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The Fall of the Roman Empire
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The Fall of the Roman Empire (1964) More at IMDbPro »

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Overview

User Rating:
6.6/10   2,957 votes
MOVIEmeter: ?
Down 1% in popularity this week. See why on IMDbPro.
Director:
Writers:
Ben Barzman (written by) &
Basilio Franchina (written by) ...
(more)
Contact:
View company contact information for The Fall of the Roman Empire on IMDbPro.
Release Date:
26 March 1964 (USA) more
Genre:
Tagline:
The Most Magnificent Re-Creation . . . Of An Ancient Empire . . . Launches A New Epoch In Motion Pictures . . .
Plot:
Action-packed look at the beginnings of the fall of the Roman Empire. Here is the glory, the greed and grandeur that was Rome... more | add synopsis
Awards:
Nominated for Oscar. Another 1 win more
NewsDesk:
The Fall Of The Roman Empire
 (From The AV Club. 6 May 2008, 9:05 PM, PDT)

User Comments:
Amazingly bad in spots, but surprisingly interesting more (74 total)

Cast

  (in credits order) (verified as complete)

Sophia Loren ... Lucilla

Stephen Boyd ... Livius

Alec Guinness ... Marcus Aurelius

James Mason ... Timonides

Christopher Plummer ... Commodus
Anthony Quayle ... Verulus
John Ireland ... Ballomar

Omar Sharif ... Sohamus
Mel Ferrer ... Cleander
Eric Porter ... Julianus
Finlay Currie ... Senator
Andrew Keir ... Polybius
Douglas Wilmer ... Niger
George Murcell ... Victorinus
Norman Wooland ... Virgilianus
Michael Gwynn ... Cornelius
Virgilio Teixeira ... Marcellus (as Virgilio Texera)
Peter Damon ... Claudius
Rafael Calvo ... Lentulus
Lena von Martens ... Helva (as Lena Von Martens)
rest of cast listed alphabetically:
Roland Carey ... Barbarian (uncredited)

Margaret Fuller ... Part of Court (uncredited)
Gabriella Licudi ... Tauna (uncredited)
Jeffrey O'Kelly ... Brother of Livius (uncredited)
Robert Rietty ... Opening narration (uncredited)
Guy Rolfe ... Marius (uncredited)
Friedrich von Ledebur ... Barbarian (uncredited)
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Directed by
Anthony Mann 
 
Writing credits
Ben Barzman (written by) &
Basilio Franchina (written by) &
Philip Yordan (written by)

Produced by
Samuel Bronston .... producer
Jaime Prades .... associate producer
Michal Waszynski .... executive associate producer (as Michael Waszynski)
 
Original Music by
Dimitri Tiomkin 
 
Cinematography by
Robert Krasker 
 
Film Editing by
Robert Lawrence 
 
Casting by
Maude Spector 
 
Production Design by
Veniero Colasanti 
John Moore 
 
Set Decoration by
Veniero Colasanti 
John Moore 
 
Costume Design by
Veniero Colasanti 
John Moore 
 
Makeup Department
Grazia De Rossi .... hair stylist
Mario Van Riel .... makeup artist
José Luis Pérez .... assistant makeup artist (uncredited)
 
Production Management
C.O. Erickson .... executive production manager
Tadeo Villalba .... unit manager (uncredited)
 
Second Unit Director or Assistant Director
Yakima Canutt .... second unit director
José López Rodero .... assistant director: first unit
José María Ochoa .... assistant director: second unit
Andrew Marton .... second unit director (uncredited)
Julio Sempere .... second second assistant director (uncredited in original version)
 
Art Department
Stanley Detlie .... master of properties
José María Alarcón .... assistant set decorator (uncredited)
Luciano Arroyo .... storyboard artist (uncredited)
Julián Martín .... painter (uncredited)
Vicente Sempere Sempere .... assistant art director (uncredited)
Italo Tomassi .... head scenic painter (uncredited)
 
Sound Department
Milton C. Burrow .... sound effects editor (as Milton Burrow)
David Hildyard .... sound mixer
Gordon K. McCallum .... sound re-recordist
Otto Snel .... sound recordist (uncredited)
 
Special Effects by
Alex Weldon .... special effects
 
Stunts
Jerry Brown .... stunts (uncredited)
Tap Canutt .... stunts (uncredited)
Jack Williams .... stunts (uncredited)
 
Camera and Electrical Department
John Harris .... camera operator
Cecilio Paniagua .... camera operator: second unit
Bruno Pasqualini .... supervising electrician
Vincent Rossell .... still photographer (uncredited)
 
