| Videos (see all 3) |
Maurice Richlin (screenplay) and
Blake Edwards (screenplay)
20 March 1964 (USA) more
You only live once... so see the Pink Panther twice!!! more
In the first movie starring Peter Sellers as the bumbling Inspector Clouseau, he tries to catch a jewel thief who is right under his nose. full summary | add synopsis
Nominated for Oscar. Another 2 wins & 5 nominations more
The Sunday Movie Quiz – The Answers
(From HeyUGuys. 16 November 2009, 12:33 PM, PST)
The Sunday Movie Quiz
(From HeyUGuys. 14 November 2009, 4:01 PM, PST)
Birth of the "Panther" more (110 total)
| David Niven | ... | Sir Charles Lytton | |
| Peter Sellers | ... | Insp. Jacques Clouseau | |
| Robert Wagner | ... | George Lytton | |
| Capucine | ... | Simone Clouseau | |
| Brenda De Banzie | ... | Angela Dunning (as Brenda de Banzie) | |
| Colin Gordon | ... | Tucker | |
| John Le Mesurier | ... | Defence Barrister (as John LeMesurier) | |
| James Lanphier | ... | Saloud | |
| Guy Thomajan | ... | Artoff | |
| Michael Trubshawe | ... | Felix Townes | |
| Riccardo Billi | ... | Aristotle Sarajos | |
| Meri Welles | ... | Monica Fawn (as Meri Wells) | |
| Martin Miller | ... | Pierre Luigi - Photographer | |
| Fran Jeffries | ... | Greek 'cousin' | |
| Claudia Cardinale | ... | Princess Dahla | |
| rest of cast listed alphabetically: | |||
| John Bartha | ... | Policeman (uncredited) | |
| William Bryant | ... | Policeman (uncredited) | |
| Mario Fabrizi | ... | Hotel manager (uncredited) | |
| Eugene Walter | ... | Hotel manager (English dubbing) (uncredited) | |
Directed by | |||
| Blake Edwards | |||
Writing credits | ||
| Maurice Richlin | (screenplay) and | |
| Blake Edwards | (screenplay) | |
Produced by | |||
| Dick Crockett | .... | associate producer | |
| Martin Jurow | .... | producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Philip H. Lathrop | (as Philip Lathrop) | ||
Film Editing by | |||
| Ralph E. Winters | |||
Art Direction by | |||
| Fernando Carrere | |||
Set Decoration by | |||
| Reg Allen | (as Reginald Allen) | ||
| Arrigo Breschi | |||
| Jack Stevens | |||
Makeup Department | |||
| Amalia Paoletti | .... | hair stylist | |
| Euclide Santoli | .... | makeup artist | |
| Michele Trimarchi | .... | makeup artist (as Michele Tremarchi) | |
| Giancarlo De Leonardis | .... | hair stylist (uncredited) | |
Production Management | |||
| Guy Luongo | .... | production supervisor | |
| Jack McEdward | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ottavio Oppo | .... | assistant director | |
| Owen Crump | .... | second unit director (uncredited) | |
Art Department | |||
| Mickey Lennon | .... | chargehand dressing prop (uncredited) | |
| Italo Tomassi | .... | head scenic painter (uncredited) | |
Sound Department | |||
| Alexander Fisher | .... | sound | |
| Gilbert D. Marchant | .... | sound effects editor | |
| Sash Fisher | .... | sound (uncredited) | |
Special Effects by | |||
| Lee Zavitz | .... | special effects | |
Stunts | |||
| Dick Crockett | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| John Burton Jr. | .... | camera operator: animation (uncredited) | |
| Bill Geddes | .... | camera grip (uncredited) | |
| Richard H. Kline | .... | camera operator (uncredited) | |
Animation Department | |||
| Warren Batchelder | .... | animator: main titles (uncredited) | |
| Dale Case | .... | animator: main titles (uncredited) | |
| George DeLado | .... | background artist: main titles (uncredited) | |
| David H. DePatie | .... | animation producer (uncredited) | |
| Friz Freleng | .... | animation producer (uncredited) | |
| Manny Gould | .... | animator: main titles (uncredited) | |
| George Grandpré | .... | animator: main titles (uncredited) | |
| Laverne Harding | .... | animator: main titles (uncredited) | |
| Harry Love | .... | production coordinator: animation (uncredited) | |
| Bob Matz | .... | animator: main titles (uncredited) | |
| Norm McCabe | .... | animator: main titles (uncredited) | |
| Tom O'Loughlin | .... | background artist: main titles (uncredited) | |
| Manuel Perez | .... | animator: main titles (uncredited) | |
| Hawley Pratt | .... | director: animation sequence (uncredited) | |
| Dick Ung | .... | layout artist: main titles (uncredited) | |
| Don Williams | .... | animator: main titles (uncredited) | |
Costume and Wardrobe Department | |||
| Annalisa Nasalli-Rocca | .... | wardrobe supervisor (as Annalisa Rocca) | |
| Yves Saint-Laurent | .... | wardrobe: Claudia Cardinale and Capucine (as Yves St. Laurent) | |
| William Ware Theiss | .... | wardrobe consultant (as William Theiss) | |
Editorial Department | |||
| Marshall M. Borden | .... | assistant editor | |
| David B. Zinnemann | .... | assistant editor | |
| Lee Gunther | .... | film editor: animation (uncredited) | |
Music Department | |||
| Richard Carruth | .... | music editor | |
| Bob Bain | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Eddie Frewin | .... | transportation chief (uncredited) | |
Other crew | |||
| Betty A. Griffin | .... | script supervisor (as Betty Abbott) | |
| James Lanphier | .... | dialogue coach | |
| Corny Cole | .... | lead graphic designer: main titles (uncredited) | |
| Ralph M. Leo | .... | production accountant (uncredited) | |
| Hermes Pan | .... | choreographer (uncredited) | |
Der rosarote Panther (West Germany) [de]
La pantera Rosa (Spain) [es]
La pantera rosa (Italy) [it]
La panthère Rose (France) [fr]
O Roz Panthir (Greece) [el]
Pembe panter (Turkey: Turkish title) [tr]
Rozowa Pantera (Poland) [pl]
Vaaleanpunainen pantteri (Finland) [fi]
more
115 min
Color (Technicolor)
2.20 : 1 more
4-Track Stereo (Westrex Recording System)
Canada:G (Nova Scotia/Quebec) | Canada:PG (Manitoba/Ontario) | Iceland:L | Portugal:M/12 | Brazil:Livre | Argentina:Atp | Finland:S | France:U | Ireland:PG | Netherlands:AL | Norway:12 (re-rating) | Norway:16 (original rating) | Sweden:Btl | UK:PG | USA:Approved (certificate #20449) | West Germany:12 | Singapore:PG | Australia:PG
The film was intended to have David Niven's character Sir Charles Lytton as the main character. However, Peter Sellers' portrayal of Inspector Clouseau was so loved by the crew (and later by the audience) it became his character this film and the sequels focused on. more
Continuity: When Clouseau comes back to the bedroom with the violin case, he puts it on the armchair. Later he sits down and the case isn't there no more. more
[first lines]
Gem dealer 1:
As in every stone of this size, there is a flaw.
