Lawrence of Arabia (1962)

User Rating:

8.6/10   

Director:

David Lean

Writers (WGA):

Robert Bolt (screenplay) and
Michael Wilson (screenplay) (originally uncredited: credit restored in 1978 by WGA)

Release Date:

30 January 1963 (Canada)

Genre:

Adventure | Biography | Drama | War

Tagline:

The Desert Classic. (1983 Video Release)

Plot:

Epic rumination on a flamboyant and controversial British military figure and his conflicted loyalties during wartime service.

Plot Keywords:

Desert | Arab | Army | Turk | General

Awards:

Won 7 Oscars. Another 19 wins & 12 nominations

Cast

Peter O'Toole	...	T.E. Lawrence
Alec Guinness	...	Prince Feisal
Anthony Quinn	...	Auda Abu Tayi
Jack Hawkins	...	General Lord Edmund Allenby
Omar Sharif	...	Sherif Ali
José Ferrer	...	Turkish Bey (as Jose Ferrer)
Anthony Quayle	...	Colonel Brighton
Claude Rains	...	Mr. Dryden
Arthur Kennedy	...	Jackson Bentley
Donald Wolfit	...	General Murray
I.S. Johar	...	Gasim
Gamil Ratib	...	Majid
Michel Ray	...	Farraj
John Dimech	...	Daud
Zia Mohyeddin	...	Tafas

Also Known As:

Lawrence de Arabia (Argentina) (Mexico) (Spain) (Uruguay) [es]
Lawrence av Arabien (Finland: Swedish title) (Sweden) [sv]
Lawrence d'Arabie (Canada: French title) (France) [fr]
Lawrence da Arábia (Brazil) (Portugal) [pt]
Arábiai Lawrence (Hungary) [hu]
Arabian Lawrence (Finland) [fi]
Lawrence Ish Arav (Israel: Hebrew title) [iw]
Lawrence af Arabien (Denmark) [da]
Lawrence d'Aràbia (Spain: Catalan title) [ca]
Lawrence d'Arabia (Italy) [it]
Lawrence von Arabien (West Germany) [de]
Lawrence z Arábie (Czechoslovakia: Czech title) [cs]
Lawrence z Arabii (Poland) [pl]
Lorens od Arabije (Yugoslavia: Serbian title) [sr]
O Lawrence tis Aravias (Greece) [el]

Runtime:

216 min | UK:228 min (director's cut) | UK:187 min (1970 re-release) | UK:210 min (original version) | UK:222 min (premiere version) | USA:227 min (restored roadshow version)

Country:

UK

Language:

English | Arabic | Turkish

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

70 mm 6-Track (RCA Sound Recording) (70 mm prints) | Dolby SR (35 mm prints) (restored version) | Mono (35 mm prints) (original version) | 4-Track Stereo (magnetic prints) (35 mm) (original version) | DTS 70 mm (70mm restored version)

Certification:

Hong Kong:IIA | USA:Approved (original rating) | USA:G (re-rating) (1971) | Iceland:12 | Portugal:M/12 | Canada:A (Nova Scotia) | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Netherlands:12 (DVD rating) | South Korea:12 | Brazil:14 | USA:PG (edited for re-rating) (1988) | West Germany:12 (f) | Argentina:Atp | Australia:M (Special Edition DVD) | Australia:PG | Chile:TE | Finland:K-16 | France:U | Ireland:PG | Norway:15 (director's cut) | Norway:16 | Singapore:PG | Spain:18 | Sweden:15 | UK:PG

Filming Locations:

Ait Benhaddou, Ouarzazate, Morocco

Company:

Horizon Pictures (II)

Trivia:

Restorer Robert A. Harris and editor Anne V. Coates went through 450 rusted old film cans for the 1989 restoration.

Goofs:

Anachronisms: In his interview of Feisal, Jackson Bentley mentions that "certain influential men" in America want their country to join World War I. However, this conversation occurs after the fall of Aqaba, which was in July 1917; by that time, the US had already been in the war for several months.

Quotes:

[first lines]
Vicar at St. Paul's: Well nil nisi bonum. But I find something... disproportionate in all this.
Colonel Brighton: He was a remarkable chap. By any counts, remarkable.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.

Movie Connections:

Referenced in The Gong Show Movie (1980)

Soundtrack:

The Man Who Broke the Bank at Monte Carlo

The best movie of all motion picture history

I first watched "Lawrence of Arabia" when I was about 11 years old. Being a big fan of Steven Spielberg at that time, I was sort of awed by the fact that this was his personal favorite (check the "conversation with Steven Spielberg" featurette in the special features disk and you'll really see Spielberg's affection for that film)

Over the years, Lawrence remained among my DVD collection, and I can't say I actually watched it since that first time, when, by the way, I didn't really like it. But "time does things to movies", and when I watched it again last year, I found my eyes to be weeping at the end. It instantly became one of my favorite movies.

Since then I learned a lot about the history of cinema, and I also learned a great deal about the movies of Sir David Lean. I found my self watching films like "Brief Encounter", "The Bridge on the River Kwai", "Doctor Zhivago", "Ryan's Daughter", and the underrated, "A passage to India". Lean became one of my favorite directors, and, just a few months ago, I decided to watch Lawrence with some friends. Although I had seen it a couple of times before, this time it was a different experience altogether: from the starting credits, to the blowing of the match, the crossing of the Nefud dessert, finding Gassim and bringing him back to the camp, the invasion of Aqaba, his torture and rape (?), Lawrence's laugh after the slap by the "outrageaous" guy, his being left alone, to the final gaze to the motorcycle. I sensed something when I watched that film, which leaves my with the undoubted feeling that "Lawrence of Arabia" is the greatest film ever made. For me, this is it. Ever since '62, it's been a downfall. No other film has managed to reach Lawrence in its poetic greatness. Few do come very close (Vertigo for instance).

If we are to classify the two complete different cinematic styles, it would be those of Hitchcock and Ford. Hitch was a very "confined" director. He captured his movies from the point of view of one character. His movies took place, most of the time, in closed spaces. In a sense, Hitchcock's films were a journey in people's emotions and a study in people's characters. On the other hand, Ford was an open director. He wasn't confined to one character, or one location, his films where actual journeys. His basis was mostly on theme, and his main ability was to amaze with his imagery. Thus, these are the two different shooting styles....Well, Lean combines both.

Which is basically why his best film, Lawrence, is the best film of all times. But not only in terms of style. Also, in terms of content. The intelligent script written by Robert Bolt, the powerhouse performances by O'Toole and Shariff (a shame they didn't get the statuette), but also, the ultimately heroic yet tragic figure of T.E. Lawrence, contribute in making this the most visually and emotionally sweeping film of the last 111 years.

Such a shame that Lean retired for 14 years after "Ryan's Daughter", there's no way to know where he would have gotten.