Costume and Wardrobe Department
Gloria Musetta .... wardrobe
 
Editorial Department
Magdalena Paradell .... assistant to editor
 
Music Department
George Korngold .... music editor
Dimitri Tiomkin .... conductor
Cecil Bolton .... orchestrator (uncredited)
Frank Comstock .... orchestrator (uncredited)
Robert Docker .... orchestrator (uncredited)
George Parrish .... orchestrator (uncredited)
David Tamkin .... orchestrator (uncredited)
Herbert Taylor .... orchestrator (uncredited)
 
Other crew
Samuel Bronston .... presenter
Will Durant .... consultant
Carl Gibson .... supervising technician
Maciek Piotrowski .... title backgrounds and murals
Elaine Schreyeck .... continuity
George Tyne .... dialogue coach
Enzo Musumeci Greco .... master of arms (uncredited)
Friedrich von Ledebur .... horse master (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Der Untergang des römischen Reiches (Austria) (West Germany) [de]
La caída del imperio romano (Argentina) (Spain) [es]
A Queda do Império Romano (Brazil) [pt]
A római birodalom bukása (Hungary) [hu]
I ptosis tis Romaikis Aftokratorias (Greece) [el]
La caduta dell'impero romano (Italy) [it]
La chute de l'empire romain (France) [fr]
Romarrikets fall (Sweden) [sv]
Romerrigets fald (Denmark) [da]
Rooman valtakunnan tuho (Finland) [fi]
Upadek cesarstwa rzymskiego (Poland) [pl]
more
Runtime:
188 min | Sweden:172 min (1970 re-release) | Sweden:176 min | Argentina:184 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.20 : 1 more
Sound Mix:
Mono (35 mm optical prints) | 70 mm 6-Track (Westrex Recording System)

Fun Stuff

Trivia:
Budgeted at about $20 million, this was Paramount's biggest flop of 1964. Its failure cost producer Samuel Bronston his Spanish production facility. more
Goofs:
Continuity: During the funeral pyre of Marcus Aurelius, which Commodus and Livius are holding the torch, their hands move further away from the flame between shots. more
Quotes:
Livius: [standing over body of Timonides] What happened, gentle Greek? Did you try to tell them there were three possibilities? Did you not know there was a fourth? This!
[picks up and throws spear away]
Lucilla: This is the way they answer to reason and now even you must see, this is the only way to answer them.
Livius: He does not seem dead to me, I can still feel his life, hear his words. Tell me what I must do in his name.
[yelling]
Livius: March the army into Rome and drown the city in blood!
Lucilla: [uncovering the Christian cross Timonides wore around his neck] He was my father's friend and a wise man.
[...]
more
Movie Connections:

FAQ

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14 out of 20 people found the following comment useful.
Amazingly bad in spots, but surprisingly interesting, 20 September 2005
4/10
Author: (reggie_nepomuceno) from United States

I found this movie interesting for two reasons: 1) I love historical epics 2) It was so surprisingly awful in spots for such a great cast and obviously large budget.

There was some good acting here, but it seems everyone had some really bad moments in front of the camera. This is probably the first movie I've seen were Alec Guinness (as Marcus Aurelius) is just awful. His portrayal of a dying Caesar is lifeless (pun intended) and flat. His character was totally lacking the charisma one might expect from a great caesar. The scene of him greeting the representatives of the Roman provinces seems to last any eternity, seeming to even strain Alec Guinness' attention span.

James Mason on the most part was good, but even his acting was rather comical in the scene in which he is being tortured/tested by the Barbarians in a cave.

Christopher Plummer and Stephen Boyd, as Commodus and Livius, are both unintentionally comical (I think) in their early scenes together, especially in the scenes were they are reunited after an apparently long separation. The scenes were meant to show their long standing friendship since childhood, but instead it looks like two 30 year olds acting as 14 year olds. Stephen Boyd is fairly pan-faced throughout the movie, however, Christopher Plummer's performance at least gets more interesting as the movie progresses.

The dialog between Sophia Loren, as Lucilla, and Stephen Boyd was stilted and lacking the real emotion of lovers. At least Plummer was capable of extracting some passion out of Boyd in their scenes together.

As far as production/direction/editing, they obviously had plenty of film at their disposal, as there frequently were long drawn out scenes of inconsequential marching, parades, etc (or perhaps I'm just use to the MTV-age quick cutting). The musical score was almost comical, as highly dramatic scenes would be underscored by fairly light-hearted music. And why do all the Barbarians look like they have yellow mops on their heads? And why do they look like cavemen? Overall, however, somehow this movie held my attention, both for the story it had to tell and for how awe-inspiringly bad it is for such a grand spectacle.

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