Sultan:
A flaw?
Gem dealer 2:
The slightest flaw, your excellency.
Gem dealer 1:
If you look deep into the stone, you will perceive the tiniest discoloration. It resembles an animal.
Sultan:
An animal?
Gem dealer 1:
A little panther.
Sultan:
Yes! A pink panther. Come here, Dala. A gift to your father from his grateful people. Some day it will be yours. The most fabulous diamond in all the world. Come closer.
more
Referenced in "The Brady Bunch Hour: (#1.5)" (1977) more
It Had Better Be Tonight more
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| The Pink Panther 2 | The Return of the Pink Panther | A Shot in the Dark | Revenge of the Pink Panther | The Pink Panther |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
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The one that started it all and set `Clouseau' on the path to becoming Chief Inspector, `The Pink Panther,' directed by Blake Edwards, stars David Niven and Peter Sellers. This film is memorable for a number of reasons, primarily for being the first in a tremendously successful (and funny) series which would ultimately showcase one of the world's favorite cinematic policemen, the bumbling Jacques Clouseau (Sellers). it also introduced His Royal Pinkness, the Panther himself, to the format of the feature length motion picture. And can anyone remember a time before Henry Mancini's familiar theme existed?
Being the first, of course, makes this the prototype, and though it's a good movie, it's obvious that the formula for success which the following films in the series employed had not yet been honed to perfection. Consequently, though funny, the hilarity level of this one is comparatively low, though it does have it's moments, the best of which involve Clouseau.
From the day it premiered, it was readily apparent that what really made it a go was Sellers; and Edwards and his team have to be given credit for recognizing it immediately. Often a sequel fails because the filmmaker has attempted to capitalize on an element of the original that seemingly made it good, only to discover that what the poet once said is true: You can never go home again. Merely expanding the part that worked before doesn't insure success; usually, in fact, quite the opposite is true, as without fail it becomes a matter of overkill (The Penguin was no Joker, and those participating in `The Return of the Seven' weren't so `magnificent' after all). There are the exceptions, of course, like the `Stars Wars' saga, the `Indiana Jones' movies and, it goes without saying, the `Panther' films.
Edwards was clever enough to discern that key element in the original, and not only expand upon it for the sequels, but fine tune it as he did so. In developing his formula he seemed to possess an innate sense of what was funny, even from an objective point of view-- which is amazing, given that comedy is probably the most subjective of genres. And then again, he had the inimitable Sellers as his star, which was certainly no hindrance to their combined efforts.
It's interesting to watch this movie again, especially after seeing the rest of the series, as you're seeing Clouseau in his raw stage of development; the accent is not yet as pronounced as it will be later, and his `denseness' is not quite refined yet. But funny he is, even as he experiments, searching for that perfect comedic note (which he would finally find in `The Pink Panther Strikes Again'). Seller's performance is the highlight of the movie, and it gave birth to what would become one of the defining characters of his career. From the first moment Clouseau appears on screen, you know that you're about to be treated to something special. And Sellers never disappoints-- from that first frame on, he is a joy to watch.
David Niven, meanwhile, lends an air of sophistication to the proceedings as the suave and debonair, legendary jewel thief, Sir Charles Litton. Though not a unique character, Niven plays him well, exuding the kind of charm possibly only Cary Grant could have matched at the time. As usual, he brings a smooth presence to the screen, he plays comedy well and the facility with which he brings Litton to life is impressive. Watching Niven and Sellers together calls to mind the pairing of Michael Caine and Steve Martin some years later in `Dirty Rotten Scoundrels.'
The supporting cast includes Robert Wagner (George Litton), Capucine (Simone), Brenda De Banzie (Angela), Colin Gordon (Tucker) Fran Jeffries (Greek `Cousin') and the lovely Claudia Cardinale as Princess Dala. Sellers created a number of characters during his career that will live forever, but with `The Pink Panther' he carved out a special niche for himself when he created Clouseau. There's never been anyone else quite like Clouseau (or Sellers, for that matter), and it's doubtful there ever will be again. As for the movie itself, there's no denying it's place of significance in the history of the movies as the one that kicked off a series that made the world laugh-- and thanks to the magic of DVD/video, that laughter continues on, unabated, today-- with no end in sight. That's the magic of Sellers, and it's all a part of the magic of the movies. I rate this one 7/10.