Trivia for
The Birds (1963) More at IMDbPro »

• Tippi Hedren was actually cut in the face by a bird in one of the shots.
  
  
• There is no musical score for the film except for the sounds created on the mixtrautonium, an early electronic musical instrument, by Oskar Sala, and the children singing in the school.
  
  
• Though there is no musical score for this film, composer and Alfred Hitchcock collaborator Bernard Herrmann is credited as a "sound consultant."
  
  
• Alfred Hitchcock approached Joseph Stefano (screenwriter of Psycho (1960)) to write the script, but he wasn't interested in the story. The final screenplay (from a Daphne Du Maurier short story) was written by Evan Hunter, best known to detective story fans under his pen name "Ed McBain".
  
  
• Alfred Hitchcock saw Tippi Hedren in a 1962 commercial aired during the "Today" (1952) show and put her under contract. In the commercial for a diet drink, she is seen walking down a street and a man whistles at her slim, attractive figure, and she turns her head with an acknowledging smile. In the opening scene of the film, the same thing happens as she walks toward the bird shop. This was an inside joke by Hitchcock.
  
  
• The scene where Tippi Hedren is ravaged by birds near the end of the movie took a week to shoot. The birds were attached to her clothes by long nylon threads so they could not get away.
  
  
• The film does not finish with the usual "THE END" title because Alfred Hitchcock wanted to give the impression of unending terror.
  
  
• Tippi Hedren's daughter Melanie Griffith was given a present by Alfred Hitchcock during the filming: a doll that looked exactly like Hedren, eerily so. The creepiness was compounded by the ornate wooden box it came in, which the young girl took to be a coffin.
  
  
• The automobile driven by Tippi Hedren is an Aston Martin DB2/4 drop-head coupe.
  
  
• Dinar, France, hosts a British Film Festival, with a Golden Hitchcock as the prize. There is also a statue of Alfred Hitchcock (standing on what appears to be a very large egg, and with birds on each shoulder) near the beach in Dinard. The statue is moved down to the beach for the actual festival.
  
  
• The movie features 370 effects shots. The final shot is a composite of 32 separately filmed elements.
  
  
• The production design makes much use of the color green.
  
  
• This was not the first dramatization of Daphne Du Maurier's short story. It was previously adapted for radio at least twice, once starring Herbert Marshall, and again in 1954. Furthermore, it was adapted by writer James P. Cavanagh for a half-hour episode of the TV series "Danger" (1950). Cavanaugh also wrote at least five episodes of "Alfred Hitchcock Presents" (1955), including two directed by Alfred Hitchcock, and was the first writer to adapt Robert Bloch's novel of Psycho (1960) for Hitchcock's production. However, his script was jettisoned in favor of the Joseph Stefano adaptation.
  
  
• Daphne Du Maurier's story, "The Birds", was originally purchased for use on Alfred Hitchcock's television series, "Alfred Hitchcock Presents" (1955).
  
  
• A number of endings were being considered for this film. One that was considered would have showed the Golden Gate Bridge completely covered by birds.
  
  
• In May 2001, the son of "The Birds" novelist Daphne Du Maurier reported that he and his wife were being terrorized by seagulls nesting outside their cottage in Cornwall, England.
  
  
• In the film, it appears as if the schoolhouse is within the bay town limits. The frightened children are clearly shown running downhill towards the town and water. In real life, the schoolhouse used for those shots is located 5 miles southeast and inland of Bodega Bay in the separate township of Bodega, California.
  
  
• The crow that sits on Alfred Hitchcock's shoulder in all of the promo photos was not in the movie. It was purchased after the movie had wrapped. A studio staff member bought it when he spotted the tamed bird on the shoulder of a 12 year old boy walking down the street. The boy was offered about $10, but was hesitant until he discovered why it was needed.
  
  
• This was the first film to carry the Universal Pictures name after dropping the Universal-International name.
  
  
• Originally, a scene took place between Melanie and Mitch, after Lydia Brenner left for the Fawcett farm. This scene was shot but ultimately cut from the film. All that survive are the script pages and some production photographs. The script pages and photographs appear as a bonus feature on the DVD version the movie.
  
  
• Hitchcock originally wanted Farley Granger for the role of Mitch Brenner but he was unavailable due to theatrical commitments.
  
  
• Mitch Zanich, owner of The Tides Restaurant at the time of shooting, told Hitchcock he could shoot there if the lead male in the film was named after him and Hitch gave him a speaking part in the movie. Hitchcock agreed: Rod Taylor's character was named Mitch Brenner and Mitch Zanich was given a speaking part. After Melanie is attacked by a seagull, Mitch Zanich says can be heard saying to Mitch Brenner "What happened, Mitch?"
  
  
• Although it was never shot, another ending was scripted by Evan Hunter and sketched by Harold Michelson. The script and sketches appear as a bonus feature on the DVD version.
  
  
• The famous poster art for the film where a woman is pictured screaming is not Tippi Hedren but is in fact Jessica Tandy taken from the scene where the birds come down the chimney.
  
  
• The schoolhouse in the film is the Potter Schoolhouse, which served Bodega, California from 1873 to 1961. The building is now a private residence.
  
  
• When the film was aired on NBC-TV in the USA on 6 January 1968, it became the highest rated film shown on television up to that time. The record held until Love Story (1970) overtook it on 1 October 1972.
  
  
• The climactic scene, in which Tippi Hedren's character is attacked in the bedroom, took seven days to shoot. Hedren has been quoted as saying it was "the worst week of my life". The physical and emotional tolls of filming this scene were so strong on her, production was shut down for a week afterward.
  
