8.4/10
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118 user 112 critic

La Jetée (1962)

La jetée (original title)
The story of a man forced to explore his memories in the wake of World War III's devastation, told through still images.

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2 wins. See more awards »
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Cast

Complete credited cast:
Jean Négroni ...
Narrator (voice) (as Jean Negroni)
Hélène Chatelain ...
The Woman
Davos Hanich ...
The Man
Jacques Ledoux ...
The Experimenter
André Heinrich
Jacques Branchu
Pierre Joffroy
Étienne Becker ...
(as Etienne Becker)
Philbert von Lifchitz
...
A woman from the future (as Ligia Borowcyk)
Janine Klein ...
A woman from the future
William Klein ...
A man from the future (as Bill Klein)
Germano Facetti ...
(as Germano Faccetti)
Rest of cast listed alphabetically:
James Kirk ...
Narrator (voice)
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Storyline

Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world's fate. To replenish its decreasing stocks of food, medicine and energies, and in doing so, resulting in a perpetual memory of a lone female, life, death and past events that are recreated on an airports jetée. Written by Cinema_Fan

Plot Summary | Add Synopsis

Genres:

Short | Drama | Romance | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 February 1962 (France)  »

Also Known As:

La Jetée  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Around the 8:40 marker, when two scientists in the background are speaking German, if you listen carefully, you can hear one of them slightly laugh after almost mispronouncing the word 'muscular contraction'. See more »

Goofs

When the man is holding the arm of the woman in the park near the middle of the movie, his hand is visible between her arm and her body, but his arm is not visible. Only the background can be seen between them. See more »

Quotes

Narrator: This time he is close to her, he speaks to her. She welcomes him without surprise. They are without memories, without plans. Time builds itself painlessly around them. Their only landmarks are the flavour of the moment they are living and the markings on the walls.
See more »

Crazy Credits

The opening credits do not describe it as a film, but "un photo-roman." See more »

Connections

Remade as Twelve Monkeys (1995) See more »

Soundtracks

The Girl (Prologue)
(uncredited)
Music by Trevor Duncan
Plays during the park scene
Boosey & Hawkes Ltd
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Chillingly controlled to stick in the mind.
6 September 2005 | by (United States) – See all my reviews

One way movies tend to be memorable is when a certain image they create is so powerful it sticks right into the mind and refuses to leave. This is a film created to do just that, and one method is to remove a level of the motion to create haunting images that stay static on the screen until they're burned on the cornea. Memory, however, is not just visual, and as if the film needed any help, the disturbingly saturated music and sound helps implant everything in this movie until it's not to be forgotten.

A man is haunted throughout his life by the image of a beautiful woman, and the death he witnessed after seeing her. Soon afterward, a bomb hits Paris and sends the survivors scurrying underground to survive nuclear fall-out. A scientist then uses the man's clinging focus on the past memory of the beauty and death to send him through time to try to prevent the bomb.

This is not a movie that needs to be remarked upon by saying, "Every frame is like a photograph!" because every frame is a photograph. However, it keeps away from being considered merely a slide-show by the emotive use of sound and narration and the surreal look into time and memory, a look that's quite adequate for truly representing the sort of imbalance and dizziness that would be created by time-travel. It recreates the sort of objective detail of memories wherein the movement through space and time is certainly recognized as your own, but your inability to control it since it's already been done makes you sort of an outside spectator to your own actions. That, I believe, is the focus that drives this narrative along and it's done so well, it's difficult to imagine anyone not being sucked into it.

--PolarisDiB


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