard moments with the faith that by doing so you are illustrating a timeless notion. Cleo from 5 to 7 plucks a single string from a singer's life and by pulling at it, illustrates the fabric of the beautiful and unique, but predetermined world that it is woven into. What illustrates this best is the third scene of the movie when the heroine flits about a local shop browsing hats. The camera shows her shopping but also captures many reflections that expose the larger world around her. The window pane showcases soldiers marching by, foreshadowing the war in Algiers. The mirrors take snapshots of Cleo with different head-dresses all be-speaking a future she won't choose. In the background, her maid sits disapprovingly. Small details like these, that are often neglected in other movies, are the backbone of this work of art. Cleo from 5 to 7 is a movie about much more than two hours in the lead character's life. It is about the character's whole life as illustrated by two hours. Like Joyce's Uylsses, it finds parallels between the struggles of a day with the struggles of a life.