IMDb > Sanma no aji (1962)

Sanma no aji (1962) More at IMDbPro »

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Overview

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8.1/10   2,012 votes »
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Down 4% in popularity this week. See why on IMDbPro.
Director:
Writers:
Kôgo Noda (screenplay) &
Yasujirô Ozu (screenplay)
Contact:
View company contact information for Sanma no aji on IMDbPro.
Release Date:
1964 (USA) See more »
Genre:
Plot:
An aging widower arranges a marriage for his only daughter. Full summary » | Add synopsis »
Awards:
4 wins See more »
NewsDesk:
(7 articles)
Movie Poster of the Week: Ozu’s “Young Miss”
 (From MUBI. 1 December 2011, 8:34 PM, PST)

Sittin' in the front row
 (From Roger Ebert's Blog. 25 November 2011, 10:22 PM, PST)

Daily Briefing. New DVDs, Essays, Posters
 (From MUBI. 25 October 2011, 2:58 AM, PDT)

User Reviews:
A Great Introduction To Ozu See more (15 total) »

Cast

  (in credits order) (complete, awaiting verification)

Chishû Ryû ... Shuhei Hirayama

Shima Iwashita ... Michiko Hirayama
Keiji Sada ... Koichi
Mariko Okada ... Akiko
Teruo Yoshida ... Yutaka Miura
Noriko Maki ... Fusako Taguchi
Shin'ichirô Mikami ... Kazuo
Nobuo Nakamura ... Shuzo Kawai
Eijirô Tôno ... Sakuma, The 'Gourd'
Kuniko Miyake ... Nobuko

Kyôko Kishida ... 'Kaoru' no Madame
Michiyo Tamaki ... Tamako, gosai
Ryûji Kita ... Shin Horie
Toyo Takahashi ... 'Wakamatsu' no Okami
Shinobu Asaji ... Youko Sasaki, hisho
Masao Oda ... Dousousei Watanabe
Fujio Suga ... Suikyaku A
Yoshikazu Inagawa
Matsuko Shiga
Hisayo Komachi
Tami Yamamoto
Kentaro Imai
Daisuke Katô ... Yoshitaro Sakamoto
Haruko Sugimura ... Tomoko
Tsûsai Sugawara ... Dousousei Sugai (special appearance)
Yasuo Ogata ... Dousousei Ogata (special appearance)
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Directed by
Yasujirô Ozu 
 
Writing credits
Kôgo Noda (screenplay) &
Yasujirô Ozu (screenplay)

Produced by
Shizuo Yamanouchi .... producer
 
Original Music by
Kojun Saitô 
 
Cinematography by
Yûharu Atsuta 
 
Film Editing by
Yoshiyasu Hamamura 
 
Production Design by
Tatsuo Hamada 
 
Art Direction by
Tatsuo Hamada 
Shigeo Ogiwara 
 
Costume Design by
Yuuji Nagashima 
 
Second Unit Director or Assistant Director
Kouzou Tashiro .... assistant director
 
Art Department
Osamu Ishii .... set dresser
Shigeo Ogiwara .... assistant art director
Toshio Takahashi .... set designer
 
Sound Department
Yoshiomi Hori .... assistant sound
Ichiro Ishii .... supervising sound editor
Yoshisaburo Seno .... sound recordist
 
Camera and Electrical Department
Kenzô Ishiwata .... lighting technician
Shouichi Motohashi .... lighting assistant
Motoshige Oikawa .... assistant camera
 
Other crew
Minoru Konze .... script supervisor
 

Production CompaniesDistributors
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Additional Details

Also Known As:
"An Autumn Afternoon" - International (English title), USA
"The Taste of Saury" - Japan (informal literal English title)
"Le goût du saké" - Belgium (French title) (imdb display title), France
"A Rotina Tem Seu Encanto" - Brazil
"A szaké íze" - Hungary ( (imdb display title))
"Een herfstnamiddag" - Belgium (Flemish title) (imdb display title)
"Ein Herbstnachmittag" - West Germany
"El gust del peix a la tardor" - Spain (Catalan title)
"El gusto del saké" - Spain (imdb display title)
"Fthinoporino apogevma" - Greece (festival title)
"Il gusto del sakè" - Italy
"Il gusto della costardella" - Italy
"Jesienne popoludnie" - Poland (imdb display title)
"O Gosto do Saké" - Portugal (imdb display title)
"Syksyinen iltapäivä" - Finland
See more »
Runtime:
112 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
The last film directed by Yasujirô Ozu.See more »
Movie Connections:

FAQ

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13 out of 14 people found the following review useful.
A Great Introduction To Ozu, 30 November 2002
Author: David (davidals@msn.com) from Chapel Hill, NC, USA



This was one of the first Ozu films I saw, and is one of my favorites. Ozu's themes - a family adjusts uneasily to the rapidly shifting traditions of life in middle-class, postwar Japan - are handled with great subtlety, and many dark ironies are to be found beneath the fragile quietude at this film's surface. This isn't just applicable to Japan, and this realization gives this film a sad sting that stuck with me long after the movie was over. Ozu's famous 'look' - no closeups, no crane shots, a still camera fixed at 3 1/2 feet off the floor or ground also gives this film an unforgettable grace and beauty. DVD please???

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