Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed ...
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A young doctor kills himself after a medical committee terminates his research into human embryos, considering it too inhumane. His wife then seeks revenge on those who drove her husband to... See full summary »
Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power ... See full summary »
Without a family, penniless and separated from her sister, a beautiful chaste woman will have to cope with an endless parade of villains, perverts and degenerates who will claim not only her treasured virtue but also her life.
A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father's will. After a while she discovers that they are all in fact dead and her ... See full summary »
A journalist takes a bet that he can spend the night in a haunted castle on All Hallow's Eve. During his stay, he bears witness to the castle's gruesome past coming to life before him, and falls in with a beautiful female ghost.
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices. Written by
Christo Hoffmania <firstname.lastname@example.org>
Director Cameo (Jesus Franco): Man playing piano in bar. See more »
In the English-dubbed version a female witness said about the perpetrator that "he walked like a robot". The story was set in 1912, and the word "robot" first appeared in a Czech science fiction play in 1921. The writer was Karel Capek. See more »
Jess Franco's breakthrough film is a straight retelling of Yeux San Visage, albeit with some of the poetry removed and a more straightforward 'thriller' structure added. It's probably Franco's most 'normal' film, with only only a few of the the sleaze diversions that became the raison d'etre of his work from then until the present day. However, look closer and you can trace his obsession with nightclubs and mirrors (put to best effect in one scene in Vampyros Lesbos!) back to this film. Overall, a little on the long side for today's audiences, but a very important taboo-busting film at the time, and contains some very good cinematography, occasionally in an almost bava-esque style.
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