  
• Rod Taylor claims that the seagulls were fed a mixture of wheat and whiskey. It was the only way to get them to stand around so much.
  
  
• When audiences left the film's UK premiere at the Odeon, Leicester Square, London, they were greeted by the sound of screeching and flapping birds from loudspeakers hidden in the trees to scare them further.
  
  
• Tippi Hedren's character plays "Deux Arabesques" from Claude Debussy's (1888) while at the Brenner house for dinner.
  
  
• Alfred Hitchcock disliked filming on location, so he filmed as much as possible in the studio.
  
  
• Director Cameo: [Alfred Hitchcock] at the start of the film walking two dogs past the pet shop (the dogs were actually his own).
  
  
• In one of the first scenes, Tippi Hedren can be seen crossing the street to the pet shop. As she does, she disappears behind a sign for a moment and reappears on the other side. Alfred Hitchcock so hated working on location, he used this moment to seamlessly cut to a studio shot.
  
  
• As Tippi Hedren walks to the pet shop, a man passes her on the street and wolf whistles. This is an inside joke because Tippi was discovered from a diet drink advert where the same thing happened.
  
  
• The sound of reel-to-reel tape being run backwards and forwards was used to help create the frightening bird squawking sounds in the film
  
  
• Melanie wears the same green suit throughout the movie, so Tippi Hedren was provided with six identical green suits for the shoot.
  
  
• Also attending the London premiere were two flamingos, 50 red cardinals and starlings, and six penguins.
  
  
• The use of standard blue screen techniques for doing matte shots of the birds proved to be unacceptable. The rapid movement of the birds, especially their wings, caused excessive blue fringing in the shots. It was determined that the sodium vapor process could be used to do the composites. The only studio in America that was equipped for this process was the Walt Disney studio. Ub Iwerks, who had become the world's leading expert on the sodium vapor process, was assigned to this production.
  
  
• A scene in the film shows a service station where a bird knocks over an attendant filling a car with gas. The gas flows across the street where a man lights his cigarette igniting the gas. The fire follows the gas stream to the pump and explodes. The service station was located across from "The Tides" restaurant and pier. In reality this service station did not exist at the time of the filming. However, several years later a service station was built and is still located at the spot shown in the film.
  
  
• Before the release of the film, Tippi Hedren was featured on the cover of Look magazine with the caption "Hitchcock's new Grace Kelly".
  
  
• Voted 7th Scariest Movie of all time by a poll carried out on the British public by Channel 5 and The Times in 2006.
  
  
• Alfred Hitchcock kept a graph in his office, charting the rise and fall of the bird attacks in the film.
  
  
• When Lydia discovers Dan Fawcett, on the wall behind her is a drawing of the gas station explosion by Albert Whitlock.
  
  
• When the children are running down the street from the schoolhouse, extra footage was shot back on the Universal sound stages to make the scene more terrifying. A few of the children were brought back and put in front of a process screen on a treadmill. They would run in front of the screen on the treadmill with the Bodega Bay footage behind them while a combination of real and fake crows were attacking them. There were three rows of children and when the treadmill was brought up to speed it ran very fast. On a couple of occasions during the shoot, a number of the children in the front fell and caused the children in back to fall as well. It was a very difficult scene to shoot and took a number of days to get it right. The birds used were hand puppets, mechanical and a couple were trained live birds.
  
  
• The classic scene in which Tippi Hedren watches birds attacking the townsfolk was filmed in the Studio from a phone-booth. When Melanie opens the phone-booth door, a bird trainer had trained gulls that were taught to fly at it. Surviving photos of the shooting of the scene were published in 'Hitchcock At Work' by Bill Krohn.
  
  
• Hitchcock's film and the original story by Daphne Du Maurier share no characters and in fact have only in common the bay-side town setting, the bird's bizarre behavior and their inexplicable tendency to launch frenzied attacks, fall dormant only to attack again later. In Du Maurier's story the main character discovers that this pattern is directly related to the rise and fall of the tides and uses this to their advantage, as opposed to the film which seems to follow the same pattern but never makes a direct connection. Also the original story takes place in Britain and centers around a man protecting his wife and two children at their isolated cottage home, as opposed to the film which centers on the spirited but troubled city dweller Melanie Daniels who travels to the California coast on a whim.
  
  
• Cast member Doodles Weaver was the uncle of actress Sigourney Weaver, who worked with Veronica Cartwright in Alien (1979), and with Tippi Hedren's daughter, Melanie Griffith, in Working Girl (1988).
  
  

• SPOILER: Near the end of the film, when Mitch carries Melanie down the stairs, it is actually Tippi Hedren's stand-in being carried by Rod Taylor. Hedren was in the hospital recovering from exhaustion after a week of shooting the scene where Melanie is trapped in the upstairs room with the birds.
  
  
• SPOILER: In the end, when Melanie is carried outside, Mitch opens a door. There was no door used in filming, and it was all done with light effects to make it look as if Mitch opened the front door.
  
  
• SPOILER: For the scene in which Annie is killed, Suzanne Pleshette who played her told Alfred Hitchcock it would look good if her ear was all bloody and hanging off, so he sent her to the prop department. When it came to shooting the scene, Hitchcock had Annie facing the other way, so the viewer never sees the ear, which Pleshette recalled "was part of his delicious sense of humor."
  
  
• SPOILER: Before filming the final attack scene when Melanie goes upstairs to her doom, Tippi Hedren asked Alfred Hitchcock , "Hitch, why would I do this?" Hitchcock's response was, "Because I tell you to."
  
  

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