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Lolita (1962)
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Overview
User Rating:
Director:
Writers:
Release Date:
13 June 1962 (USA)
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Tagline:
How did they ever make a movie of Lolita?
Plot:
A middle-aged college professor becomes infatuated with a 14-year-old nymphet. full summary | full synopsis
Awards:
Nominated for Oscar.
Another 7 nominations
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NewsDesk:
(16 articles)
Martin Amis on Vladimir Nabokov's work
(From The Guardian - Film News. 13 November 2009, 4:06 PM, PST)
Official Posters for ‘The Road’ and ‘Youth In Revolt’ Released
(From The Flickcast. 22 October 2009, 8:00 AM, PDT)
(From The Guardian - Film News. 13 November 2009, 4:06 PM, PST)
Official Posters for ‘The Road’ and ‘Youth In Revolt’ Released
(From The Flickcast. 22 October 2009, 8:00 AM, PDT)
User Comments:
A Masterwork of Translation
more (152 total)
Cast
(Cast overview, first billed only)| James Mason | ... | Prof. Humbert Humbert | |
| Shelley Winters | ... | Charlotte Haze | |
| Sue Lyon | ... | Lolita | |
| Gary Cockrell | ... | Richard T. Schiller | |
| Jerry Stovin | ... | John Farlow | |
| Diana Decker | ... | Jean Farlow | |
| Lois Maxwell | ... | Nurse Mary Lore | |
| Cec Linder | ... | Dr. Keegee | |
| Bill Greene | ... | George Swine | |
| Shirley Douglas | ... | Mrs. Starch | |
| Marianne Stone | ... | Vivian Darkbloom | |
| Marion Mathie | ... | Miss Lebone | |
| James Dyrenforth | ... | Frederick Beale Sr. | |
| Maxine Holden | ... | Miss Fromkiss | |
| John Harrison | ... | Tom |
Additional Details
Also Known As:
Lolita (Austria) (West Germany) [de]
Lolita (Brazil) [pt]
Lolita (Greece) [el]
Lolita (Finland) [fi]
Lolita (France) [fr]
Lolita (Argentina) [es]
Lolita (Spain: Catalan title) [ca]
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Lolita (Brazil) [pt]
Lolita (Greece) [el]
Lolita (Finland) [fi]
Lolita (France) [fr]
Lolita (Argentina) [es]
Lolita (Spain: Catalan title) [ca]
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Parents Guide:
Runtime:
152 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound Recording)
Certification:
USA:Approved (PCA #20000) |
Canada:AA (Ontario) |
Canada:G (Quebec) |
Canada:R (Manitoba/Nova Scotia) |
Norway:16 |
France:Unrated |
Brazil:12 |
Argentina:Atp (re-rating) |
USA:TV-14 |
Argentina:16 |
Australia:M |
Finland:K-15 (re-rating) |
Finland:K-16 (original rating) |
Hong Kong:III |
Ireland:15 |
Italy:VM14 |
Japan:R-15 |
Singapore:PG |
South Korea:18 |
Spain:13 |
Sweden:15 |
UK:15 (video rating) (1999) |
UK:X (original rating) |
West Germany:12 |
Portugal:M/12
Filming Locations:
Company:
Fun Stuff
Trivia:
The name of Vivian Darkbloom is an anagram of "Vladimir Nabokov". Quilty's description of Judo matches with her is a direct address of the nature of the relationship between character and creator.
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Goofs:
Continuity: When Humbert comes through the door in the beginning of the movie, he walks by a painting in the hall. Some moments later he is shot through the same painting on the stair case. When Quilty is first shot in the leg, a covered chair is visible at the top of the stairs, it isn't until Humbert reloads and Quilty makes it to the top of the stairs that we see the painting that he hides behind before being shot.
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Quotes:
Charlotte Haze:
Hum, you just touch me and I... I... I go as limp as a noodle. It scares me.
Humbert Humbert: Yes, I know the feeling.
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Humbert Humbert: Yes, I know the feeling.
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Movie Connections:
Referenced in The Onion Field (1979)
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Soundtrack:
Theme from Lolita
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FAQ
Is "Lolita" based on a book?Any recommendations for other movies about nymphets?
How closely does the film follow the novel?
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more (152 total)
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A significant part of Stanley Kubrick's genius was his ability to translate a literary style into a visual one. It is demonstrated nowhere more brilliantly than in LOLITA and A CLOCKWORK ORANGE.
LOLITA is perhaps the more stunning accomplishment, in that Nabokov's style is complex and multi-layered. Yet Kubrick captures the effect of it in camera angles and movements, in timing and point of view.
The broadest layer of Nabokov's novel, the parable of the aging culture of Europe trying to revivify itself by debauching the seductive young culture of America, is really missing in the film. But everything else is there, despite the fact that the film departs from the exact events of the novel.
Not to say that the film depends on the novel. It stands by itself quite easily. But it succeeds brilliantly in conveying the ideas and feelings that are the core of the novel, and it does so in completely cinematic terms. If films are to be based on works of literature, this is the way to do it, and the way it is almost never done.