Lolita (1962)

Director:

Stanley Kubrick

Writers:

Vladimir Nabokov (screenplay)
Vladimir Nabokov (novel)

Release Date:

13 June 1962 (USA)

Genre:

Drama | Romance

Tagline:

How did they ever make a movie of Lolita?

Plot:

A middle-aged college professor becomes infatuated with a 14-year-old nymphet.

Plot Keywords:

Professor | Love | College | Landlady | Lolita

Awards:

Nominated for Oscar. Another 7 nominations

Cast

James Mason	...	Prof. Humbert Humbert
Shelley Winters	...	Charlotte Haze
Sue Lyon	...	Lolita
Gary Cockrell	...	Richard T. Schiller
Jerry Stovin	...	John Farlow
Diana Decker	...	Jean Farlow
Lois Maxwell	...	Nurse Mary Lore
Cec Linder	...	Dr. Keegee
Bill Greene	...	George Swine
Shirley Douglas	...	Mrs. Starch
Marianne Stone	...	Vivian Darkbloom
Marion Mathie	...	Miss Lebone
James Dyrenforth	...	Frederick Beale Sr.
Maxine Holden	...	Miss Fromkiss
John Harrison	...	Tom

Also Known As:

Lolita (Austria) (West Germany) [de]
Lolita (Greece) [el]
Lolita (Finland) [fi]
Lolita (France) [fr]
Lolita (Argentina) [es]
Lolita (Spain: Catalan title) [ca]
Lolita (Brazil) [pt]

Runtime:

152 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

USA:Approved (PCA #20000) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:R (Manitoba/Nova Scotia) | Norway:16 | France:Unrated | Brazil:12 | Argentina:Atp (re-rating) | USA:TV-14 | Argentina:16 | Australia:M | Finland:K-15 (re-rating) | Finland:K-16 (original rating) | Hong Kong:III | Ireland:15 | Italy:VM14 | Japan:R-15 | Singapore:PG | South Korea:18 | Spain:13 | Sweden:15 | UK:15 (video rating) (1999) | UK:X (original rating) | West Germany:12 | Portugal:M/12

Filming Locations:

Albany, New York, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

The German accent Peter Sellers uses in one of his guises was later used by him extensively in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) (as the title character).

Goofs:

Crew or equipment visible: There is a moving shadow of crew member on Humbert's back when he is talking to Lolita in the kitchen of her house; the same movements can be seen directly in crew member's reflection on the television screen facing the camera.

Quotes:

Clare Quilty: Listen, didn't you... didn't you have a daughter? Didn't you have a daughter with a lovely name? Yeah! A lovely... What was it now? A lovely, lyrical, lilting name, like, uh... uh...
Charlotte Haze: Lo-li-ta!
Clare Quilty: Lolita, that's right, Lolita. Diminutive of Dolores, "The Tears and the Roses."
Charlotte Haze: Wednesday she's going to have a cavity filled by your Uncle Ivor.
Clare Quilty: Yes. Hahahahaha... Yes.

Movie Connections:

Referenced in "Saturday Night Live: Steve Carell/Kanye West (#31.1)" (2005)

Soundtrack:

There's No You

One of the finest films of The Sixties

8/10

Kubrik's version of Nabokov's tale of a middle-aged professor's self-destructive obsession with a young schoolgirl. Making a film that dealt with underage sex was considered impossible in 1962 due to the strict censorship regulations. Kubrik manages to get round this by merely alluding to sexual encounters and subtle wordplay and symbolism creeps into several scenes. He also raises the girl's age from 12 in the novel to 14 in the film. Lolita is also rich in Kubrik's trademark dark humour.

The three central characters of the novel are all portrayed more than adequately in the film; James Mason as the smitten professor, Shelley Winters as the suburban widow with pretensions of culture and Sue Lyons as the young nymphet. However, it is Sellars' performance as the creepy eccentric Clare Quilty (a relatively minor character in the book) that steals the show and, ultimately, makes the film. The opening scene (which is the ending of the film) is an outstanding testament to his talent and versatility. The said scene gives the film the same "circular structure" used by David Lean in "Brief Encounter".

My favourite moments include; Quilty's re-introduction to the film at the school's summer ball as the camera pans across the dancefloor and subtly reveals a look of comic ambivalence on his face as he dances with his lover, Humbert awkwardly trying to book the only remaining hotel-room at the police convention and Humbert again trying to teach the cynical Lolita the joys of Edgar Allen Poe's poetry.

I thoroughly recommend this film. My only complaint is the length - the final third seemed to drag a bit.